Peter G. Davis, music critic of wide knowledge and wit, dies at 84
Peter G. Davis, who for over 30 years held sway as one of America’s leading classical music critics with crisp, witty prose and an encyclopedic memory of countless performances and performers, died Feb. 13. He was 84.
His death was confirmed by his husband, Scott Parris.
First as a critic at The New York Times and later at New York magazine, Davis wrote precise, sharply opinionated reviews of all forms of classical music, though his great love was opera and the voice, an attachment he developed in his early teens.
He presided over the field during boon years in New York in the 1960s and ’70s, when performances were plentiful and tickets relatively cheap, and when the ups and downs of a performer’s career provided fodder for cocktail parties and after-concert dinners, not to mention the notebooks of writers like Davis, who often delivered five or more reviews a week.
He wrote those reviews with a knowing, deadpan, at times world-weary tone. During a 1976 concert by Russian violinist Vladimir Spivakov, an activist protesting the treatment of Jews in the Soviet Union threw a paint bomb at the stage, splattering Spivakov and his accompanist. Davis wrote, “Terrorists must be extremely insensitive to music, for tossing paint at a violinist playing Bach’s ‘Chaconne’ is simply poor timing.”
He maintained faith in the traditions of classical music not for the sake of perpetuating the past but for their intrinsic power, and he looked askance at those who tried to update themjusttobetrendy.
In a 1977 review of the Bronx Opera’s staging of
“Fra Diavolo,” by 19th-century French composer Daniel Francois Auber, he decried what he saw as a “refusal to believe in the piece by treating it as an embarrassment, a work that needs a maximum of directorial gimmicks if the audience is to remain interested.”
He could be equally dismissive of new music and composers whom he thought overhyped. Minimalist composer Philip Glass and Beverly Sills (early on “a dependable, hardworking but not especially remarkable soprano” who became a star, he felt, only after her talents had peaked) were regular targets.
In a review of a performance of Glass’ work at Carnegie Hall in 2002, he wrote, “It was pretty much business as usual: the same simple-minded syncopations and jigging ostinatos, the same inane little tunes on their way to nowhere, the same clumsily managed orchestral climaxes.”
Which is not to say that Davis was a reactionary — he championed young composers and upstart regional opera companies. His great strength as a critic was his pragmatism, his commitment to assess the performance in front of him on its own terms while casting a skeptical eye at gimmickry.
“He was a connoisseur of vocal music of unimpeachable authority,” said Justin Davidson, a former classical music critic at Newsday who now writes about classical music and architecture for New York magazine. “He had a sense that the things he cared about mattered, that they were not niche, not just entertainment, but that they cut to the heart of what American culture was.”
Peter Graffam Davis was born March 3, 1936, in Concord, Massachusetts, outside Boston, and grew up in nearby Lincoln. His father, E. Russell Davis, was a vice president at the Bank of Boston. His mother, Susan (Graffam) Davis, was a homemaker.
Parris, whom he married in 2009, is his only immediate survivor.
Davis fell in love with opera as a teenager, building a record collection at home and attending performances in Boston. During the months before his junior year at Harvard, he took a tour of Europe’s summer music festivals — Strauss in Munich, Mozart in Salzburg, Wagner in Bayreuth.
He encountered European opera at a hinge point. It still was defined by longstanding traditions and had yet to fully emerge from the destruction of World War II, but poking out of the wreckage was a new generation of performers: French soprano Régine Crespin, Austrian soprano Leonie Rysanek, Italian tenors Franco Corelli and Giuseppe di Stefano. Davis got to see them up close.
He graduated from Har