Apatow ambition
Director’s daughter Maude knows you think she’s a product of nepotism, and she wants to prove herself
LOS ANGELES — Just before the coronavirus became a global pandemic, Maude Apatow was planning on finally moving out of her parents’ house. She’d found a few apartments that piqued her interest and scheduled times to tour them. But when the city went on lockdown, she put her plans on hold, instead hunkering down in Brentwood with her mom, dad and 17-year-old sister.
“It’s been fun, I guess — there are definitely ups and downs,” said Apatow, 22, with a telling smile. She had retreated to her mother’s office to conduct a Zoom interview, one of the few spots in the house where she doesn’t worry that “someone will start screaming in the background or embarrass me.”
It was during quarantine that the actress and her dad, director Judd Apatow, began discussing the possibility of debuting his new movie via on-demand instead of postponing its theatrical release. The film, “The King of Staten Island,” stars “SNL” comedian Pete Davidson as a wannabe tattoo artist struggling to find his purpose after the death of his father. Maude has a supporting role, playing Davidson’s sister — the youngerbut-more-mature sibling who leaves for college while her brother is still living at home.
“When my dad first told me about the release plans, there was an option to wait a year, like so many movies that have been pushed,” she recalled. “And we were like, ‘I feel like a lot of people might watch it right now because everyone has already gone through so much content.’ I’m sad about not seeing it with an audience, but it might be a good time for it, fingers crossed.”
Apatow sat for an interview in mid-May about her new movie, her roles in the television series “Hollywood” and “Euphoria” and making a name for herself.
You acted in some of your dad’s movies when you were a kid. How did he bring up the idea of you appearing in “Staten Island”?
It was pretty close to when we were about to shoot. Pete had said something about it, and I don’t think my dad was super open to the idea at first. I think he was hesitant. But I read it with Pete and it ended up making sense. I’ve known Pete for a long time and I feel like I care about him, so having a relationship made it easier to play it with him.
Were you concerned about the perception of you getting the role only because he was your dad?
I definitely thought about that before doing this movie. Obviously, I’ve acted in so many of my parents’ movies, and people are going to say it’s nepotism. I mean, it’s not even an insult — well, it is an insult, but it is what it is. But because I’d just done “Euphoria” and I was starting to do other projects showing I was capable of doing work without their help, I was apprehensive about it. But then I thought, “I haven’t worked with my dad since I was 12,” and I really look up to him as a mentor figure in my life. I want to be a director someday, and getting to watch my dad do what he does is very important to me. I’m gonna spend my whole life trying to prove myself as an individual, and that’s a chip on my shoulder. It’s really important to me to show that I work really hard, because I do. I want to be an individual.
Does he read lines with you during those auditions?
Yes. I have to stop doing self tapes with him, though. We did a self tape for “The Beach Bum” with Matthew McConaughey, and my dad overacts, doing an impression of Matthew McConaughey. And I was like, “This is terrible.”
You studied theater at Northwestern University for two years until leaving during your sophomore year. Why did you make that decision?
I always kind of knew in the back of my head that I was ready to start working. I felt very ready to go. I don’t want to sound cringey, but I was very ambitious. When I got to college, I started auditioning all the time — taping auditions. And then I got “Euphoria,” and it just wasn’t realistic to be able to fly back and forth from Illinois every week. I haven’t fully put school off yet. I still maybe would like to go back at some point.
You’ve said that part of what appealed to you about doing “Euphoria” was the way the show represented obsessive compulsive disorder. What has your experience been with anxiety?
Even though it makes work a lot more challenging sometimes for me, I really do everything I can to not let it get in the way. Even this interview, I’m in a full-blown panic the entire time. I get very flustered when I’m put on the spot or have to talk for a long time. I had really bad OCD in middle and high school. I’ve gone to OCD treatment. My parents were very supportive of me getting help and reading books about it and learning about mental health at a young age, and I think that was a big advantage for me. Obviously,
I’m not done learning and it’s still a problem. But I think I’ve gotten to a place where I’m able to be more productive. But seeing “Euphoria” and having them talk about OCD and that pressure — I’d never seen it in a show where it felt so real and I felt so connected to it.
Now that you’ve had three major projects come out in the span of a year, do you feel like you’re on your way to establishing yourself outside of your parents? (Apatow’s mother is the actress Leslie Mann.)
I’m always thinking I need to keep going. I don’t know how to say this without sounding emo, but I’m pretty hard on myself. I should stop and be happy sometimes, but I’m very “onto the next” mindset. I look up to Lena Dunham and Phoebe Waller-Bridge because they act, write and direct. I also think of Emma Stone as someone I look up to — doing comedies and then super dramatic roles. I saw her in “Cabaret” in New York. To see that she can do all of that is really cool to me. And my dad has always been really encouraging of writing for myself. He’ll give me writing advice, even though I don’t always take it. He gives really good advice, even though I don’t like to tell him that. I instinctually have to be like, “I don’t agree with that,” but he’s right, most of the time.