10 ways amateur painters show their inexperience, plus pro tips
Novelist Anne Tyler recently was asked whether she ever reread her own books. She replied that doing so “always feels like lying awake in a bedroom I’ve painted myself. The mistakes are so noticeable and so upsetting.”
I can relate. When I look back on my past writing, I close one eye and squint the other. And I, too, have looked up in a room I have painted myself to see the missed spots, the petrified drips, the crooked edges. It’s humbling.
Which is why — because picky has a price — I hire professionals. This past week, a crew of painters canvassed my new house, painting every wall, while I marveled at how effortlessly they worked. They executed the prepping, taping, tarping and color application like a well-choreographed ballet.
So I talked with Jerry White, owner of JW Painting of Orlando, Florida, and his lead interior painter, Jessica Reed. Here are 10 telltale signs that an amateur is on the job, along with professional tips:
Outlets are painted over. A sure sign that an amateur painted a room is that the electrical outlets or switches are painted over. Slacker, you have to take them off and paint around switches and plugs.
Nail holes have too much spackle. Nonpros tend to overfill nail holes, so patches look obvious. Just use a tiny amount of spackle and don’t let it extend beyond the edges. The hole should disappear when painted over.
They use masking tape. Using masking tape instead of blue painter tape is another non-pro move. Masking tape leaves a sticky residue that paint won’t cover easily. Pros also know to stick the tape along the baseboards with precision, and to let it stick out 90 degrees from the wall to catch drips. “Your line is only as good as your tape job,” Reed said.
They have a blind spot when it comes to color. Professionals can often foresee how a swatch will translate, and can see a paint mistake before it hits the wall. After sharing last week that I painted a dozen 12-inch squares of drywall a variety of colors to test them, a reader told me (too late) about Small Wall. Available at Sherwin-Williams stores, these 1-foot-square, lightweight, adhesivebacked paint boards let you paint your test color on the board and stick it to the wall. The nonaggressive adhesive lets you reposition the board, so you can see the color on different walls in different lights and against other colors.
Their lines aren’t straight. A crisp, straight line where color meets ceiling or trim is the hallmark of a pro paint job. White says it’s all in the brush, though practice helps. “Don’t buy a cheap brush,” he said, “or you will end up with a mess.” A good brush will cost you $20 to $30, but will help you get those crisp lines.
They skimp on roller covers. Likewise, though it’s tempting to buy cheaper roller covers, which often have thin pile, spending a bit more for a roller with a thick ¾-inch pile will let you apply more paint, more easily and uniformly, White said. They use cheap paint. “The price difference between the lowest-cost paint in a line and premium quality is not that much,” White said, “but well worth it.” You get better coverage, a better look and more durability. Although he’s not a fan of gimmick paints (lines with fancy names), he recommends buying paint that’s a little better than midgrade.
They don’t know what products work together. A pro knows what can and can’t go over what. For instance, if you put latex paint over oilbased paint, it will peel off. DIYers should consult with the experts at the paint store.
They go too easy on the paint. Pros know to lay paint on thick. A wall needs to have a certain paint thickness for the coverage to last. Using good quality paint, a good roller and a couple of coats will yield professional results.
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They leave a mess. Non-pros often leave roller marks of wall color on the ceiling, drops on the floor, and the lower half of walls not completely covered. To avoid ceiling marks, first cut in with a brush, painting several inches from the top and bottom of walls; then roll paint in the middle. Use cloth tarps, not plastic. “And keep looking back and back roll as you paint forward,” Reed said. “Don’t just focus on what you see from the waist up. Give the lower wall equal attention.”