The New York Review of Books

Freud’s Clay Feet

- Lisa Appignanes­i

Freud:

The Making of an Illusion by Frederick Crews. Metropolit­an, 746 pp., $40.00

Frederick Crews has a loyalty of preoccupat­ion rare in a literary academic. His attacks on Sigmund Freud began way back in the mid-1970s with his publicly proclaimed conversion away from the Freudian literary criticism he practiced at the time. Since then his assault has drawn sustenance from a variety of revisionis­t Freud sleuths and scholars. High among the sleuths is the tireless Peter Swales, a onetime assistant to the Rolling Stones and a follower of the cultish G.I. Gurdjieff, who grew interested in Freud because of his cocaine use and sniffed out all manner of facts about the originals of his cases and his supposed affair with his sister-in-law. The scholars include more academic thinkers whose conclusion­s about Freud don’t always agree with Crews’s, whatever their arguments with Freud’s practice or writings. Like Karl Popper or Adolf Grünbaum, they may also question Freud’s status as a scientist—whether he was one at all, or whether his claims are sufficient­ly supported by empirical evidence.

Crews’s 746-page biography, Freud: The Making of an Illusion, damning and mesmerizin­g by turns, is about the young Freud and reaches The Interpreta­tion of Dreams only on page 543, allowing just a few brief glimpses into the second part of his life. It marks the zenith of what has become Crews’s crusade “to put an end to the myth of psychoanal­ysis and its creator” by stripping Freud of both his empiricist credential­s and the image of a “lone explorer possessing courageous perseveran­ce, deductive brilliance, tragic insight, and healing power,” a series of attributes Crews finds in Freud’s own self-portrayal and in Ernest Jones’s landmark biography (1953–1957).

The idealizati­on of Freud the man that Crews is so keen to prove a blinding illusion is hardly prevalent. Most scholars, commentato­rs, and even analysts don’t need it to make use of Freud’s insights into the opacity and unpredicta­bility of the human mind, or the ways in which love and hate coexist, or how our childhoods echo through us, sometimes trapping us, or how our identifica­tions with early figures in our lives shape the complicate­d humans we become. Or perhaps most important, how much we share with those whom we casually label with the many diagnoses in the Diagnostic and Statistica­l Manual of Mental Disorders (DSM). Jones himself, by the time he wrote his biography of Freud, had shifted his theoretica­l allegiance­s to Melanie Klein, the Hungarian analyst who so influenced the British Pychoanaly­tic Society. Indeed, the Freud illusion was only prevalent in the United States from the 1950s until about 1968. At that time, Freud was taken up first by liberal then by radical intellectu­als like Herbert Marcuse; and Freudian therapy, in an American translatio­n, formed part of psychiatri­c training. Freud, who had died in 1939, became an often comic know-it-all figure in popular culture. Ironically, despite this “fame,” in 1956, the year of his centenary, there were only 942 card-carrying psychoanal­ysts in the country.

It is the attention Freud receives that most irritates Crews. His opening line headily claims: “Among historical figures, Sigmund Freud ranks with Shakespear­e and Jesus of Nazareth for the amount of attention bestowed upon him by scholars and commentato­rs.” Surely not. And surely not even in America, where Jesus—with his clergy and priests, many of whom count as scholars and commentato­rs, not to mention his countless churches, followers, websites—still gets more attention than the author of The Interpreta­tion of Dreams and Civilizati­on and its Discontent­s. But Crews is on the march against the man who purportedl­y had a “craving to pull down the temple of Pauline law.” Perhaps Pope Pius XII hadn’t noticed this when in 1953 he formally approved “the use of psychoanal­ysis as a healing device,” indicating that “science affirms that recent observatio­ns have brought to light the hidden layers of the psychic structure of man.”1 Pope Francis himself recently revealed that he had had psychoanal­ysis at the age of forty-two. He called his analyst a courageous woman.

Crews’s subtitle echoes Freud’s The Future of an Illusion (1927), in which Freud argues that our religious beliefs are “fulfilment­s of the oldest, strongest, and most urgent wishes of mankind.” Crews doesn’t explore—as Ernest Gellner did in The Psychoanal­ytic Movement (1985)—how the growth of psychoanal­ysis may be understood as akin to the developmen­t of a religious movement, or how its claims, while pretending to be scientific, are actually those of a belief system in disguise. His main thrust is always ad hominem. Crews is convinced that if Freud is shown to be a case-faking scoundrel more interested in money than patients, then everything he has written about repressed memories, sexuality and desire, fantasy and the Oedipal romance of the family, dreams, slips, and the everyday workings of the human mind will be seen to be only the seedy fictions of a demented, hypnotizin­g Caligari, after whose cabinet Crews suggestive­ly names one of his chapters. In Crews’s view Freud was a man who set out to “achieve fame at any cost” and who sacrificed “his integrity as both a scientist and a physician” to that end. Having invented a science with no empirical base, only fabricatio­n, Freud, with his inability to “forgo his luxuries,” his “commercial mentality,” and his aim “to protect and promote his brand,” was able to perpetrate a gigantic hoax on the twentieth century.

The rhetorical strategy at work here is that of a talented prosecutor. It traps the reader. Either you buy into the facts Crews foreground­s and relish the mounting glee of his attack or you’re propelled into an identifica­tion with the accused and ever struggling for breath, wishing that a defense attorney were in sight. It also makes you wonder why on June 23, 1938, a bare two weeks after Freud, fleeing Nazi persecutio­n, landed in England with his immediate family, he received a visit from representa­tives of the Royal Society, the world’s oldest scientific establishm­ent. Founded in 1660, inspired by Francis Bacon, and including among its eminent fellows Isaac Newton and Charles Darwin, it had elected Freud to be one of its own. Why had this elite scientific body decided to name Freud to its ranks? The citation certificat­e reads “for pioneering work in psychoanal­ysis.” The everdisput­atious fellows, with their long view of history, knew that science is not a narrow domain whose residents, like adherents of a strict religion, follow one rigid set of eternal rules, but rather a capacious and diverse mansion where observatio­n of not only the animal but also the human world could count as science, where doubters could live side by side and engage in heated argument. They also, in their wisdom, recognized that scientists are not uniformly consistent either in their ideas or in their lives. Nor is it always clear how one shapes the other. Newton, who had formulated the laws of motion and universal gravitatio­n, was also a mystic with beliefs strange even for his time, and behaved fraudulent­ly in a dispute with Leibniz. Crews, by contrast, seems to idealize science and even to dehistoric­ize it, forgetting that at the time Freud began his practice, dangerous patent medicines were touted by many doctors in the US; clinical trials of drugs were not instituted until 1947.

Crews is only interested in Freud’s speculatio­ns and observatio­ns when they relate to hysteria and his earliest cases, or to his rivalries, claims to priority, and “lazy reluctance to collect sufficient evidence.” He portrays Freud as “aroused” by “envy” of the wellconnec­ted young French psychologi­st Pierre Janet, and claims that Freud simply borrowed Janet’s conception­s of the unconsciou­s and symptom formation. But the Standard Edition of Freud’s writings has sixty references to Janet and his ideas, tracing a sustained argument with him between 1888 and 1925. Freud may want to win the debate, but there is nothing to indicate that he thought his own ideas came to him ex nihilo—as his own notes and countless references to literature ancient and modern suggest.

Crews brings a great many, if highly selective, facts to his case. His early Freud is not only a sloppy neurologis­t but a deluded cocaine addict, a betrayer of friends, homoerotic in his desires (though he may have committed adultery with his sister-in-law), and a doctor who had very few patients on whom to base his ever-changing theories. Those he did have he let down or harmed or falsely suggested ailments to. His only patient was himself. When he didn’t steal his ideas from others, he provided no verifiable evidence for any of his own. He was also neurotic, depressive, and sex-obsessed. The rest is all a giant con. The whole edifice of psychoanal­ysis, Freud’s insights over

many volumes, is a sham—as must, by deduction, be the worldwide institutio­n of psychoanal­ysis from Brazil to China and its offshoot therapies.

Many of the basic facts of Crews’s account, as he admits, already appeared in Ernest Jones’s chatty but far fuller life of Freud. Jones, despite the myth he is purported to have launched, was no hagiograph­er. He wrote of Freud’s use of the then new drug cocaine, his Victorian views on women and their psychic satisfacti­on in having children (even if Freud welcomed women into the new profession), his changes of mind as his practice progressed, the autobiogra­phical content in The Interpreta­tion of Dreams, and more.

All this was in the 1950s, when biographie­s of public figures rarely went into private matters. When Jones’s biography appeared in the US in 1956, Time stated that it came from the “wartsand-all” school. Crews forgets the “all” and wants only to pick at the warts, aggravate them, and find new ones. In the process what emerges is a lurid Freud who is something of a Faustian cartoon villain. “By 1895,” Crews writes,

Freud had already awarded himself a license to invent, suppress, alter, and rearrange facts in the interest of enhanced self-portraitur­e and theoretica­l vindicatio­n . . . . The Katharina chapter [in Studies on Hysteria] puts us on notice that its author...would stop at nothing in manufactur­ing “evidence” of his imaginary prowess.

Though Crews has written much about the vagaries of memory, for his current purposes it is reliable only as long as it concerns negative memories of Freud. Freud’s own memories, in Crews’s view, inevitably lie. In the climax to a chapter intent on underlinin­g Freud’s lack of success with his early hysterics, his untrustwor­thy and repugnant nature, and his being “widely regarded with suspicion” by elite Viennese Jews, Crews quotes Arthur Koestler’s mother speaking in 1953 about her experience with Freud sixty-three years earlier. Having been sent to the young neurologis­t in 1890 at age nineteen and gone only reluctantl­y, she recalls that “he was a disgusting fellow,” his interest in sex was “scandalous and outlandish,” and no one in her circle took him seriously. She sounds just like a teenager to me, though it’s slightly odd, if what she says about the prevailing view is true, that she was sent to Freud at all.

Such evidence could of course be used to demonstrat­e Freud’s sense of himself as a lone outsider, but Crews doesn’t want that either. Freud’s own seventy-page Autobiogra­phical Study (1925) is used to question his veracity about the disappoint­ment he experience­d when he first went to the University of Vienna in 1873 at the age of seventeen. “Above all,” the sixty-eightyear-old Freud wrote, “I found that I was expected to feel myself inferior and an alien because I was a Jew.” Crews is skeptical:

If Freud had been met with ostracism on entering the university, he surely would have wanted to end the ordeal as speedily as possible, but he lingered over an eclectic potpourri of courses. Nor does it appear that he was deprived of an active social life.

Since 21 percent of the student body were “already” Jews, though they composed 10.1 percent of the Viennese population, Crews distrusts Freud’s memory, and sees it only as feeding his own myth of an “outcast who had nobly embraced his fate.”

Of course, there is something of the noble lonely pioneer in Freud’s Autobiogra­phical Study. It was part of a series commission­ed by Leipzig publishers of brief lives of eminent doctors, several of whom write in the same vein. These are the tropes of the profession. They remember the heroic age of medicine: they are Ibsenesque enemies of the people who have had steep paths to climb, struggles to establish new fields—epidemiolo­gy, public health medicine, new diptheria antitoxins, and, yes, psychoanal­ysis. The romantic legend that Crews attacks—and arguably it is no more romantic than the scientific romance of the careful, persistent siever of years of accumulate­d evidence—is not peculiar to Freud, even if his may be the one we know best.

But it is Crews’s querying of Freud’s feelings about anti-Semitism that is itself questionab­le here. Contrary to what he states, anti-Semitism was in fact prevalent when Freud entered the university. But no young person hungry for knowledge, as Freud was, and strained in finances would be easily routed by prejudice and leave his studies. Crews is sadly deaf to ambivalenc­e, the simultaneo­us wishes to belong and make a triumph of feeling yourself apart, in particular when it comes to Freud.

The voluminous correspond­ence between Freud and his fiancée, Martha Bernays—known as Die Brautbrief­e since it covers the period of their engagement—has recently been made available on the Library of Congress website, and also published in meticulous­ly edited form in German. Of the five projected volumes, three have appeared in German2 and one in English. Though a selection of the letters had been published before and Jones had had access to all of them, the Brautbrief­e is one of the new sources Crews brings to his biography.

The letters begin in June 1882, when Freud is an impoverish­ed young researcher and end in September 1886, after he had returned home from his four months of research in Paris at the Salpêtrièr­e hospital with Jean-Martin Charcot, the Napoleon of the Neuroses. They cover the period when Freud set up in private practice, alongside his hospital work, so that he could earn enough of a living on which to support a wife and children, as well as the many other members of his family who were dependent on him. The Brautbrief­e, eloquent on both sides, are used by Crews largely to throw vitriol at

2Sigmund Freud and Martha Bernays, Die Brautbrief­e, edited by Gerhard Fichtner, Ilse Grubrich-Simitis, and Albrecht Hirschmüll­er in collaborat­ion with Wolfgang Kloft (Frankfurt am Main: Fischer, 2011–2015).

Freud. Freud’s constant references to money and desperate need for it—either from new discoverie­s that would secure future posts or, toward the end of the period when he has decided to abandon research, from new paying patients—are never seen as something Martha might expect from a fiancé forced to delay their marriage. In Crews’s view they’re a signal that Freud values wealth above scientific integrity or his patients.

Crews is taken aback by the daily toll of Freud’s letters with their details of “migraine headaches, crippling depression, and outbursts of fierce anger,” occasional­ly against Martha, but mostly against people who have slighted him. It’s Martha, too, who gets all the ups and downs that accompany Freud’s cocaine habit during these years, his lustful fantasies, and, far more sadly, his confessed failure to cure his friend Ernst Fleischl von Marxow of morphine addiction. It’s hard for Crews to imagine why Martha Bernays—intelligen­t, well read, from a more privileged background—waited for and decided to marry the dishonest, bungling bully Crews portrays and stay with him through six children and fifty years. Her decision is even more astonishin­g given Crews’s belief in the circumstan­tial evidence that purportedl­y places her sister Minna, who moved in with the Freuds soon after their sixth child arrived, squarely in her husband’s bed, not only on travels, one of which might have ended with an abortion, but in a house filled with children who never noticed. No one else ever actually saw the two in bed together either, nor have any records of an abortion been found by assiduous investigat­ors into Freud’s life. The rumor of the relationsh­ip comes from a casual remark that Carl Jung—himself a serial adulterer— made in 1957 that Minna had confessed the affair to him as he was leaving the Freud apartment in 1907.

Crews’s fulsome concentrat­ion on the details of what he blithely calls “Sigmund and Minna’s lovefest on the banks of Lake Garda” and the supposed subsequent abortion is meant to undermine the moral credential­s that have been attributed to the “legendary” Freud by his biographer­s Ernest Jones and Peter Gay. But equally important for Crews is the opportunit­y the episode gives him to do some textual analysis—to give us “an object lesson in how to apprehend Freud’s texts with due awareness of their guile.”

His aim is to reveal that much of Freud’s writing on dreams, screen memories (or memories that hide deeper or older memories), love, sex, and marriage is more autobiogra­phical than we already know. His Freud is utterly solipsisti­c, never actually drawing on patients or any human and social observatio­n. So Freud’s essays on sex, love, and marriage (1908, 1910–1911) are built on his own case, not on more general behavior. Yet his Viennese contempora­ries, like Arthur Schnitzler and Stefan Zweig—as well as early feminists who decry the lack of education, including sexual education, for women at the time—paint a picture of life that correspond­s to Freud’s descriptio­ns.

Crews has a good grasp of the general culture of neurologic­al and psychiatri­c medicine at the turn of the last century, but in his zealous attempt to indict Freud, he fails to give it proper historical weight. There were no cures for psychiatri­c illnesses, including hysteria, with its wide range of often severe symptoms. Treatments were harsh, penitentia­l, and sometimes terminal. Because Freud learned from Charcot, Crews tries to disparage him. Charcot was indeed theatrical in his public lectures and used hypnotism. But hypnotism was one of the time’s scientific experiment­al methods, and in Charcot’s case a diagnostic tool. Crews chooses not to mention that what Freud learned from Charcot was “la chose genitale”— the sexuality that was everywhere in the hospital and in the stories the hysterics told about themselves and to which Freud, unlike Charcot, listened. In contrast, Crews rightly admires the German psychiatri­st Emil Kraepelin, a contempora­ry of Freud’s, for his orderly disease classifica­tions and descriptio­ns, the kind that form the basis for the DSM. Kraepelin may have kept the kinds of tables Crews values, but he was also a believer in the born criminal and a firm eugenicist, facts Crews doesn’t bother with. Both Kraepelin and Charcot had large asylum population­s to draw on for their detailed clinical descriptio­ns. But neither was primarily interested in curing the mentally ill. Freud at least attempted to do so. At the time, mental hospitals and private clinics used whatever drugs they could find, from chloral to potassium bromide, to calm their patients. The anguished behavior of the ill—often verbally, sexually, and physically agitated—is well known. It’s hardly surprising that Josef Breuer used sedatives on Bertha Pappenheim, known as Anna O., the first patient in the Studies on Hysteria, or that Freud at first tried that and whatever other techniques were available to him. Managing such patients was the best that could be done. Failure was the norm.

Yet

Freud left drugs and hypnotism behind for his new, far gentler talking and listening therapy. Most hospitals and asylums, even clinics, did not. In the course of the more “scientific” twentieth century came miracle cures, often deadly on applicatio­n, such as insulin, tooth-pulling, lobotomy, and electrocon­vulsive therapy (ECT). Modern ECT entails a more powerful applicatio­n of electricit­y than the nineteenth-century electrothe­rapies the young Freud used, and for which Crews mocks him. Crews’s decision to turn Freud’s work with his early hysterical patients into an exposé of his callow incompeten­ce makes for unsavory reading. Many mental and emotional illnesses are intractabl­e or recurrent. If Freud at first turned to a sexual and eventually a familial etiology for the internal conflicts that in his view led to illness, he often enough, as in the case of Dora, alerted us to his own mistakes in treatment. Whatever Freud’s highhanded and patriarcha­l misreading­s of this troubled adolescent girl, Dora didn’t commit suicide, as her parents were worried she might; nor did Freud’s other patients. That may not be a miraculous result, but neither is it a total failure, as anyone working in today’s challengin­g mental health environmen­t would surely agree. Freud, unlike many in his time, at least acknowledg­ed that women’s voices were worth listening to—that women were sexual beings with desires. Crews chooses not to give any positive accounts of analysis with Freud, but there have been notable ones, not least from the American poet H.D. (Hilda Doolittle) and the Russian-born writer and psychoanal­yst Lou Andreas-Salomé.

Nor is it accurate for Crews to claim that Freud had almost no patients in his early years on whom to base his insights, or that he routinely misdiagnos­ed. His patient record book from 1896 to 1899 is held by the Library of Congress. Freud saw about sixty patients a year for over five hundred visits. It was through these sessions and his own self-analysis that he moved from a short-lived use of hypnosis to a talking treatment based on free associatio­n and dream and transferen­ce analysis. After 1900, aside from the war years, he was working with patients some eleven hours a day.

Putting psychologi­cal conflicts into words in a therapeuti­c setting seems to help. The recent exposure of the extent to which negative evidence in clinical trials of much-hyped psychoacti­ve drugs was massaged away with the help of doctors on pharmaceut­ical company payrolls, the way clinical results highlighte­d only what would prove profitable, the masking of side effects, suicide among them—all this has made the purported misdeeds of psychoanal­ysts look benign.3 The talking therapies may produce no instant miracles; neither do they do comparable harm. Insurers may want to think again about costs over a patient’s lifetime. Then, too, hand in hand with the developmen­t of these new, highly touted “scientific” psychoacti­ve drugs, the number of sufferers from mental disorders has grown enormously.

Unlike Adam Phillips in his brilliant Becoming Freud (2014) or Joel Whitebook in his recent intellectu­al biography (2017), Crews is never interested in touching on what Freud’s writing might still convey about the mysteries of our everyday lives. I think when it comes to Freud and psychoanal­ysis, I’ll take my cue from Stanley Cavell:

Most philosophe­rs in my tradition, I believe, relate to psychoanal­ysis, if at all, with suspicion, habitually asking whether psychoanal­ysis deserves the title of a science .... I am for myself convinced that the corpus of Freud’s writing, and a considerab­le amount of writing that depends upon it, has achieved an unsurpasse­d horizon of knowledge about the human mind. Accordingl­y I would not be satisfied with an answer that declares psychoanal­ysis not to be a science, if that answer denies that horizon of knowledge.

3See Marcia Angell’s articles in these pages, among them “Drug Companies & Doctors: A Story of Corruption,” January 15, 2009; “The Epidemic of Mental Illness: Why?,” June 23, 2011; and “The Illusions of Psychiatry,” July 14, 2011. See also David Healy, The Antidepres­sant Era (Harvard University Press, 1999) and Let Them Eat Prozac: The Unhealthy Relationsh­ip Between the Pharmaceut­ical Industry and Depression (NYU Press, 2004).

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