Next up at the Kennedy Center? A focus on hip-hop

WASHINGTON » It was late October 2017 and a packed house of VIPs had gathered at Washington’s Kennedy Center to watch David Letterman receive the Mark Twain award for a career in comedy. A stream of comedians took the stage to sing Letterman’s praises, and several couldn’t resist taking good-natured shots at the crowd.

Martin Short deadpanned, “It says a lot about America when people from different white backgrounds can gather together like this.”

Jimmie Walker — J.J. from the 1970s sitcom “Good Times” — put it more bluntly: “Look at the diversity in this crowd! I feel like Ben Carson at a Trump Cabinet meeting.”

Walker may have been going for the easy joke there, but he spoke to a deeper belief — that the Kennedy Center exists to serve an elite white audience despite its presence in a largely black city. That perception may linger for a while, but the reality is changing.

One of America’s pre-eminent performing arts institutions, the Kennedy Center is embracing hip-hop culture in a major way. The center has gradually introduced rap music into its programming, with rappers like Nas and Kendrick Lamar performing with the National Symphony Orchestra. Hip-hop has also been showcased regularly at the center’s daily Millennium Stage concerts.

The process is accelerating. The center has tapped two members of hip-hop royalty to act as bridges into the rap world. Q-Tip from A Tribe Called Quest has been named artistic director for hip-hop culture. Last year, LL Cool J became the first rapper inducted into the elite ranks of Kennedy Center Honors recipients.

“I consider them as important to our culture as Bach or any other composer,” said pianist Jason Moran, the center’s artistic director for jazz.

Moran is credited with pushing for this change. He was part of the