‘A Strange Loop’ wins best new musical at Tony Awards
NEW YORK — “A Strange Loop,” an irreverent, sexually frank work about Blackness and queerness took home the best new musical crown at the Tony Awards on Sunday, as voters celebrated Broadway’s most racially diverse season by choosing an envelope-pushing Black voice.
Michael R. Jackson’s 2020 Pulitzer Prize drama winner is a theater metajourney — a tuneful show about a Black gay man writing a show about a Black gay man. Jackson also won for best book. Many of the night’s other Tonys were spread over several productions.
The victory of a smaller, more offbeat musical against more commercial offerings continues a recent trend, as when the intimate musical “The Band’s Visit” beat the big brand-musicals “Frozen,” “Mean Girls” and “SpongeBob SquarePants” in 2018 or when “Hadestown” bested “Tootsie,” “Beetlejuice” and “Ain’t Too Proud” a year later.
“A Strange Loop” beat “MJ,” a bio musical of the King of Pop’s biggest hits, for the top prize, although the other Jackson musical nabbed four Tony Awards including for best choreography. Myles Frost moonwalked away with the award for best lead actor in a musical for playing Michael Jackson, becoming the youngest solo winner in that category. “Mom, I made it!” he said.
“MJ” represents the 22-year-old Frost’s Broadway debut as he plays Jackson with a high, whispery voice, a Lady Dianalike coquettishness and a fierce embrace of Jackson’s iconic dancing and singing style. “Heal the world,” Frost said from the stage, channeling Jackson.
Joaquina Kalukango won the Tony for best leading actress in a musical for her work in “Paradise Square,” a show about Irish immigrants and Black Americans jostling to survive in New York City around the time of the Civil War. Earlier in the night, she blew the house down with a stunning performance of the musical’s “Let It Burn.”
A gender-swapped revival of Stephen Sondheim’s “Company” rode the fondness Broadway has for the late iconic composer by earning five statuettes, including best musical revival.
“Company” is an exploration of a single person’s conflicted feelings about commitment, traditionally focusing on a 35-year-old bachelor.
This time, it had a bachelorette and the sexes of several couples were swapped.
Marianne Elliott made Tony history by becoming the only woman to have won three Tonys for directing, the latest for “Company.” She thanked Sondheim for letting her put a woman “front and center.” She dedicated her award to everyone fighting to keep theaters open.
Patti LuPone won best featured actress in a musical for her work in the revival, thanking COVID-19 safety officials in her acceptance speech. Matt Doyle won for best featured actor in a musical for “Company.”
“The Lehman Trilogy,” spanning 150 years and running three and a half hours, follows the fortunes of a single family into the financial crash of 2008. It was crowned best new play and Sam Mendes won for best direction of a play, praising the season for its “rampant creativity.” One of its three stars, Simon Russell Beale, won for best actor in a play and thanked the audience for coming to see a trio of British actors tell a New York story.