Look through important lens of Black filmmakers
As Black History Month draws to a close and the buzz of the upcoming movie award season approaches, it’s a fitting time to reflect on the significant yet often overlooked role of Black filmmakers in shaping our collective historical narrative.
These storytellers have, for over a century, been at the forefront of presenting a counter-narrative to the dominant historical discourse, one that has consistently marginalized or underappreciated the Black experience in America.
The study of history is not just about cataloging past events; it’s an exploration of human experiences told from specific perspectives. Each historical narrative is colored by what the storyteller believes is important, which ultimately influences how we understand and learn from the past.
In this regard, Black filmmakers have been instrumental in bringing forth stories that might otherwise have remained untold.
From the early days of the United States, African Americans have faced systemic challenges — disenfranchisement and dehumanization being among them. These conditions made it nearly impossible for a Black American perspective on history to be heard or recognized.
The establishment of Negro History Week in 1926 by Carter G. Woodson marked the beginning of a concerted effort to bring an African American perspective to the study of history. Woodson believed true education was about inspiring people to start with their life circumstances and work to improve them. Black History Month, an extension of this idea, serves as a beacon of inspiration and education, with Black filmmakers playing a key role in this enlightenment.
The contribution of Black filmmakers is multifaceted. They have used their craft to honor the legacies of notable figures like Harriet Tubman, the Rev. Martin Luther King Jr., Malcolm X and others, providing insight into various aspects of Black life, culture and history. These filmmakers have brought critical issues to the forefront of public consciousness, often predating or echoing significant events in our society.
For instance, Spike Lee’s “Do the Right Thing” was not just a film; it was a prophetic commentary on societal tensions that foreshadowed incidents like George Floyd’s murder. Jordan Peele’s “Get Out” transcended the boundaries of horror to lay bare the insidious nature of racism in America, including its dark history of human experimentation. Ava Duvernay’s “13th” is a powerful documentary that delves into the 13th Amendment and its role in shaping the policy of mass incarceration in the U.S. Barry Jenkins’ “Moonlight” not only won the Academy Award for Best Picture but also presented a poignant portrayal of Black life. This year, Cord Jefferson offered a critical observation on how many in society perceive the contributions of Black writers and artists.
The focus on Black filmmaking during Black History Month is an intentional choice. These filmmakers provide diverse entry points for us to engage with our collective history in society, making it more accessible and relatable. This is especially crucial today, as the study of African American history faces challenges across the country, with instances of book bans and course limitations. By presenting films and filmmakers that open up the conversation on Black history, we aim to foster a more inclusive understanding of our past.
This effort is not just about celebration; it’s a necessary endeavor to ensure that the contributions of Black Americans are recognized and appreciated. It’s about using the medium of film to convey stories that are not just informative but also emotionally resonant. These films do more than just entertain; they educate, challenge, and inspire. They encourage viewers to look beyond their own experiences and understand the rich tapestry of history that Black Americans have woven.
These films serve as a reminder of the power of perspective in storytelling. They show us that history is not a monolith but a mosaic of experiences and narratives. By bringing these diverse stories to the forefront, Black filmmakers challenge us to rethink our understanding of history and society. Their work stands as a testament to the resilience and creativity of the Black community and as a reminder of the ongoing need to broaden our perspectives on the past.
Let us continue to support and celebrate these storytellers, for they are not just filmmakers; they are guardians of history, educators, and pioneers in the truest sense.
G. Christopher Hunt is vice president and dean for equity and inclusion at Moravian University in Bethlehem.
Belinda Waller-Peterson is associate dean for equity and inclusion and associate professor of English at Moravian University in