The Mercury News

Bay Area blooming with a lively array of recitals

- By Randy McMullen rmcmullen@ bayareanew­sgroup.com

Dance fans are probably in heaven right now. The next two weeks feature some of the country’s top troupes performing at Bay Area venues. Here’s a partial rundown of what’s on the way.

SMUIN CONTEMPORA­RY BALLET >> The popular San Francisco company is reprising its Dance Series 1 program this weekend in Mountain View, which is particular­ly good news for fans of Johnny Cash and Dave Brubeck. The program includes James Kudelka’s “The Man in Black,” a bitterswee­t ode to Cash in which dancers clad in country-western garb (including cowboy boots) perform to songs covered by the singer-songwriter legend. Also included is company member Rex Wheeler’s “Take Five,” set to the songs and distinctiv­e rhythms of Brubeck, and a revival of late company founder Michael Smuin’s lively “Carmina Burana.”

Smuin’s annual new works series Contempora­ry Showcase is slated for March 6-8 at the company’s new San Francisco digs. All performanc­es are listed as sold out, but check the company website to see if any seats become available. DETAILS >> Dance Series 1, 7:30 p.m. today and Friday, 2 and 7:30 p.m. Saturday, 2 p.m. Sunday; Mountain View Center for the Performing Arts; $25-$79; www.smuinballe­t.org.

NANCY KARP + DANCERS >> The adventurou­s East Bay troupe returns with another Karp-choreograp­hed sitespecif­ic work, titled “piano piano,” at the Dresher Ensemble Studio in West Oakland. The title, says Karp, is a reference to an Italian expression essentiall­y meaning “take your time,” and the performers will indeed unfold the work at a gradual pace through the building’s halls, balconies and central floor space. The work is set to music by Bay Area composer-sound engineer Jay Cloidt. DETAILS >> 8 p.m. today through Saturday, 3 p.m. Sunday; Dresher Ensemble Studio, Oakland; $25-$45; www.nancykarp.org.

WENDY WHELAN AND MAYA BEISER >> Whelan, a former principal dancer with New York City Ballet, teams with Beiser, the so-called “rock star cellist” out of New York, on the moody 9/11-themed “The Day.” The evening-length piece is choreograp­hed by another New York arts icon, Lucinda Childs, and set to music and words by David Lang. It comes to San Francisco this weekend, presented by San Francisco Performanc­es. DETAILS >> 7:30 p.m. today and Friday; Herbst Theatre, San Francisco; $45-$65; sfperforma­nces.org.

SAN FRANCISCO BALLET >> The company’s next program features a keenly anticipate­d revival of George Balanchine’s “A Midsummer Night’s Dream.” The legendary choreograp­her’s whimsical and romantic take on the Shakespear­e classic, which S.F. Ballet hasn’t performed in 34 years, is a family-friendly production with eye-popping sets and costumes and a cast of more than 100, including some 25 kids. DETAILS >> March 6-16; War Memorial Opera House, San Francisco; $35-$399; www. sfballet.org.

JOFFREY BALLET >> The acclaimed Chicago troupe returns to UC Berkeley to perform a program packed with Bay Area or West Coast premieres, including Nicolas Blanc’s “Beyond the Shore,” set to music by San Francisco composer Mason Bates, and Justin Peck’s “The Times Are Racing,” set to music by electronic composer Dan Deacon. DETAILS >> Presented by Cal Performanc­es; March 6-8; Zellerbach Hall, UC Berkeley; $21-$148; 510-642-9988, calperform­ances.org.

DORRANCE DANCE >> The acclaimed New York tap dance company led by Michelle Dorrance, who has performed with Stomp and Savion Glover, brings her troupe and her sound/choreograp­hy extravagan­za “SOUNDspace” to the Bay Area for two shows. DETAILS >> 7:30 p.m. March 7 at Weill Hall at Sonoma State University, Rohnert Park; $25-$75; gmc.sonoma. edu; 7:30 p.m. March 10 at Bing Concert Hall, Stanford; presented by Stanford Live; $40-$90; live.stanford. edu.

 ?? CHRIS HARDY — SMUIN BALLET ?? Smuin dancers Lauren Pschirrer and Ben NeedhamWoo­d perform in “Take Five,” set to Dave Brubeck’s jazz.
CHRIS HARDY — SMUIN BALLET Smuin dancers Lauren Pschirrer and Ben NeedhamWoo­d perform in “Take Five,” set to Dave Brubeck’s jazz.

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