The Oklahoman

‘Summer Dance!’ show earns acclaim

- [OKLAHOMA STAFF PHOTO BY TY RUSSELL.]

A “Summer Dance!” program earned its exclamatio­n point in a preview Thursday at the University of Oklahoma.

It was done in Studio 3002 of OU’s Reynolds Performing Arts Center, a wider than deep third floor space, with a giant mirror on one wall.

Casual active wear and tennis shoes were the order of the day in “2.14,” choreograp­hed by Roxanne Lyst, to music by Daniel Pemberton.

Dramatic arm and especially elbow gestures gave great athletic energy and tension to “2.14,” performed by Justin Rainey with five female dancers.

Contrastin­g nicely was a “Giselle Variation,” staged by Boyko Dossev, performed on pointe by Amelia Murray, in a modest folk blouse and skirt.

Getting across the drama and tension of a couple who may or may not be made for each other in “Duet for____&____,” were Kieran King and Emily Nichols.

Performed barefoot, with King in black pants, his chest bare, and Nichols in a black top, legs bare, the piece was choreograp­hed by Laura Pratt, to music by Bach.

Taking us back to classical ballet was “Paquita Pas de Trois,” staged by Dossev, in which Rainey paired with Murray and Brittany Vahalik, both wearing red tutus.

Red was the dominant emotion, not just a color, in “Diablo Rojo,” a modern dance choreograp­hed by Michael Bearden to the Latin beat of Rodrigo and Gabriela.

Clad in a red shirt and black tux pants, King interacted dynamicall­y with five women in long dresses, who exploited shoulder shakes and benches well, in “Diablo Rojo.”

Nichols offered a fine, classical, solo “Shade Variation” from “La Bayadere Pas,” then teamed up with Rainey in “Sehnsucht,” choreograp­hed by Dossev to modern music by Philip Glass.

Wonderfull­y lightheart­ed and insouciant was the evening’s final offering, “La Valse a Mille Temps,” choreograp­hed by Dossev, to a vocal number by Jacques Brel.

Dancers in bright, colorful costumes, seemed to keep speeding up in “Valse,” until one member of the chorus appeared to knock them all down, with a gesture.

Offering short, sweet, summer-length numbers, OU’s “Summer Dance!” supplied spectators with a superb classical ballet-modern dance one-two punch, and is highly recommende­d.

— John Brandenbur­g, for The Oklahoman

 ?? [PHOTO PROVIDED] ?? Promotiona­l art for “Summer Dance!”
[PHOTO PROVIDED] Promotiona­l art for “Summer Dance!”
 ??  ?? A file photo of the The Donald W. Reynolds Performing Arts Center.
A file photo of the The Donald W. Reynolds Performing Arts Center.

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