The Morning Call

Helping keep tradition alive

Couple’s online initiative introduces Indian artisans to the digital marketplac­e

- By Rishabh R. Jain and Rishi Lekhi

NEWDELHI—“Sanjhi,” the ancient Indian art of paper-cutting using nature-inspired motifs, is how Ram Soni puts food on the table. It’s also a carefully preserved skill passed down through generation­s in his family.

Using special scissors given to him by his parents, who taught him the craft at an early age, he patiently carves out intricate pieces from folded paper to create complex stencils that stand out against contrastin­g colored paper.

Soni’s sales dipped to zero as India went into a prolonged lockdown earlier this year to try to contain the coronaviru­s pandemic.

The 49-year-old Soni is just the sort of artisan New Delhi-based designer Sheela Lunkad and her architect husband, Rajeev Lunkad, aim to help with their “Shilp se Swavlamban,” or “Empowermen­t through Craft,” campaign to provide craftspeop­le an online platform for collaborat­ion, displaying and selling their works.

The Lunkads set up a company called Direct Create in 2015, aiming to bring down exorbitant prices for traditiona­l Indian handicraft­s by connecting artisans with buyers directly.

Most artisans live in far-flung parts of vast India. With markets and exhibition­s closed by the pandemic, many had no way to reach customers. Now they can register on the Direct Create platform to showcase their work. They can also collaborat­e to custom-design products for their clients.

The new online platform now features works by more than 2,500 artisans.

“Because of Direct Create, we have been able to give them a whole lot of marketing outreach and discoverab­ility,” Sheela said. “People have reached out to them asking for various kinds of things which they have loved and appreciate­d during this time.”

Collaborat­ions can lead to fusions across cultures, like a traditiona­l, colorful Rajasthani storytelli­ng-box, or “Kavad,” depicting a Romanian folk story made to order by a local artisan for a German storytelle­r and teacher.

Direct Create does not profit from sales on its platform, though 4-5% of the income from each sale goes toward packaging, shipping and providing online payment gateways to craftsmen who usually are not adept at arranging online payments.

It’s been a lifeline for Soni, who initially had to lay off all his workers and even considered giving up his art. He now lists his paper cutting craft on the online platform and says it has helped him work on a collaborat­ive design project.

“The thought behind Direct Create is very good for new artists,” Soni said. “We get to earn money, but we also earn respect.”

Sanjay Chitara, an expert of “Mata Ni Pachedi,” or block and hand-painted pieces of cloth that usually depict stories of Hindu gods and goddesses, says Direct Create enabled him to restart his business after he shut down during the pandemic.

“After I started displaying my work on the websites, a lot of my old clients could view my current work,” said Chitara, who lives in the western state of Gujarat. “If they like our work, clients contact the artists directly.”

There’s another indirect benefit from the initiative.

The shift toward shopping online has made people more curious and careful about what they are buying and whether it is made sustainabl­y, Sheela said.

 ?? MANISH SWARUP/AP ?? Ram Soni, a paper-cutting artist, shows his work in October at his home in Alwar, India. A couple have launched a campaign called“Empowermen­t through Craft”to help traditiona­l artisans restart sales and trade on an online platform.
MANISH SWARUP/AP Ram Soni, a paper-cutting artist, shows his work in October at his home in Alwar, India. A couple have launched a campaign called“Empowermen­t through Craft”to help traditiona­l artisans restart sales and trade on an online platform.

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