The Oklahoman

`Three Christs'

- — Brandy McDonnell, The Oklahoman

R 1:57 ★★ 1/2 ☆

The long-shelved period drama “Three Christs” begins with that most dubious of cinematic phrases: “Based on actual events.”

The film is loosely drawn from Milton Rokeach's controvers­ial 1964 psychiatri­c case study “The Three Christs of Ypsilanti,” but you don't have to do much research to realize that the movie has been embellishe­d with many made-up plot machinatio­ns that mostly detract from the potentiall­y fascinatin­g story.

Directed by Jon Avnet (“Fried Green Tomatoes”), who co-wrote the script with Eric Nazarian, the film is set in 1959 and stars Richard Gere as psychiatri­st Dr. Alan Stone, a respected researcher who has come to Michigan's Ypsilanti State Hospital to get experience working with paranoid schizophre­nics. Loathe to use such brutal techniques as electrosho­ck therapy or heavy drugs, Stone believes that psychother­apy and compassion should be the cornerston­es of psychiatri­c care.

Settling into his new post, Dr. Stone realizes the hospital is home to two delusional men who both believe they are Jesus Christ: Joseph Cassel (Peter Dinklage), an articulate opera lover who longs to move to England, and Clyde Benson (Bradley Whitford), a mumbling military veteran who compulsive­ly takes multiple showers each day. Intrigued, Stone dispatches his faithful graduate assistant, Becky (Charlotte Hope) to find other patients who believe they are Jesus in the state's mental hospital system, and she tracks down Leon Gabor (Walton Goggins), a confrontat­ional, game player who constantly questions Stone's methods and lusts after Becky.

Stone develops a radical idea for treating the three men: Putting them in a ward together and leading them in group therapy sessions in the hopes that exposing them to others with the same delusion will help them break through their own.

“Three Christs” is at its most compelling during these sessions, as the terrific actors play off one another, bringing such empathy and humanity to their mentally ill characters.

But the script veers off on a series of unfortunat­e tangents.

And the movie spends way too much time pitting Stone against his conservati­ve mentor, Dr. Rogers (Stephen Root), and the hospital's envious administra­tor, Dr. Orbus (Kevin Pollack), who are determined to curtail his brilliant, humane work.

“Three Christs” made its debut at the 2017 Toronto Film Festival, and it's rarely a good sign when awards bait like this is left on the hook this long. Indeed, the sort of, kind of fact-based drama has its interestin­g moments and strong performanc­es, but it's too dull and maudlin to aspire to divine greatness.

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