The Mercury News

Prize-winning 1619 Project now coming out in book form

- By Hillel Italie

Thais Perkins is the owner of Reverie Books in Austin, Texas, and the parent of a middle school student and high school student. Among the books she is eager to have in her store, and in the schools, is an expanded edition of “The 1619 Project” that comes out this week.

“My store is a social justice-oriented bookstore, and this book fits very well within that mission,” she says. “I am promoting community sponsorshi­ps of the book, where people can purchase a copy and have it donated to one of the schools.”

That is assuming, of course, the school will be allowed to accept it.

The 1619 Project, which began two years ago as a special issue of The New York Times magazine, has been at the heart of an intensifyi­ng debate over racism and the country’s origins and how they should be presented in the classroom.

The project has been welcomed as a vital new voice that places slavery at the center of American history and Black people at the heart of a centuries-long quest for the U.S. to meet the promise — intended or otherwise — that “all men are created equal.” Project creator Nikole HannahJone­s received a Pulitzer Prize for commentary.

At the same time, opposition has come from such historians as the Pulitzer Prize winner Gordon Wood, who denounced the project’s initial assertion that protecting slavery was a primary reason for the American Revolution (the language since has been amended) and from Republican officials around the country. Sen. Tom Cotton, of Arkansas, has proposed a bill that would ban federal funding for teaching the project, and Donald Trump’s administra­tion issued a “1776 Commission” report it called a rebuttal against “reckless ‘reeducatio­n’ attempts that seek to reframe American history around the idea that the United States is not an exceptiona­l country but an evil one.”

In 2021, Republican objections to The 1619 Project and to critical race theory have led to widespread legislativ­e action. According to Jonathan Friedman, director of free expression and education at PEN America, dozens of bills around the country have been proposed or enacted that call for various restrictio­ns on books seen as immoral or unpatrioti­c. Two bills passed in Texas specifical­ly mention The 1619 Project.

“When you look at the current movement about critical race theory, you can see some of its origins in the fight over The 1619 Project,” Friedman says.

The Texas laws, Friedman says, are “opaque” about how or whether a given school such as the ones attended by Perkins’ kids could receive a copy of the 1619 book. He cites a passage that reads, “A teacher, administra­tor or other employee of a state agency, school district, or open-enrollment charter school may not ... require an understand­ing of The 1619 Project.” The provision “effectivel­y bars a teacher from teaching or assigning any materials from The 1619 Project,” he says, but not the school library from stocking it — especially if the book has been donated.

A spokespers­on for the Austin Independen­t School District says in a statement that the “academics team is currently working on this internally, and we are not yet able to speak to the issue.”

The 1619 book appears destined for political controvers­y, but it’s also a literary event. Contributo­rs range from such prize-winning authors on poverty and racial justice as Matthew Desmond, Bryan Stevenson and Michelle Alexander, to Oscar-winning filmmaker Barry Jenkins, to “Waiting to Exhale” novelist Terry McMillan and author Jesmyn Ward, a twotime winner of the National Book Award for fiction. Along with essays on religion, music, politics, medicine and other subjects, the book includes poetry from the Pulitzer winners Tracy K. Smith, Yusef Komunyakaa, Rita Dove and Natasha Trethewey.

“It’s just such an amazing part of this book,” HannahJone­s says of the poems and prose fiction. “It gives you these beautiful breaks between these essays.”

“The 1619 Project” book already has reached the top 100 on the bestseller lists of Amazon.com and Barnes & Noble.com. Online seller Bookshop.org has set up a partnershi­p with the publisher One World, an imprint of Penguin Random House, for independen­t stores such as Reverie Books to donate copies to local libraries, schools, book banks and other local organizati­ons.

Hannah-Jones’ promotiona­l tour is a mix of bookstores and performing venues, and at least one very personal journey. She will make appearance­s at the Brooklyn Academy of Music and the Free Library of Philadelph­ia. She will visit Waterloo West High School in her home state of Iowa, partner with Loyalty Bookstore and Mahogany Books for an event at the Martin Luther King Jr. Memorial Library in Washington and attend the Chicago Humanities Festival.

She also will speak at the annual convention of the National Council of Teachers of English. Lynsey Burkins, who leads the council’s Build Your Stack initiative, which helps teachers build their classroom libraries, says it was important to reflect a diversity of experience­s in the classroom texts. Burkins, a third grade teacher in Ohio, says that it’s easier to engage students with topics like history when they can see themselves in the work they’re reading.

“The more books that we have in our menu, the more that students get to start learning about historical events in a way that is humanizing for them,” Burkins says.

 ?? KOKILA — ONE WORLD VIA AP ?? The cover art for “The 1619 Project: Born On the Water,” based on a student’s family tree assignment, with words by Hannah-Jones and Renee Watson and illustrati­ons by Nikkolas Smith, left, and “The 1619 Project: A New Origin Story.”
KOKILA — ONE WORLD VIA AP The cover art for “The 1619 Project: Born On the Water,” based on a student’s family tree assignment, with words by Hannah-Jones and Renee Watson and illustrati­ons by Nikkolas Smith, left, and “The 1619 Project: A New Origin Story.”

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