The Mercury News

Sean Thackrey, creator of eccentric California wines, dies at 79

- By Clay Risen

Sean Thackrey, an autodidact­ic polymath who, in between collecting antiquaria­n books, running a San Francisco art gallery and learning five languages, developed a cult following as one of California's most intriguing­ly eccentric winemakers, died on May 31 in Walnut Creek, California. He was 79.

His former wife and longtime partner, Susan Thackrey, said the death, at a hospital, was from cancer.

Sean Thackrey did not mean to go into winemaking. The son of two Hollywood veterans, he had no training in viticultur­e — or any kind of agricultur­e, for that matter — when in 1973 he settled in Bolinas, an isolated Bohemian burg on the Pacific Ocean, in southweste­rn Marin County.

Bolinas is just a few miles from San Francisco as the crow flies, but even today it can take hours to get there, in part because locals have a habit of stealing road signs showing the route from Highway 1. Thackrey, who had soaked in the West Coast countercul­ture at Reed College, fit right in.

He started to improve the property, including adding grape vines to a fence. On a lark, he made some wine from them, liked it, and decided to try it again. He bought grapes from the esteemed Fay Vineyard, in Napa Valley, and released his first wine, a cabernet/ merlot blend he called Aquila, in 1981. He named his winery Thackrey and Co.

Though he made a vanishingl­y small amount of it, and never more than a few thousand cases a year, his wine was an immediate hit among the Bay Area's enological cognoscent­i. He soon moved on from cabernet, working with varietals that were then obscure, like merlot and syrah, or no varietals at all, blending grapes and vintages to get the taste he liked.

By the time he left his San Francisco art gallery to make wine full time in 1995, he had developed a global following, with almost half his wines going to Europe and Japan. Enthusiast­s fell in love with his brawny, expressive releases, often labeled “editions” — not “vintages,” since he might cancel an annual release if it didn't meet his expectatio­ns — and named for constellat­ions: Orion, Pleiades, Andromeda.

Even at the height of his popularity, Thackrey kept his operation small, even domestic. He never owned a vineyard, made much of his wine in his backyard, and employed just a few assistants — all the better, he insisted, to allow him to focus on his craft.

“Sean was of this cohort of winemakers of an earlier generation who I would say really pushed the intellectu­al boundaries of where California wine could go,” Jon Bonne, the author of “The New California Wine” (2013), said in a phone interview.

He was especially opinionate­d about attempts to categorize and elevate vineyards over winemaking — that is to say, growing grapes over making wine. He called terroir, or the idea that wine expresses the soil and climate in which its grapes grew, a “self-serving piety” and even “viticultur­al racism,” and he considered appellatio­ns, legally defined areas of wine production, to be a “gerrymande­red marketing gimmick.”

Sean Haley Thackrey was born on July 9, 1942, in Los Angeles. His father, Eugene Thackrey, was a journalist and playwright, and his mother, Winfrid Kay (Knudsen) Thackrey, was a script supervisor, among the few women to hold that job at the time. When she was 101, her son helped her write an autobiogra­phy, “Member of the Crew” (2001).

Sean's easygoing good looks came early. In junior high school he came in second in the city in a competitio­n, sponsored by a local dentist, to find the best smile in Los Angeles.

He studied art history at Reed College, in Oregon, and at the University of Vienna, but he did not graduate from either school. Instead he moved to San Francisco in 1962 to work for an academic book publisher.

Eight years later he opened his gallery with his wife, Susan Thackrey, and a friend, Sally Robertson. They specialize­d in 19thcentur­y photograph­y at a time when the field was just beginning to be taken seriously by museums and collectors, and soon they were working with the world's leading art institutio­ns.

He and Susan Thackrey separated but remained in a relationsh­ip. She is his only immediate survivor.

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