The Mercury News Weekend

What is the violence in American cities all about?

- By Victor Davis Hanson Victor Davis Hanson is a syndicated columnist.

It is hard to tell what the current revolution­ary violence in our major cities is all about.

So far, scores of police have been injured, dozens of people have been killed and we have seen billions of dollars in property and collateral damage.

Ostensibly, many of the summer demonstrat­ions were in protest over the gruesome detention and death of George Floyd while in Minneapoli­s police custody on May 25.

Yet three months later, few of those trying to burn down a Portland, Oregon, police precinct — with police barricaded inside — or looting the high-end boutiques of Chicago’s Magnificen­t Mile, or indiscrimi­nately beating up innocent pedestrian­s, appear to be driven by Floyd’s death.

Apologists argue that the perfect-storm furor of June, July and August was the dividend of a collective six-month fear over the COVID-19 pandemic that has, as of this writing, killed more than 180,000 Americans.

Some cite furor directed at President Donald Trump, the tensions of an election year and the weaponizat­ion of almost every current issue by both political parties.

Still others claim the violence is mostly careerist-driven. Demands are made to fire ideologica­l enemies and hire partisan friends. If the old guard is banished, then their lucrative billets can be snapped up by a new woke generation. Demagogues see political careers birthed with the bullhorn.

Why do liberal authors and artists fear there is a new McCarthyit­e cancel culture that threatens to take out even progressiv­e sympathize­rs? Why do city government­s defund police department­s at the very moment vulnerable residents are most fearful for their safety?

Note that there are rarely demands from antifa for new statues, given that the protesters’ own heroes are often more flawed than the historical figures whose statues they deface and destroy. What, then, is going on?

As with most cultural revolution­s that wish to start things over at “year zero,” the violence is aimed at America’s past in order to change its present and future.

The targets are not just the old majority culture but also classical statues and buildings, hallowed institutio­ns, religious icons, the renowned names of streets and plazas and almost every representa­tion of tradition and authority.

For the majority of Americans who do not buy into the revolution, it all seems so surreal, and hypocritic­al.

Only a despised, dynamic American economy allows millions to divorce from it for a summer of protest.

A ridiculed U.S. Constituti­on ensures that looters and arsonists have due process. The Bill of Rights guarantees peaceful assembly and electrical­ly amplified profanity rarely protected elsewhere.

Affirmativ­e action; federally ensured and subsidized college grants and loans; and cheap smartphone­s, headphones and laptops all give youth choices unimagined in the past.

No matter — cultural revolution­s are incoherent and nihilist.

The Bolsheviks were less interested in substituti­ng an elected prime minister for the Russian czar than in grabbling power and murdering millions of their enemies.

Mao Zedong did not just hate the warlords, landlords, Mandarins and Nationalis­ts. He wished to reinvent 1 billion Chinese in his own narcissist­ic image by first killing millions.

There is, of course, reason to oversee the police more effectivel­y. Universiti­es are partly culpable for a collective

$1.4 trillion in student loan debt.

Globalizat­ion eroded the middle class. Inner-city America is far too violent, and far too neglected.

But these are not the apparent concerns of those who carry off shoes and phones in U-Hauls, kick the unconsciou­s on the pavement, destroy art and sculptures or seek to torch public buildings with public servants inside.

The point of the mob is to wipe out what it cannot create. It topples what it can neither match nor even comprehend.

It would erode the very system that ensures it singular freedom, leisure and historic affluence.

The brand of the anarchist is not logic but envy-driven power: to take it, to keep it, and to use it against purported enemies, which would otherwise be impossible in times of calm or through the ballot box.

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