The Oneida Daily Dispatch (Oneida, NY)

The ‘bizarre trip’ that almost was

- By Mesfin Fekadu

NEWYORK>> Shortly after Woodstock organizers announced the shambolic 50th anniversar­y concerts were off after months of setbacks and holdups, Woodstock cofounder Michael Lang summed up the drama in six words: “It’s been a really bizarre trip.”

Over the last six months, Lang, 74, moved like a cat using all nine lives to make Woodstock 50 work. The first plan, to have an all-star concert with the likes of Jay-Z, Dead & Company, the Killers and more in Watkins Glen, New York, some 115 miles northwest of the original 1969 concert — was scuttled after the venue backed out. Then the plan was to have it in Vernon, New York, but organizers couldn’t get a permit. Lang finally found a location that would work — all the way in Maryland — but artists started to pull out of the festival and he decided to scrap the event and the anniversar­y concerts altogether.

“What can I say?” Lang said in a phone interview with The Associated Press. “It’s

not been surprising that we weren’t able to pull this off.”

If Lang could go back and do things differentl­y, he says, he would have tried to get permits earlier. And he would have worked with a different financial partner.

On April 29, Dentsu Aegis Network’s Amplifi Live announced it took back about $18 million — the remains of the $49 million it had put in — from the anniversar­y event, set to take place Aug. 16-18. In its statement, the company also prematurel­y said that Woodstock 50 had been canceled, and some media outlets reported it as fact. (Lang sued, and a judge ruled Dentsu couldn’t singlehand­edly call off the show).

Lang said Dentsu’s decision “really put a halt to our efforts to get a mass gathering permit because all of the government agencies stopped working when they announced that. That nearly lost us about six weeks. That was a crucial six weeks.”

When asked about the official cancellati­on of Woodstock 50, Dentsu told AP it had no comment.

Lang said Dentsu approached him about coming on board to handle some of the finances, media sales and sponsorshi­ps. He said he isn’t sure why the relationsh­ip went left.

“I’ve been struggling­with that all along. For them to walk away from such a big investment, frankly, it was puzzling,” he said. “I think because the permit was not completed, which I attribute to the fact that Dentsu just dragged its feet in getting our producing team in place and our booking team in place.”

Lang added that when it was leaked to the press that artists booked to performwer­e not paid on time, Dentsumigh­t have thought he had done it. Lang said all the artists were eventually paid, and he denies leaking the info.

“That really sort of destroyed the trust that we might have had together,” he said. “It was probably one of the agencies who were just doing their job and trying to get their band paid.”

So he got a new financial partner, although the original venue, Watkins Glen Internatio­nal, pulled out, as did production company Superfly. And tickets were still not available for purchase.

Woodstock 50 organizers were denied a permit to hold the festival at the Vernon Downs racetrack and casino in upstate New York; it was filed too late and had problems. Local officials denied permit applicatio­ns amid concerns about having 65,000 people come to a largely rural area on short notice.

And while Lang hoped to make the event work as a free concert at Merriweath­er Post Pavilion in Columbia, Maryland, less than a week after announcing that location he announced that everything was canceled.

“Merriweath­er was just an attempt to do some good with some of the talent that were available,” he said.

Asked why he hadn’t worked with a touring juggernaut like Live Nation, which puts on hundreds of festivals successful­ly, Lang said: “We really wanted to keep it independen­t. That’s part of the character of our brand and our position in the world.”

Melanie, known as the first lady of Woodstock and scheduled to perform at Lang’s 50th celebratio­n, said she noticed things were taking a turn when she couldn’t get in touch with him: “I have a personal line with Michael Lang, but after a while he stopped returning my phone calls.”

“Michael was just not focused on the power of what he had,” she said. “Not just get the biggest act, get the biggest crowd and the biggest people. Basically, he really could have had a festival with alumni and people who seem to, I don’t know, like Pearl Jam. People who have that sensibilit­y.”

Scheduled performers for Woodstock 50 included contempora­ry artists like Imagine Dragons, Miley Cyrus and Chance the Rapper, along with acts who performed at the original festival, including Santana and John Fogerty.

“The thing lacked heart,” Melanie said. “He didn’t get the support because of that, really and truly.”

“Woodstock’s a living thing and you can’t package a living thing,” she added.

Melanie is one of the performers at WE 2019 Experience — another concert celebratin­g 50 years of Woodstock across two weekends at Saloon Studios Live in West Jefferson, North Carolina. WE 2019 producer Kenn Moutenot said he removed “Woodstock” from the name of his event after Lang’s lawyers sent him legal papers. Performers include Jefferson Starship, Ten Years After, John Sebastian, Greg Errico of Sly and the Family Stone, Corky Lang of Mountain, and Canned Heat at the shows on Aug. 9-11 and Aug. 16-18.

“I know what went wrong,” Moutenot said when asked about Lang’s festival. “I’ve done 5,000 concerts from Africa to Zimbabwe. I’ve been everywhere in the world ... it’s second nature. Now Michael Lang has done five concerts in 50 years. The first one was really unorganize­d. It just happened to be peaceful.”

Moutenot said the important things are planning and organizati­on. “Money doesn’t do it. ... It’s not about, for me, making a dime. It’s about serving the artists. If we broke even, I’d be happy as can be. It’s not about me trying to pay JayZ a million dollars or pay Miley Cyrus,” he added.

The Bethel Woods Center for the Arts in Bethel, New York, the original location of Woodstock, will also hold a celebratio­n during the anniversar­y Aug. 15-18, featuring performanc­es by Ringo Starr, Santana and Fogerty.

“I can tell you it’s consumed the last two years of our lives,” Darlene Fedun, CEO of the Bethel Woods Center for the Arts, said of planning for the Woodstock anniversar­y, which includes museum exhibits, film screenings and other activities. “Two of the days are pretty well sold out. The others are very, very close.”

Melanie said that despite Woodstock 50’s ending, the legacy will live on.

“Because it was canceled, does that mean that the sentiment, does that mean that peace and love has been canceled? Is that what the message is? Because it’s not,” she said.

Lang said he’s not worried that Woodstock 50’s troubles will hurt the brand’s legacy. Woodstock “still represents exactly the same motivation­s and important social issues that it reflected back then.”

And he’s still hoping there will be a Woodstock 50 at some point. “Maybe next year,” he said.

 ?? EVAN AGOSTINI — THE ASSOCIATED PRESS FILE ?? Woodstock co-producer and cofounder, Michael Lang, participat­es in the Woodstock 50lineup announceme­nt at Electric Lady Studios in NewYork. Two days after Woodstock organizers officially announced the shambolic 50th anniversar­y concerts were off after months of setbacks and holdups, Woodstock co-founder Lang sums up the drama precisely in six words: “It’s been a really bizarre trip.”
EVAN AGOSTINI — THE ASSOCIATED PRESS FILE Woodstock co-producer and cofounder, Michael Lang, participat­es in the Woodstock 50lineup announceme­nt at Electric Lady Studios in NewYork. Two days after Woodstock organizers officially announced the shambolic 50th anniversar­y concerts were off after months of setbacks and holdups, Woodstock co-founder Lang sums up the drama precisely in six words: “It’s been a really bizarre trip.”
 ?? KEN BIZZIGOTTI — THE ASSOCIATED PRESS FILE ?? Melanie Safka, who performed at the original Woodstock decades ago, opens the second day of the festival “Day In The Garden,” in Bethel, N.Y. Melanie is one of the performers at WE 2019Experi­ence - also celebratin­g 50years of Woodstock across twoweekend­s at Saloon Studios Live in West Jefferson, N.C. Melanie performs on Sunday.
KEN BIZZIGOTTI — THE ASSOCIATED PRESS FILE Melanie Safka, who performed at the original Woodstock decades ago, opens the second day of the festival “Day In The Garden,” in Bethel, N.Y. Melanie is one of the performers at WE 2019Experi­ence - also celebratin­g 50years of Woodstock across twoweekend­s at Saloon Studios Live in West Jefferson, N.C. Melanie performs on Sunday.
 ?? AMY HARRIS — THE ASSOCIATED PRESS FILE ?? John Fogerty performs at the New Orleans Jazz and Heritage Festival in New Orleans. The original location of Woodstock 50in Bethel Woods, N.Y., will hold a celebratio­n during the anniversar­y, featuring performanc­es by Ringo Starr, Santana and Fogerty.
AMY HARRIS — THE ASSOCIATED PRESS FILE John Fogerty performs at the New Orleans Jazz and Heritage Festival in New Orleans. The original location of Woodstock 50in Bethel Woods, N.Y., will hold a celebratio­n during the anniversar­y, featuring performanc­es by Ringo Starr, Santana and Fogerty.

Newspapers in English

Newspapers from United States