SCREEN TIME
Tina Turner doc, ‘Mighty Ducks’ and ‘Runaway Bunny’ among week’s best
Here’s a collection curated by Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.
Tina Turner documentary
In Dan Lindsay and T.J. Martin’s revealing documentary “Tina,” Tina Turner surveys her tumultuous and extraordinary life. The film, which debuts Saturday on HBO and HBO Max, includes intimate interviews with the 81-year-old “Queen of Rock ‘n’ Roll,” along with previously unseen footage, audiotapes and personal photos. Turner’s life has been much chronicled — including the 1986 autobiography “I, Tina” and its 1993 big-screen adaptation “What’s Love Got to Do With It.” But time has only made Turner’s swings between success, trauma and survival all the more powerful.
‘The Father’
Most of last week’s Oscar nominees are already streaming or available on-demand. Florian Zeller’s “The Father,” though, is among the most recent arrivals; it becomes available on premium on-demand Friday. (It’s also playing in theaters.) Based on Zeller’s own much-traveled play, “The Father” largely takes the perspective of its main character, 80-year-old Anthony (Anthony Hopkins), who’s in the grip of dementia. Zeller’s directorial debut was nominated for best picture, best actor (Hopkins) and best supporting actress (Olivia Colman, who plays Anthony’s daughter), as well as nods for production design, editing and adapted screenplay. My review called it a clever, not profound film but praised the lead performance: “To see Hopkins play all these ever-fluctuating turns of mood is riveting. He has grasped, at least for a proud man like Anthony, how one’s ego keeps fighting a battle it doesn’t know is already lost.”
‘Collective’
Another Oscar nominee achieved a rare distinction. The piercing Romanian documentary “Collective” was nominated for both best documentary and best international film — something only one previous film (“Honeyland,” in 2020) — has ever managed to do. Alexander Nanau’s film, which arrives Thursday on Hulu, was one of the very best of 2020. It trails the unlikely investigative journalists that doggedly reported on the fallout of a horrifying and deadly fire in a Bucharest nightclub. “As a journalism drama,” I earlier reviewed, “it’s as absorbing as ‘Spotlight’ and more sober than ‘All the President’s Men.’ ” The film is also available on-demand and for digital rental.
‘The Mighty Ducks: Game Changers’
Emilio Estevez returns as youth hockey coach Gordon Bombay in “The Mighty Ducks: Game Changers,” a Disney+ series follow-up to the 1990s movie franchise. Gordon has a new challenge: help 12-yearold Evan (Brady Morrow) and his mom, played by Lauren Graham (“Gilmore Girls,”
“Parenthood”), create a new team after Evan gets dropped by the Ducks, who have morphed into a team of winners who lack boundaries. Estevez, who had largely traded acting for directing, promises the series debuting Friday captures the films’ “magic” but offers more than nostalgia.
‘The Runaway Bunny’
“The Runaway Bunny” gets star treatment in an animated special based on Margaret Wise Brown’s classic book about a bunny eager to leave home. Besides Tracee Ellis Ross’ performance of an original lullaby by Brown, the HBO Max show out Thursday incorporates songs by Mariah Carey (a remake of “Always Be My Baby”), Roseanne Cash (“You Are My Sunshine”) and Ziggy Marley (“What a Wonderful World”), among others artists. From producer-director Amy
Schatz (the “Classical Baby” series), the special uses handdrawn animation to evoke Clement Hurd’s illustrations for the 1942 book.
‘City on a Hill’
A drug violence-riddled federal housing project in Boston is at the center of season two of Showtime’s “City on a Hill,” debuting 10 p.m. Sunday. Kevin Bacon’s FBI agent Jackie Rohr is trying to salvage his career by trading on the city’s flawed criminal justice system, with Aldis Hodge’s assistant D.A. Decourcy Ward his formidable opponent. Their hostility is destined to ensnare the office of federal and county prosecutors in what’s described as “all-out war.” Tom Fontana (“Homicide: Life on the Street”) is the executive producer in charge of the drama, back with eight episodes.