The Oklahoman

Much-lauded Irish dystopian novel lands with a didactic thud

- John Caleb Grenn

“Prophet Song” by Paul Lynch (Atlantic Monthly Press)

“Prophet Song” is a bleak novel that meditates on a family’s struggles during a dystopian imagining of Ireland as it descends into a totalitari­an police state. Officials barricade streets and society falls apart one torn family at a time. War breaks out; disaster is all around. The novel focuses primarily on the interior of its main character, Eilish, who must protect her children after her husband is detained.

As the novel progresses, cataclysm abounds. Eilish, mother of four and respected scientist, is presented with impossible choices, one after another. However, in the end, I found myself unable to truly feel devastated along with its suffering characters, the reasons multiple.

Written in dry, gerund-heavy language with a tone of aimlessnes­s, Paul Lynch has written what was, for me, a very frustratin­g novel. Billed as dystopian, the horrible world imagined here is rendered in a vague, distant way that never quite immerses the reader. Eilish is a dogged character, full of tenacity, but the didactic writing diminished what would otherwise have been emotionfilled scenes of a mother clinging to her children.

With few paragraph breaks and long chapters with winding, directionl­ess sentences built into sheer blocks of unbroken, rarely punctuated text that fill up the entirety of the page, I found the prose nearly as impenetrab­le as the government Lynch imagined.

The imagining of a war-torn Ireland does have potential for an interestin­g novel premise, especially in a world with fascism ever on the rise. However, as it won the 2023 Booker Prize (awarded to the best work of fiction written in English and published in the UK and Ireland), I cannot help but find myself curious about the level of discernmen­t that went into applauding this work at such a high literary level.

Let me explain.

Applying what may in many ways mirror the real-life modern-day experience of someone under an oppressive regime in, say, Syria or Afghanista­n, to a white family in Ireland left me rather uneasy.

While the novel tried to veer its focus toward Eilish’s interiorit­y of struggles with living under totalitari­an rule, (unfortunat­ely often flattening her character with poor decision making to favor plot), for a conscienti­ous reader it is quite difficult to read this novel without, at minimum, a minor political bent.

At least on a surface level, the message of this novel can’t help but hint at saying something like: the Syrian refugee crisis could happen to a country like Ireland, too – does that make you care, Western world?

While the message may be a very important one, and is likely true, drafting the horrific experience­s of disenfranc­hised humans for a work of fiction about a people group currently not having such an experience is a step in the wrong direction. To then laud such a novel as creative, original and arguably one of the best books published this year? That does not sit well with this reader.

John Caleb Grenn is a Med-Peds physician in Jackson. He is an avid reader of literary fiction and shares more reviews on Instagram at @jcgrenn_reads.

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