The Oklahoman

‘THE PREDATOR’

- — Pat Padua, The Washington Post

R 1:47

The titular villains from 1987’s “Predator” — dreadlocke­d alien manhunters with the power of invisibili­ty — are back on Earth in the new sequel “The Predator,” only this time they have dogs.

As the writer of “Lethal Weapon” and the writerdire­ctor of such films as “Kiss Kiss Bang Bang” and “Iron Man 3,” Shane Black has a gift for smart-alecky dialogue. But in his effort to inject fresh blood into this gory franchise, which has already seen four sequels (including two “Alien” crossovers), the filmmaker can’t seem to summon up that old Black magic.

Set in the present day, some 30 years after the action of the first film, the new film immediatel­y beats you over the head with leaden spectacle, opening with a battle between alien spaceships. In a departure from “Predator,” which took its sweet time introducin­g its extraterre­strial visitors, you see the monsters here almost immediatel­y.

That generic opening sequence could have been plucked from any number of other science-fiction movies. Fortunatel­y, the film’s human characters do begin to gradually come into focus. Chief among them is Quinn (Boyd Holbrook), a mercenary who has discovered an alien spaceship that crash-landed in rural Georgia. Quinn sends some of the wreckage back home, where his 6-year old son (Jacob Tremblay), who longs to reconnect with his mostly absent father, tries to figure out how the alien technology works.

Into this broken-family dynamic, Black introduces group of veterans suffering from PTSD. These characters, who include the snarky Coyle (Keegan-Michael Key) and tough guy Nebraska (Trevante Rhodes), are there for a little comic relief — a little too much, in fact — and never seem to come together as a team.

Humor is Black’s signature. One scene involves an argument about whether it’s appropriat­e to call the aliens “predators.” However cool the moniker, they hunt less for survival than for sport — “like a bass fisherman,” explains Olivia Munn’s Casey, an evolutiona­ry scientist recruited to evaluate a captured specimen of the alien race.

Such jokiness is well within the bounds of the series’ formula, as are the buckets of blood. Still, “The Predator” lacks the electric charge that made its predecesso­rs pulpy fun.

Starring: Boyd Holbrook, Olivia Munn, Keegan-Michael Key, Sterling K. Brown, and Trevante Rhodes. (Strong bloody violence, crude language throughout and crude sexual references.)

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