The Mercury (Pottstown, PA)

What’s behind the looming Hollywood strike?

- By Lindsey Bahr

A major Hollywood strike could be on the horizon for some 60,000 behind-the-scenes workers in the entertainm­ent industry. Over the weekend, members of the Internatio­nal Alliance of Theatrical Stage Employees (IASTE) overwhelmi­ngly voted in favor of authorizin­g a nationwide strike for the first time in its history.

Here we look at who is involved, what they’re asking for and what’s at stake.

WHAT IS THE IATSE?

The Internatio­nal Alliance of Theatrical Stage Employees (or IATSE for short, pronounced eyeAHT’-see) is a 128-yearold union representi­ng over 150,000 artists, craftspeop­le and technician­s in the entertainm­ent industry in the

United States and Canada. Comprised of cinematogr­aphers, costumers, set designers, script supervisor­s, hair and makeup artists, animators, stagehands and many, many more, the IATSE represents essentiall­y everyone who works in any form of entertainm­ent (including movies, television, theater, concerts, trade shows and broadcasti­ng) who isn’t an actor, director, producer or screenwrit­er.

WHY ARE THEY IN THE NEWS?

The three-year contracts that cover about 60,000 of the union’s members — one that primarily covers film and TV production in Los Angeles and Hollywood and another that covers other production hubs including New Mexico and Georgia — expired in July. For the past four months the union has

been negotiatin­g new terms with the Alliance of Motion Picture and Television Producers (AMPTP). Those discussion­s fell apart on Sept. 20. The IATSE says that the AMPTP have failed to address their biggest workplace problems, and membership voted overwhelmi­ngly to give the organizati­on’s president, Matthew D. Loeb, the ability to authorize

a strike.

WHAT ARE THE WORKPLACE PROBLEMS?

The IATSE says its members are subjected to excessive working hours, unlivable wages for the lowest paid crafts and failure to provide reasonable rest, including meal breaks and time off between marathon working days and weekend work. Further, they say that workers on some “new media” streaming projects get paid even less. The Instagram account @iastories has been sharing anonymous accounts of some harrowing personal workplace stories and the effects of the excessivel­y long hours on everything from personal safety to mental health.

WAIT, WHAT’S THE AMPTP?

The Alliance of Motion

Picture and Television Producers is a group that represents hundreds of entertainm­ent companies, including the major Hollywood studios, streaming services and production companies, and negotiates essentiall­y all industry-wide guild and union contracts.

WHY ARE THE STREAMERS PAYING WORKERS LESS THAN TRADITIONA­L STUDIOS?

In 2009, the IATSE and studios mutually agreed that new media production­s required greater “flexibilit­y” because the medium was not yet economical­ly viable. That has changed in a big way, but the expectatio­n of flexibilit­y from crews has not. They feel they are being taken advantage of while streaming budgets and profits have reached blockbuste­r levels.

 ?? CHRIS PIZZELLO - THE AP ?? A poster advocating union solidarity hangs from the office building housing The Internatio­nal Alliance of Theatrical Stage Employees Local 80, Monday, in Burbank, Calif. The IATSE overwhelmi­ngly voted to authorize a strike for the first time in its 128-year history.
CHRIS PIZZELLO - THE AP A poster advocating union solidarity hangs from the office building housing The Internatio­nal Alliance of Theatrical Stage Employees Local 80, Monday, in Burbank, Calif. The IATSE overwhelmi­ngly voted to authorize a strike for the first time in its 128-year history.

Newspapers in English

Newspapers from United States