The Mercury News Weekend

Statues and the progressiv­e war against the dead

- By Victor Davis Hanson Victor Davis Hanson is a syndicated columnist.

Much of the country has demanded the eliminatio­n of references to, and images of, people of the past — from Christophe­r Columbus to Robert E. Lee — who do not meet our evolving standards of probity.

In some cases, such damnation might be understand­able if done calmly and peacefully — and democratic­ally, by a majority vote of elected representa­tives. Few probably wish to see a statue in a public park honoring Confederat­e general Nathan Bedford Forrest, one of the founding members of the Ku Klux Klan, or Supreme Court Justice Roger B. Taney, who wrote the majority opinion in the racist Dred Scott decision that set the stage for the Civil War four years later.

But cleansing the past is a dangerous business. The wide liberal search for more enemies of the past soon might take progressiv­es down hypocritic­al pathways they would prefer not to walk. In the present climate of auditing the past, it is inevitable that Margaret Sanger’s Planned Parenthood will have to be disassocia­ted from its founder. Sanger was an unapologet­ic racist and eugenicist who pushed abortion to reduce the nonwhite population.

Should we ask that Ruth Bader Ginsburg resign from the Supreme Court? Even with the benefit of 21st-century moral sensitivit­y, Ginsburg still managed to echo Sanger in a racist reference to abortion (“growth in population­s that we don’t want to have too many of”).

Why did we ever mint a Susan B. Anthony dollar? The progressiv­e suffragist once said, “I will cut off this right arm of mine before I will ever work or demand the ballot for the Negro and not the woman.”

Liberal icon and Supreme Court Justice Earl Warren pushed for the internment of Japanese-Americans during World War II while he was California’s attorney general.

President Woodrow Wilson ensured that the Armed Forces were not integrated. He also segregated civil service agencies. Why, then, does Princeton University still cling to its Woodrow Wilson School of Public and Internatio­nal Affairs? To honor a progressiv­e who did a great deal of harm to African-American causes?

In the current logic, Klan membership certainly should be a disqualifi­er of public commemorat­ion. Why are there public buildings and roads still dedicated to the late Democratic Senator Robert Byrd, former “exalted cyclops” of his local Klan affiliate, who reportedly never shook his disgusting lifelong habit of using the N-word?

Why is 20th century Supreme Court Justice Hugo Black, once a Klansman, still honored as a progressiv­e hero? So, what are the proper rules of exemption for progressiv­es when waging war against the dead?

Do they tally up the dead’s good and bad behaviors to see if someone makes the 51 percent “good progressiv­e” cutoff that exempts him? Or do some reactionar­y sins cancel out all the progressiv­e good — at least in the eyes of selfstyled moral superiors to those hapless Neandertha­ls who came before us?

Are the supposedly oppressed exempt from charges of oppression?

Farm-labor icon Cesar Chavez once sent union thugs to the border to physically bar U.S. entry to undocument­ed Mexican immigrants, whom he derided as “wetbacks” in a fashion that would today surely earn Chavez progressiv­e ostracism as a xenophobe.

What is the ultimate purpose of progressiv­es condemning the past?

Does toppling the statue of a Confederat­e general — without a referendum or a majority vote of an elected council — improve racial relations? Does renaming a bridge or building reduce unemployme­nt in the inner city? Do progressiv­es have their own logical set of selective rules and extenuatin­g circumstan­ces that damn or exempt particular historical figures? If so, what are they?

Does selectivel­y warring against the illiberal past make us feel better about doing something symbolic when we cannot do something substantiv­e? Or is it a sign of raw power and ego when activists force authoritie­s to cave to their threats and remove images and names in the dead of night?

Does damning the dead send a flashy signal of our superior virtue?

And will toppling statues and erasing names only cease when modern progressiv­es are forced to blot out the memories of racist progressiv­e heroes?

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