The Oklahoman

‘ArtNow 2023’

Joy Harjo inspires fellow Oklahomans in OKC exhibit

- Brandy McDonnell The Oklahoman USA TODAY NETWORK

For those interested in exploring the current state of art in the Sooner State, Oklahoma Contempora­ry Arts Center has provided a map created by more than a dozen different artists and inspired by an Oklahoma Cultural Treasure. • On view through Jan. 15, 2024, “ArtNow: The Soul Is a Wanderer” is the 2023 edition of Oklahoma Contempora­ry’s biennial exhibition. First introduced in 2012 and now organized every two years by the nonprofit Oklahoma City arts center, “ArtNow” gives people a snapshot of — and in this case, a sort of map to — the state’s current cultural landscape.

Organized by Tulsa-based guest curator Lindsay Aveilhé, “ArtNow: The Soul Is a Wanderer” features works created by 13 crossgener­ational artists in response to the 2000 poem “A Map to the Next World” by Tulsa-based Muscogee writer, musician and performer Joy Harjo, who served three terms as U.S. Poet Laureate from 2019 to 2022 and was designated an Oklahoma Cultural Treasure in 2021.

The 10th edition of Oklahoma Contempora­ry’s signature exhibit, “ArtNow 2023” also honors and spotlights the work of another Tulsabased Muscogee creative: Sterlin Harjo, the co-creator and showrunner of the acclaimed Oklahoma-made streaming series “Reservatio­n Dogs,” which debuted its third and final season earlier this year.

The Holdenvill­e native, who is also Seminole, has been named the recipient of the “ArtNow 2023” Focus Award, which he will accept at a newly announced January 2024 event at Oklahoma Contempora­ry.

Sterlin Harjo be honored by Oklahoma Contempora­ry Arts Center in 2024

Also known for his independen­t films “Four Sheets to the Wind,” “Barking Water” and “Love and Fury,” Sterlin Harjo is just the second Oklahoma artist to be honored with Oklahoma Contempora­ry’s “ArtNow” Focus Award. Internatio­nally known Warr Acres painter, printmaker and sculptor Bert Seabourn received the inaugural Focus Award in conjunctio­n with “ArtNow 2021.”

Since Seabourn died in 2022 at age 91, his daughter and fellow artist Connie Seabourn will present the “Reservatio­n Dogs” mastermind with the honor at the “ArtNow 2023” Focus Awards at 6 p.m. Jan. 11 at Oklahoma Contempora­ry.

The ceremony also will include a reception and artist talk with Sterlin Harjo, moderated by Aveilhé, the “ArtNow” 2023 guest curator. The event is open to the public, but reservatio­ns are encouraged.

Tickets are free for Oklahoma Contempora­ry members and $15 for nonmembers.

“We are overjoyed to be giving the ‘ArtNow 2023’ Focus Award to Sterlin Harjo for his commitment and contributi­on to the arts in Oklahoma and beyond,” said Aveilhé in an email. “As a film director, screenwrit­er, showrunner, and artist, Harjo has pushed the boundaries of representa­tional storytelli­ng, moving the dial for generation­s of artists to come.”

‘ArtNow 2023’ artists use a Joy Harjo poem as inspiratio­n for their new works

Along with the Focus Award honoree, Sterlin Harjo also is one of the participat­ing artists in “ArtNow: The Soul Is a Wanderer.” Made specifically for “ArtNow 2023,” his video installati­on “A Map to the Next World” features Joy Harjo reading her poem of the same name on her land.

“It’s what this iteration of ‘ArtNow’ really revolves around: The poem is kind of a guidepost for the artists to respond to,” Carina Evangelist­a, Oklahoma Contempora­ry’s senior director of curatorial affairs, told The Oklahoman. “So, almost all the works were created specifically for this exhibition.”

The title “ArtNow: The Soul Is a Wanderer” is taken from a line in Joy Harjo’s poem, which also includes the lyrical wisdom, “Crucial to finding the way is this: there is no beginning or end / You must make your own map.”

Five must-see highlights of Oklahoma Contempora­ry’s ‘ArtNow 2023’

“ArtNow 2023” showcases works by 13 cross-generation­al artists working in different parts of the state. Along with Sterlin Harjo, four of the other participat­ing artists are Indigenous.

“Drawing inspiratio­n from the poem’s call to remember the past as we journey beyond the present, the artists invite us to unearth complex histories and imagine alternate routes toward emancipato­ry futures of our making,” Aveilhé writes in her exhibit introducti­on.

“Together, the works in ‘The Soul Is a Wanderer’ evoke the landscape of Oklahoma — its topography and our shared reality — as a site for questionin­g, dreaming, and action.”

Beyond Sterlin Harjo’s must-see short film, here are five indelible highlights of Oklahoma Contempora­ry’s “ArtNow 2023”:

Indigenous artist emulates Ed Ruscha’s style to hit Route 66

Oklahoma-born and bred painter Yatika Starr Fields, who is Osage, Muscogee and Cherokee, emulates the famous word paintings of iconic OKC artist Ed Ruscha with his eye-grabbing “Whose Kicks?” The painting is a reference to the famous song “(Get Your Kicks on) Route 66.”

While Ruscha’s art, especially his landmark 1963 art book “Twentysix Gasoline Stations” pay homage to U.S. 66, Fields encourages viewers to consider the darker legacy of the “Mother Road,” particular­ly land theft, colonizati­on and environmen­tal damage.

“He’s incorporat­ed in this, where you might see some texture, crushed Mankiller pearl shell, which is that purple mussel shell that’s found in, I believe, the northeaste­rn and northern lakes of Oklahoma. And it’s named after the first female chief of the Cherokee people, Wilma Mankiller,” Evangelist­a said.

“That fact that it’s embedded, it’s, in a way, like what’s been trampled over when U.S. 66 was built.”

OSU professor opens portals into the cosmos

A native Texan and interdisci­plinary artist, Molly Kaderka’s work is inspired by her interest in natural phenomena and in human and Earth history. An assistant professor at Oklahoma State University, her dramatic large-scale installati­on “Ferrous Form/Unform” draws people into the exhibition, calling to mind a pair of compelling portals into the wider cosmos.

“She and her assistants marbled paper the size of two football fields in order to have enough material to choose the particular blotches and swirls to recreate some kind of cosmic vortex happening here,” Evangelist­a said. “This is also created specifically for the space … and it was a very labor-intensive piece to install.”

OKC artist builds a bed of stone

Born and raised OKC, Isaac Diaz creates works influenced by nature, history and his Salvadoran roots, including his “ArtNow 2023” installati­on “Projection///Placement.” It consists of a bed of stone, adorned with a single beeswax candle, sitting on a patch of jagged rocks, “an expression of building a space or one’s self when all one is given are fragments and rubble.”

“He’s channeling pre-Columbian imagery and symbolism. He’s looking to these symbols, trying to find his own way of figuring out where he’s from, where are his people from, and also trying to create these emblems of spirituali­ty that are sometimes lost,” Evangelist­a said.

African potter goes on a quest for wisdom in ceramics

Contempora­ry African potter Yusuf Etudaiye was born in Nigeria but has been working in clay in the United States, primarily in Oklahoma, for three decades. “ArtNow 2023” features an evocative grouping of his ceramic pieces that together contemplat­e the Ghanaian notion of “Sankofa.”

A concept from Ghana’s Akan people, “Sankofa” is literally translated as “it’s not taboo to fetch which is at risk of being left behind,” alluding to taking a quest for wisdom that involves learning from the past to create a strong future.

Osage painter shares tribe’s origin story in dazzling landscape

Osage Nation history and culture have been spotlighte­d in 2023 thanks to Martin Scorsese’s Oklahoma-made movie “Killers of the Flower Moon.” In her dazzling landscape painting “Ma^zha^ tseka Ma^thi^ (Moving to a New Country),” Osage artist and Pawhuska native Moira RedCorn shares her tribe’s creation story and pays homage to her people’s resilience.

Norman artist digs into Oklahoma’s famed red dirt for installati­on

OKC native Ruth Borum-Loveland’s “Soil Studies” installati­on digs into Oklahoma’s famed red dirt – and features earth of other hues as well.

During her walks near her Norman home, she started collecting soil and rock samples, building a library of color studies. Expanding her dirt collecting to other parts of the state, too, she used a wide array of samples to create her “ArtNow” painting “Soil Weaving.”

“It’s 368 lines and 23 soils, and the variation is so beautiful. It’s almost like the warp and the weft of a loosely woven shawl,” Evangelist­a said.

 ?? ?? TOP: Julia Lanman stands in front of Molly Kaderka’s “Ferrous Form/Unform,” a mixed-media and handmade marbled paper installati­on featured in the “ArtNow 2023” biennial exhibit.
TOP: Julia Lanman stands in front of Molly Kaderka’s “Ferrous Form/Unform,” a mixed-media and handmade marbled paper installati­on featured in the “ArtNow 2023” biennial exhibit.
 ?? NATHAN J. FISH PHOTOS/THE OKLAHOMAN ?? ABOVE: Photograph­s by Joseph Rushmore are displayed in the “ArtNow 2023” biennial exhibit of Oklahoma artists at Oklahoma Contempora­ry Arts Center in Oklahoma City.
NATHAN J. FISH PHOTOS/THE OKLAHOMAN ABOVE: Photograph­s by Joseph Rushmore are displayed in the “ArtNow 2023” biennial exhibit of Oklahoma artists at Oklahoma Contempora­ry Arts Center in Oklahoma City.
 ?? ??
 ?? PROVIDED ?? Oklahoma-born and bred painter Yatika Starr Fields, who is Osage, Muscogee and Cherokee, created the 2023 painting “Whose Kicks?,” which is featured in the exhibit “ArtNow: The Soul Is a Wanderer.”
PROVIDED Oklahoma-born and bred painter Yatika Starr Fields, who is Osage, Muscogee and Cherokee, created the 2023 painting “Whose Kicks?,” which is featured in the exhibit “ArtNow: The Soul Is a Wanderer.”

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