The Morning Call

Catch up with these shows during Pride Month

- By Matt Brennan and Tracy Brown (Netflix, season three on June 22)

Guides to Pride can be a complicate­d endeavor these days, as the annual celebratio­n of LGBTQ+ identity now regularly involves the very forces — corporatio­ns, cops — it once stood against. But it’s important to be reminded of the community’s vibrant presence in every nook and cranny of society, real and fictional, past and present. So we’ve pulled together a list of eight new TV series — or returning TV series with new seasons — to catch up with this Pride Month.

‘Book of Queer’: The most appropriat­e way to kick off Pride Month is with a celebratio­n of LGBTQ+ history, honoring the heroes who likely never imagined there would be a monthlong explosion of rainbow merchandis­e and corporate statements. With the help of queer historians and experts, “The Book of Queer” aims to shed light on historical figures whose contributi­ons have been overlooked, or their queer identities erased, by mainstream society. Narrated by queer icons and featuring an entirely LGBTQ+ ensemble cast, the fiveepisod­e series will include stories about Abraham Lincoln, Eleanor Roosevelt, Bayard Rustin, Josephine Baker, Harvey Milk, Sylvia Rivera, Marsha P. Johnson and more. (Discovery+)

‘Dead End: Paranormal Park’:

Fans of queer cartoons should make sure to clear their schedules for the arrival of “Dead End: Paranormal Park.” The animated horrorcome­dy, based on creator Hamish Steele’s graphic novel series “DeadEndia,” follows trans teen Barney (voiced by Zach Barack) who gets a job at the local haunted theme park where

an encounter with a demon gives his dog Pugsley (Alex Brightman) the ability to talk. The coming-ofage story will see Barney, along with his pal Norma (Kody Kavitha), encounter zombies, ghosts and other supernatur­al beings while also navigating family, identity and even crushes. (Netflix, June 16)

‘First Kill’: If you’re dying for a dose of delicious supernatur­al queer teen angst, look no further than “First Kill.” Based on a short story by V.E. Schwab, the series puts a young lesbian twist on the classic forbidden romance between a vampire and a slayer. Teenage vampire Juliette Fairmont (Sarah Catherine Hook) has hit vamp adolescenc­e and is finally expected to kill and feed on actual humans. Although she has been pushing back against this rite of passage for as long

as possible, Jules can’t help but be drawn to her crush, Calliope Burns (Imani Lewis). Cal, a recent transfer student, has a secret of her own: She’s the youngest daughter of a family of monster hunters. Cal is eager to prove that she can take down a demon by herself, but she quickly discovers that killing Juliette is as impossible as denying her feelings for her. (Netflix, June 10)

‘Gentleman Jack’: Based on the experience­s of a landowning Yorkshire woman of the 19th century, “Gentleman Jack” stars Suranne Jones as Anne Lister, often called “the first modern lesbian” for the intimate relationsh­ips with women she recorded in her queer-coded diaries. The series — which just concluded its second season — offers a richly detailed portrait of the ways that queer people

managed to live, and love, long before there were modern terms for our sexuality or gender identity. (HBO Max)

‘Motherland: Fort Salem’: The ambitious “Motherland: Fort Salem” is set in an alternate United States where witches ended the persecutio­n of the Salem witch trials by agreeing to be conscripte­d into the military. The series follows Raelle Collar (Taylor Hickson), Tally Craven (Jessica Sutton) and Abigail Bellweathe­r (Ashley Nicole Williams), a trio of witches who initially clash but grow close as they train as a combat unit. The “just enough” world building and unique rules of magic open the doors to questions the show doesn’t always answer, but the appeal of the series really stems from the characters and their relationsh­ips. The central romance of the show is between Raelle and a fellow student named Scylla (Amalia Holm) whose secrets bring drama to their relationsh­ip. “Motherland: Fort Salem” is a good guilty pleasure. And there is absolutely nothing wrong with that. (Freeform, season three on June 21; Hulu, previous seasons)

‘Queer as Folk’: The men, the sex and the city are hotter than Hades in Peacock’s multicultu­ral, New Orleans-set remake of the pioneering soap, this time without the same over-reliance on white, cis men to propel the narrative. (Whether you see its depiction of a mass murder reminiscen­t of the Pulse nightclub shooting as a strained device or an apt reflection of current affairs and LGBTQ history is another matter.) Still, carving out new terrain by moving Babylon to

Frenchmen Street, and queer Southerner­s — especially queer people of color — to the foreground, this “Queer as Folk” conjures its share of carnal pleasures. As Brodie’s (Devin Way) move home upends the lives of his ex (Johnny Sibilly) and a talented young drag artist (Fin Argus), you can have your bourbon ginger and drink it too. (Peacock,

June 9)

‘This Is Going to Hurt’: In the annals of the medium’s brilliant, dissolute medical profession­als (Gregory House, Jackie Peyton), few have had quite so harrowing a job as Adam (Ben Whishaw), the bloodsplot­ched National Health Service OB-GYN of “This Is Going to Hurt.” The audacious black comedy, based on the memoir by Adam Kay, finds its workaholic protagonis­t at the center of a bureaucrat­ic, medical and personal maelstrom, each indignity matched by a wry comment to the viewer (or to his boyfriend at home), and, ultimately, by Adam’s own desperatio­n. Anchored by what may be Whishaw’s finest screen performanc­e, equal parts bruising and bruised, the series turns a very recognizab­le queer life into the kind of television straight people typically get to carry: Adam is the gay antihero we deserve. (AMC+)

‘Umbrella Academy’: “Brothers & Sisters” with an adoptive set of mutant siblings, or perhaps a crime-of-the-century adventure from the perspectiv­e of time-traveling superheroe­s, “Umbrella Academy,” at its best, is an indescriba­ble alchemy of family, history and damaged adult children. Better yet, the long-awaited third season features Elliot Page’s character coming out as transgende­r.

 ?? TRAE PATTON/DISCOVERY+ ?? A scene from “The Book of Queer,” a five-episode series that aims to shed light on historical figures.
TRAE PATTON/DISCOVERY+ A scene from “The Book of Queer,” a five-episode series that aims to shed light on historical figures.

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