The Morning Journal (Lorain, OH)
REAL MUSCLE
Michael B. Jordan, now a Hollywood heavyweight, punches up
The Associated Press
If Michael B. Jordan’s path to this moment was condensed and edited, it might look, appropriately, like a training montage.
Images of Jordan cutting his teeth on the Baltimore streets of “The Wire” and the Texas football fields of “Friday Night Lights,” followed by hints of a soaring talent (“Red Tails,” “Chronicle”), shattering breakthroughs (“Fruitvale Station”) and setbacks (“Fantastic Four”) before reaching, with a pair of haymakers (“Creed,” “Black Panther”), heavyweight status.
Parallel to Jordan’s steady rise has been the 31-year-old’s expanding sway behind the scenes in Hollywood. His production company, Outlier Society Productions, was among the first to embrace the inclusion rider, adopting the pledge to seek diverse casts and crews just days after Frances McDormand referenced it at the Oscars. Jordan was also influential on a similar agreement by WarnerMedia, making Warner Bros. the sole major studio thus far to sign up.
“He’s always been a big-idea guy,” says Ryan Coogler, who directed Jordan in “Fruitvale Station,” “Creed” and “Black Panther.” “He’s always been conscious of his own responsibility.”
“Creed II,” now in theaters, finds Jordan’s character, Adonis Creed — like the actor, himself — adjusting to his newfound prominence: reaching the pinnacle of his profession while still having to fight for what he believes in. As Steven Caple Jr.’s boxing drama prepared to open in theaters, Jordan went door-to-door in Georgia urging people to vote in the midterm elections.
“You’ve been doing one thing for 20 years. Constantly working at it, trying to grow and become successful, or whatever your version Florian Munteanu , left, and Michael B. Jordan appear in a scene from “Creed II.” — Ryan Coogler on Michael B. Jordan, whom he has directed in multiple films
of success is. And then you have a moment in time where everything seems to be coming together at the same time. Everything seems to be happening. But you live in a society, in a world that’s kind of going to s—-,” Jordan said in a recent interview. “So to be able to use one to help the other, is something. To try to find your voice.”
It’s an answer with shades of Jordan’s typical performance: earnest, thoughtful, tinged with pain. Then he exhales.
“I don’t know, man,” says Jordan. “Honestly, there’s a lot going on right now and I’m trying to find my place in all of it, professionally and personally.”
A big part of Jordan’s quest was “Black Panther,” in which he played Erik Killmonger. The
part is ostensibly a villain, but in Jordan’s hands, Killmonger — a wounded, fatherless warrior bent on reparations through violence — has a depth uncommon if not outright alien to comicbook films. Between Killmonger and the Wakanda leader T’Challa (Chadwick Boseman) is a larger dialogue, one fraught with history, between African identity and the African diaspora.
“Making a movie, you rarely come out the other side the same. You either grow or regress. I came out a different man,” says Coogler. “The conversation that was had between T’Challa and Killmonger, what it means to be African — I didn’t know I needed that movie as much as I did until after I made it. I look back and I say: ‘Man, I really needed that. I needed that
“Mike brings a lot of the empathy with him, as a person and as a performer. That’s one of the things that makes him special. Almost as soon as you see him, you empathize with him.”
Michael B. Jordan poses for a portrait at a press junket at the Montage Beverly Hills in Beverly Hills
conversation.’”
The performance has made Jordan one of this year’s leading supporting actor contenders for the Academy Awards. Coogler praises his friend’s vulnerability in a complicated role.
“He was one of the few African-American characters and he was carrying the weight of that cultural representation,” says Coogler. “Mike brings a lot of the empathy with him, as a person and as a performer. That’s one of
the things that makes him special. Almost as soon as you see him, you empathize with him.”
Just as “Creed II” is opening in theaters, “Black Panther” is returning to them. On Nov. 27, it screens for free in arthouse theaters nationwide, a few months after wrapping up its $1.35 billion run worldwide. “Black Panther,” the year’s biggest domestic blockbuster and most resonant cultural event, left a mark on Jordan.