The Mercury (Pottstown, PA)

Ornate NYC theater, used for years as a gym, to be restored

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NEW YORK » For years, Long Island University’s basketball team played in a French Baroque movie palace in downtown Brooklyn.

The gilded wall fountains, plastered statuettes and towering, oneof-a-kind Wurlitzer organ pipes of the historic Paramount Theater were preserved by the university when it converted the big hall into a gym in the 1960s.

Now, a partnershi­p of New York developers is returning the theater, which once hosted the likes of Frank Sinatra, Miles Davis, Dizzy Gillespie and Chuck Berry, to its former musical glory. They ceremonial­ly kicked off the plan this past week by lowering the scoreboard from the ornately plastered ceilings while the thundering organ vibrated the floorboard­s.

“It has great bones,” said John Fontillas, whose architectu­re firm is involved in the project. “We’re trying to bring it back to what it was originally designed to do.”

A partnershi­p of Barclays Center developer Bruce Ratner, BSE Global and Onexim Sports and Entertainm­ent will transform the theater into a venue for up-and-coming musicians, as well as performanc­es, comedy and sporting events.

They will remove the basketball court and bleachers to create space for 3,000 seats. Plans also include an “iconic” theater entrance with a lighted marquee, an LED system for mood lighting and a state-of-the-art sound system.

BSE Global, which is leading the renovation project, first announced it in 2015 and planned constructi­on for last fall. But it was delayed it until the end of this school year to minimize disruption­s to students. Acts could begin playing in the theater as early as mid-2019.

The Paramount opened in 1928 with the silent film “Manhattan Cocktail” and a live variety show. At the time, it seated over 4,000 people and was one of the largest theaters in New York.

While the exterior was a drab art deco office building, the interior was opulent. Fountains with goldfish greeted dressed-up theatergoe­rs. The wall fountains, plaster decoration­s, and velvet draperies transporte­d visitors into a French Baroque fantasylan­d. It also featured cutting-edge technology of the time, including a basement cooling system that was a precursor to air conditioni­ng and a color organ that cast light onto the walls to match the mood of the performanc­es.

The architects overseeing the renovation said they are taking inspiratio­n from the combinatio­n of technology with classic architectu­re. Fontillas, a partner with H3 Hardy Collaborat­ion Architectu­re, said it will “have a little bit of that razzle dazzle that was back in the day, but with a contempora­ry feel.”

But the most inspiring feature may be the legacy of the performanc­es that have echoed through these halls. The theater was instrument­al in introducin­g jazz to Brooklyn, hosting Duke Ellington and his orchestra in 1931. Ella Fitzgerald, Bing Crosby, Buddy Holly, Fats Domino, Chubby Checker and Jackie Wilson all played here as jazz evolved into rhythm and blues and rhythm and blues evolved into rock and roll.

 ?? BEBETO MATTHEWS — THE ASSOCIATED PRESS ?? University officials, local politician­s, and developers observe the lowering of a scoreboard from the ornate ceiling of the old Paramount Theatre at Long Island University’s Brooklyn campus, during groundbrea­king ceremony for a renovation project,...
BEBETO MATTHEWS — THE ASSOCIATED PRESS University officials, local politician­s, and developers observe the lowering of a scoreboard from the ornate ceiling of the old Paramount Theatre at Long Island University’s Brooklyn campus, during groundbrea­king ceremony for a renovation project,...

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