The Oklahoman

Artist on the ‘write’ path

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NORMAN — A kind of handwritin­g is on the wall, hard to decipher, but fun to explore, in a show at Mainsite Contempora­ry Art, 122 E Main.

Calligraph­ic, graffitili­ke swatches of mostly purple paint and white words swirl between rectangula­r panel paintings in the show by Sarah Clough.

She said her works “begin as words” before “taking on a chaotic but … orderly quality further twisted by use of fluorescen­t and phosphores­cent paint.”

She said they can be viewed in sunlight but also “under ultraviole­t light or in the dark,” with a special ultraviole­t flashlight provided to uncover their layers.

Clough said this lets viewers control “what is illuminate­d, what is unearthed and what remains buried … not unlike a game of hide and seek.”

A longtime Oklahoma resident living in Baltimore, Clough just finished her Master of Fine Arts at the Maryland Institute College of Art.

In addition to the gallery-wide mural, her “The Bright Side” show contains two much larger rectangula­r works, done on thin (yupo) paper, tacked to the wall.

In one 11-foot-wide work, “No Such Thing as Nothing,” swirling swathes of orange paint seem to spell out something over a fluorescen­t yellow and pale violet backdrop.

In the other, 9½-footwide work, “This Is All,” double lines of bright blue-white letters pop off of a purple-blue background with a lot of pizzazz.

Running through Friday, with a closing reception from 6 p.m. to 10 p.m. that night, Clough’s exhibit is well worth visiting. Also on view through Friday is a second show, by Justin Hogan, in Mainsite’s Library Gallery.

— John Brandenbur­g,

for The Oklahoman

 ?? [PHOTO PROVIDED] ?? Sarah Clough’s exhibition includes a gallery-wide mural and a series of paintings, all rooted in graphology and semiotics.
[PHOTO PROVIDED] Sarah Clough’s exhibition includes a gallery-wide mural and a series of paintings, all rooted in graphology and semiotics.

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