The Morning Call (Sunday)

Urns are striking, but not Sevres

- By Helaine Fendelman and Joe Rosson Tribune News Service

Q: My sister and I acquired a pair of Sevres urns that were once the property of a Duluth, Minnesota museum. The urns are stamped “Sevres 1 8 4 6 ” in a circle with an intertwine­d “LP” and “Chateau Des Tuileries” in a red circle with a crown. They are hand-painted and about 3 2 inches high. We would appreciate any informatio­n and how best to sell them.

A: There is no question that the pair of urns is magnificen­t. The elaborate rococo-style gilding is superb, the gilt bronze mounts are impressive and the large reserves with painted designs of court figures on one side and a scenic view on the other are beautifull­y done.

In 1738, under the patronage of French King Louis XV, a porcelain factory was establishe­d in a former riding academy at Vincennes, France. Porcelain was not made here successful­ly until 1745, and although it produced some truly remarkable things, the enterprise was never financiall­y successful.

In 1753, production was moved to Sevres, which was near the home of Madame de Pompadour, Louis XV’s mistress and one of the firm’s most vocal advocates. Porcelain for royalty was the focus, but when the French Revolution occurred, the Sevres factory became property of the state.

The problems with the pieces begin with a mark — conjoined “Ls” with the letter “B” inside. This is supposed to be the monogram of Louis XV with the “B” indicating (falsely) that the piece was made in 1754. The 1846 mark that appears with the monogram of King Louis Phillippe is closer to the true time of manufactur­e, but even that is probably a tad too early.

The “Chateau Des Tuileries” mark is there to indicate the piece was supposedly made to be used in that palace, which was located in Paris until it was destroyed by fire in 1871. But the mark is always suspicious. The urns were not made in the Sevres factory, but probably in Limoges or by an anonymous Paris factory. An Austrian origin is also possible.

The pair should be called “Sevres style.” It has been said that as much as 90% of all porcelain bearing Sevres marks are fake and buyers need to beware.

As for selling these, we recommend a fine auction house. Similar pairs have brought over $10,000 at auction, but others have fallen far short of that figure and sold in the $1,000 to $2,000 range. Finding the right auction house will take a little research. Check out such firms as Dallas Auction Gallery, John Moran Auctioneer­s in Monrovia, California, or Clars Auction Gallery in Oakland, California, to name just a few who have done well with this kind of porcelain.

Helaine Fendelman and

Joe Rosson have written a number of books on antiques. Do you have an item you’d like to know more about? Contact them at Joe Rosson, 2504 Seymour Ave., Knoxville, TN 37917, or email them at treasures@knology.net. If you’d like your question to be considered for their column, include a high-resolution photo of the subject, which must be in focus, with your inquiry.

 ?? COURTESY ?? This monumental covered urn is magnificen­t but also a fake.
COURTESY This monumental covered urn is magnificen­t but also a fake.

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