The Mercury News

Don’t wait: Great Bay Area museum exhibits closing.

Bay Area museums offer some wildly diverse “itinerarie­s” via exhibits running for just a few more weeks. They provide a respite from the season’s blustery storms and SIX EXHIBITS THAT HAVE THE POWER TO CONVEY YOU TO OTHER WORLDS ARE IN THEIR WANING DAYS A

- Robert Taylor ❘❘ Correspond­ent Contact Robert Taylor, Correspond­ent at rtaylorsf@ aol.com.

SAN FRANCISCO MUSEUM OF MODERN ART, “BRUCE CONNER: IT’S ALL TRUE”:

As a painter, sculptor, photograph­er and filmmaker, Conner (1933-2008) was almost too versatile and quirky to make it into the pantheon of modern artists. SFMOMA makes his case in this vast exhibit, in the city where he spent much of his life.

Conner represents the dark side of American art in his era, and his films remain masterwork­s. The stunning black-and-white montages include everything from a 1946 nuclear bomb test to a gyrating go-go dancer. This is a rare chance to see a full film program on a big screen.

Details: Through Jan. 22; 151 Third St., San Francisco; 10 a.m.-5 p.m. Friday-Tuesday, 10 a.m.-9 p.m. Thursday; $19-$25, free for visitors 18 and younger; 415-357-4000, sfmoma.org.

LEGION OF HONOR MUSEUM, “THE BROTHERS LE NAIN — PAINTERS OF 17TH-CENTURY PARIS”:

Longing for a museum exhibit of actual oil paintings, in ornate frames, with recognizab­le subjects? Antoine, Louis and Mathieu Le Nain provide them in this show from the Louvre Museum.

The Le Nains are best known for detailed scenes of life in France in the 1600s, city and countrysid­e, peasant families and soldiers. (There’s a “Three Musketeers” connection.) But the stunning larger works include commanding Crucifixio­n scenes and “Nativity of the Virgin,” an altarpiece from Notre Dame Cathedral.

Details: Through Jan. 29; 34th Avenue and Clement Street, Lincoln Park, San Francisco; 9:30 a.m.-5:15 pm. Tuesday-Sunday; $13-$22; 415-750-3600, legionofho­nor.famsf.org.

SAN JOSE MUSEUM OF ART, “BEAUTY — COOPER HEWITT DESIGN TRIENNIAL”:

Forget textbook definition­s of art and beauty. This exhibit from the Smithsonia­n Institutio­n’s design museum in New York takes a wild ride into the future of art-making. It’s selected from an internatio­nal invitation­al competitio­n.

Silicon Valley couldn’t be a more appropriat­e venue for these 200 works by cutting-edge artists, from a fashionabl­e 3-D printed vest to a curvaceous walkthroug­h pavilion that feels like a magical spider web. Some designs are experiment­s in polyvinyl chloride or bonded nylon; others are already on sale in upscale houseware shops.

Details: Through Feb. 19; 11 a.m.-5 p.m. TuesdaySun­day, to 8 p.m. Jan. 19 and Feb. 16; $5-$10; 408-2716840, www.SanJoseMus­eumofArt.org.

THE MEXICAN MUSEUM, “FASCINATIO­N WITH FAUNA”:

The ceramic dogs, birds and rabbits in this exhibit look like toys, and some may actually have been that centuries ago in Mexico, Central America and Peru. But most were sacred figures or ritual objects, buried to join the dead in the underworld.

Don’t miss the delicate tripod vessel that has survived for at least 1,000 years and the charming little bat god. These dozens of objects are a preview of the collection that will be displayed when the museum moves to a permanent, much larger building in downtown San Francisco, probably in 2018.

Details: Through Feb. 26; Fort Mason Center, Building D, Marina Boulevard at Buchanan Street, San Francisco; noon-4 p.m. Thursday-Sunday; free; 415-202-9700, www.mexicanmus­eum.org.

OAKLAND MUSEUM OF CALIFORNIA, “ALL POWER TO THE PEOPLE — BLACK PANTHERS AT 50”:

The Oakland Museum becomes something like Washington’s “Newseum” for this exhibit, which charts the history and influence of what began as “The Black Panther Party for Self Defense.”

The goal is to find new inspiratio­n in the AfricanAme­rican empowermen­t movement (based in Oakland), which included health and food services as well as political action. The founding “Ten Point Program” fills one gallery wall, and FBI files on the Panthers fill another. News photos, films, banners and posters dramatical­ly bring the past into the present.

Details: Extended through Feb. 26; Tenth and Oak Streets, Oakland; 11 a.m.-5 pm. Wednesday-Thursday, 11 a.m.-9 p.m. Friday, 10 a.m.-6 p.m. Saturday-Sunday; $6.95-$15.95; 888-625-6873, museumca.org.

In the New York cultural scene of the 1950s and ‘60s, Frank Stella helped change the direction of modern art. His “black paintings” revealed barely visible pinstripes. His geometrics contrasted with the big, blurry Abstract Expression­ist canvases.

This sprawling exhibition covers Stella’s entire career. It includes fluorescen­t striped paintings with names like “Marrakech,” interlocki­ng works from the “protractor” series and others that break free of frames. Add some flamboyant recent sculptures, and it’s a 50-year history of American modern art.

Details: Through Feb. 26; 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco; 9:30 a.m.-5:15 p.m. Tuesday-Sunday; $15-$25; 415-750-3600, deyoung. famsf.org.

 ?? © WWW.FERNANDOLE­SSA.COM.BR ?? A wearable sculpture in fiberglass, polyuretha­ne and rubber from Ana Rajcevi's ANIMAL: The Other Side of Evolution collection (2012) is featured in “Beauty” at San Jose Museum of Art.
© WWW.FERNANDOLE­SSA.COM.BR A wearable sculpture in fiberglass, polyuretha­ne and rubber from Ana Rajcevi's ANIMAL: The Other Side of Evolution collection (2012) is featured in “Beauty” at San Jose Museum of Art.
 ?? PHOTO BY AMGUEDDFA GENEDLAETH­OL CYMRU/NATIONAL GALLERY OF WALES ?? “Soldiers Playing Cards (A Quarrel),” from 1640, is among some 40 works in the exhibition “The Brothers Le Nain: Painters of 17th-Century France” at San Francisco's Legion of Honor.
PHOTO BY AMGUEDDFA GENEDLAETH­OL CYMRU/NATIONAL GALLERY OF WALES “Soldiers Playing Cards (A Quarrel),” from 1640, is among some 40 works in the exhibition “The Brothers Le Nain: Painters of 17th-Century France” at San Francisco's Legion of Honor.
 ?? © 2016 CONNER FAMILY TRUST, SAN FRANCISCO ?? Bruce Conner’s “Crossroads” (1976), a short 35-mm film, is featured in “Bruce Conner: It’s All True.”
© 2016 CONNER FAMILY TRUST, SAN FRANCISCO Bruce Conner’s “Crossroads” (1976), a short 35-mm film, is featured in “Bruce Conner: It’s All True.”
 ??  ??
 ?? MEXICAN MUSEUM ?? This ceramic bowl with a rabbit face is from the 9001200 A.D. period in central Mexico.
MEXICAN MUSEUM This ceramic bowl with a rabbit face is from the 9001200 A.D. period in central Mexico.
 ?? OAKLAND MUSEUM OF CALIFORNIA ?? A Huey Newton poster is part of the “All Power to the People” exhibit in Oakland.
OAKLAND MUSEUM OF CALIFORNIA A Huey Newton poster is part of the “All Power to the People” exhibit in Oakland.
 ?? © 2016 FRANK STELLA/ARTISTS RIGHTS SOCIETY, NEW YORK ?? Frank Stella’s “Harran II,” from 1967 is a display of intersecti­ng concentric circles, squares and triangles.
© 2016 FRANK STELLA/ARTISTS RIGHTS SOCIETY, NEW YORK Frank Stella’s “Harran II,” from 1967 is a display of intersecti­ng concentric circles, squares and triangles.

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