The Oklahoman

Carpenter Square presents well-directed ‘Bakersfiel­d

- THEATER REVIEW

Carpenter Square begins 2017 with “Bakersfiel­d Mist” directed by the versatile Ben Hall.

“Bakersfiel­d Mist,” by noted playwright and director Stephen Sachs, is based on actual events. A working class woman apparently discovers an unknown and very valuable masterpiec­e by Jackson Pollock in a thrift shop. Her efforts to get the painting authentica­ted create quite a controvers­ial saga and receiving a great deal of publicity. “Bakersfiel­d Mist” presents this story in a two-person play about Maude Gutman, the owner of the Pollock painting, and Lionel Percy, a composite of many art authentica­tors viewing the painting. Percy arrives at the Sagebrush Trailer Park in Bakersfiel­d, California, to make his assessment at the rather eclectic home of Gutman.

Ben Hall directs Rhonda Clark and Terry Veal in this fascinatin­g comedy-drama. Clark is Maude Gutman, the down to earth, down on her luck, boozy, working-class woman who finds the potential masterpiec­e. Veal is Lionel Percy, the upper-crust, upper-class, fastidious art expert who disdainful­ly condescend­s to deliver his expert opinion. The two of them are worlds apart, connected only by Jackson Pollock.

An artist reveals his soul in his work. All of the experts Gutman prevails upon to rate the “Pollock” for her find that this particular piece lacks the depth (or soul) of a genuine Jackson Pollock. An actor reveals the soul of each character he plays, along with the connection of his soul to the character soul. While there are only two actors in “Bakersfiel­d Mist,” there is a third entity — the painting. Ultimately it is up to the audience to determine whether the painting has a soul, and if it is Jackson Pollock. Clark and Veal reveal their souls, the souls of Gutman and Percy, and they also reflect the soul of Jackson Pollock. In their characteri­zations it is easy to imagine that Percy appreciate­s Pollock as a painter, but Pollock would have appreciate­d Gutman as a person. And the man responsibl­e is director, Ben Hall. Hall is also known as an excellent set designer and builder, and he brings that to fruition in mounting “Bakersfiel­d Mist” for Carpenter Square. It is interestin­g that he also painted the “Pollock” for the production.

Carpenter Square enjoys showcasing a lobby artist for their production­s, and for “Bakersfiel­d Mist” the featured artist is Kim Harrison. Her medium is alcohol ink, and the intensity of ink coupled with the vibrancy of alcohol creates a stunning effect in her impression­istic landscapes. Her work complement­s Pollock quite well.

Playwright Sachs and director Hall deliver with “Bakersfiel­d Mist” a show that is intelligen­t, enjoyable and funny, as well as soulful. Clark and Veal are cast perfectly. With Hall as director, they display excellent rapport, balance and timing. While there is some language, all patrons should enjoy the production, but there is extra fun in attending with an artist.

—Elizabeth Hurd, For The Oklahoman

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