‘Blade Runner 2049’ pulls in older guys but few others

“Blade Runner 2049” had the pedigree, the stars and the stellar reviews. But even though the highly touted sequel had seemingly everything going for it, something didn’t click with audiences.

The big-budget, handsomely crafted sequel to the 1982 sci-fi classic opened surprisingly weak at the North American box office. According to studio estimates Sunday, “2049” grossed $31.5 million, a poor start for a movie that cost at least $150 million to make.

The problem “Blade runner 2049” ran into is clear from opening-weekend data. The audience was overwhelmingly male (71 percent) and over the age of 25 (86 percent). The movie, starring Ryan Gosling and Harrison Ford, simply failed to pull in moviegoers beyond fans of the 1982 original.

The opening was a blow most of all to Alcon Entertainment, the production company that split the film’s cost with Sony Pictures. Warner Bros., which released the original and maintained rights for any follow-ups, distributed domestically. Sony released the film internationally, where it performed better with $50.2 million in overseas ticket sales over the weekend.

The 20-year-old Alcon, backed by FedEx founder Fred Smith, has been behind some notable successes with Warner Bros. (“The Blind Side,” “Prisoners.”) But its blockbuster ambitions —which include flops like “Point Break” and “Transcendence” — have gone rockier. Co-founder Andrew Kosove previously called the ambitious “Blade Runner 2049” “a chips-inthe-center-of-the-table exercise.”

And Alcon — a 45 employee company — seemingly did everything right, turning in a glowingly reviewed film, directed by the sought-after Denis Villeneuve (“Arrival”) and produced by Ridley Scott (who directed the original.) Audiences liked the movie, too, giving it an A- CinemaScore. Representatives for Alcon Entertainment didn’t respond to messages