The News Herald (Willoughby, OH)

Make time for laughs

Although it’s an easy drive, consider an overnight trip for National Comedy Center in Chautauqua area

- By Paris Wolfe entertainm­ent@news-herald.com

Take a mental health day and head a couple of hours east to the new $50 million National Comedy Center in Jamestown, New York. As you trek through three buildings, totalling 37,000 square feet, you’ll laugh away stress and return home emotionall­y lighter.

Drop preconceiv­ed notions about the small town of Jamestown. Forget what you know about museums as staid collection­s of artifacts and video. Despite its smaller size, this place rivals Cleveland’s Rock & Roll Hall of Fame and Museum for impact. The interactiv­e technology is so cutting-edge that other national museums are studying it for ideas.

Shame on us for arriving with preconceiv­ed notions. We thought we’d breeze through 50 or so exhibits in an hour or two, grab lunch nearby and drive home. Four hours later, we got a $10 parking ticket because we stalled for one more joke. (It was just five minutes, officer, please.) We’ll go back to see more another day.

Admission includes a wristband with an radiofrequ­ency identifica­tion chip. A lobby kiosk scans the chip, and you build a humor profile — kind of like a Pandora music profile — by selecting favorite comedians and TV/movie icons. This profile drives your museum experience.

That means my mom — who dislikes profanity — would experience the museum differentl­y from how I would. For example, when I scan my wristband at an interactiv­e monologue screen, “Saturday Night Live” cast member Leslie Jones might appear shouting jokes about orgasms, while Mom may see comedian Gabriel Iglesias doing his signature “puffy” jokes about weight.

On a random Wednesday, my partner and I started in the Hologram Theater, a comedy club replica with cocktail tables and red-upholstere­d theater seating. There, a lifelike hologram of funnyman Jim Gaffigan talks about the evolution of a comic and demonstrat­es with various holograms of his younger self.

Just outside that lounge is Jerry Seinfeld’s white, ruffled puffy shirt from a 1993 episode of TV’s “Seinfeld.” In another corner, Conehead helmets — from 1970s “Saturday Night Live” sketches about an alien family — conjure memories and smiles. Artifacts abound but don’t overwhelm. Most exhibits require participat­ion — from video screens to manipulati­ve objects.

We wimped out on Comedy Karaoke but participat­ed in Laugh Battle. In the latter, we faced each other and read custom jokes. Whoever laughed the most lost. We tied, although I must admit he was funnier.

Control freaks might be a disconcert­ed by the lack of linear progressio­n as you wander the three connected buildings in any order. This free-range layout is a bonus on crowded days. Simply find your flow.

One of the best parts of my flow was watching stand-up comedians including Margaret Cho, Paula Poundstone, Richard Lewis and Jeff Foxworthy explain their creative processes. As a writer, I’m fascinated by how others build their words into something meaningful.

While I was taking in the video, a cocktail waitress

Admission includes a wristband with an radiofrequ­ency identifica­tion chip. A lobby kiosk scans the chip, and you build a humor profile — kind of like a Pandora music profile — by selecting favorite comedians and TV/movie icons. This profile drives your museum experience.

balancing a round tray suggested a glass of wine or a local beer. Yes, the museum has a liquor license, and adult beverages — in lidded containers — are available throughout.

While experienci­ng funny folks from Charlie Chaplin to Johnny Carson to modern meme writers, we were giggling as we learned about the art of comedy and its role in U.S. culture. For example, comics such as Lenny Bruce, George Carlin and their successors — found downstairs in the adultsonly Blue Room — challenged freedom of expression and helped define First Amendment rights in the 1960s. Millennial­s may not be aware that Bruce was jailed more than once for profanity that wouldn’t raise an eyebrow at today’s stand-up shows.

Making Jamestown the home of a National Comedy Center was the vision of the hometown comedic genius Lucille Ball. The star of “I Love Lucy” and founder of Desilu Studios, Ball wanted to see a national-scale museum there to honor the art of comedy. The idea took 30 years to reality, but she’d be proud.

While we were in town, we walked two blocks to the Lucille Ball Desi Arnaz Museum to reminisce over props, costumes and replica studio sets. This is a must-see while in town.

 ?? SUBMITTED ?? Instead of lyrics, Comedy Karaoke offers a favored comic’s monologue for visitors to try stand-up.
SUBMITTED Instead of lyrics, Comedy Karaoke offers a favored comic’s monologue for visitors to try stand-up.
 ?? SUBMITTED ?? Lifelike holograms of stand-up artists present comedy and education.
SUBMITTED Lifelike holograms of stand-up artists present comedy and education.
 ?? SUBMITTED ?? Touching the interactiv­e wall in the background creates a web of comics who influenced each other. In the foreground, placing a prop — such as a rubber chicken — on an interactiv­e table triggers famous sketches involving the item.
SUBMITTED Touching the interactiv­e wall in the background creates a web of comics who influenced each other. In the foreground, placing a prop — such as a rubber chicken — on an interactiv­e table triggers famous sketches involving the item.
 ?? SUBMITTED ?? Visitors read jokes to provoke laughter from each other. Facial-recognitio­n technology detects the smallest smile and scores points in Laugh Battle.
SUBMITTED Visitors read jokes to provoke laughter from each other. Facial-recognitio­n technology detects the smallest smile and scores points in Laugh Battle.

Newspapers in English

Newspapers from United States