The Palm Beach Post

Broadway’s longtime master of comedy dies

- By Mark Kennedy

NEW YORK — Playwright Neil Simon, a master of comedy whose laugh-filled hits such as “The Odd Couple,” “Barefoot in the Park” and his “Brighton Beach” trilogy dominated Broadway for decades, has died. He was 91.

Simon died early Sunday of complicati­ons from pneumonia while surrounded by family at New York Presbyteri­an Hospital in Manhattan, said Bill Evans, his longtime friend and the Shubert Organizati­on director of media relations.

In the second half of the 20th century, Simon was the American theater’s most successful and prolific playwright, often chroniclin­g middle class issues and fears. Starting with “Come Blow Your Horn” in 1961 and continuing into the next century, he rarely stopped working on a new play or musical. His list of credits is staggering.

The theater world quickly mourned his death, including actor Josh Gad, who called Simon “one of the primary influences on my life and career.” Playwright Kristoffer Diaz said simply: “This hurts.”

Simon’s stage successes included “The Prisoner of Second Avenue,” “Last of the Red Hot Lovers,” “The Sunshine Boys,” “Plaza Suite,” “Chapter Two,” “Sweet Charity” and “Promises, Promises.” But there were other plays and musicals, too, more than 30 in all. Many of his plays were adapted into movies, and one, “The Odd Couple,” even became a popular television series.

For seven months in 1967, he had four production­s running at the same time on Broadway: “Barefoot in the Park”; “The Odd Couple”; “Sweet Charity”; and “The Star-Spangled Girl.”

Even before he launched his theater career, he made history as one of the famed stable of writers for comedian Sid Caesar that also included Woody Allen, Mel Brooks and Carl Reiner.

Simon was the recipient of four Tony Awards, the Pulitzer Prize, the Kennedy Center honors (1995), four Writers Guild of America Awards and an American Comedy Awards Lifetime Achievemen­t honor. In 1983, he had a Broadway theater named after him when the Alvin was rechristen­ed the Neil Simon Theatre.

In 2006, he won the Mark Twain Prize for American Humor, which honors work that draws from the American experience. The previous year had seen a popular revival of “The Odd Couple,” reuniting Nathan Lane and Matthew Broderick after their enormous success in “The Producers” several years earlier.

In a 1997 interview with The Washington Post, Simon reflected on his success: “I know that I have reached the pinnacle of rewards. There’s no more money anyone can pay me that I need. There are no awards they can give me that I haven’t won. I have no reason to write another play except that I am alive and I like to do it,” he said.

Simon had a rare stumble in the fall of 2009, when a Broadway revival of his “Brighton Beach Memoirs” closed abruptly after only nine performanc­es because of poor ticket sales. It was to have run in repertory with Simon’s “Broadway Bound,” which was also canceled.

The bespectacl­ed, mild-looking Simon (described in a New York Times magazine profile as looking like an accountant or librarian who dressed “just this side of drab”) was a relentless writer — and rewriter.

“I am most alive and most fulfilled sitting alone in a room, hoping that those words forming on the paper in the Smith-Corona will be the first perfect play ever written in a single draft,” Simon wrote in the introducti­on to one of the many anthologie­s of his plays.

Simon received his first Tony Award in 1965 as best author — a category now discontinu­ed — for “The Odd Couple,” although the comedy lost the best-play prize to Frank D. Gilroy’s “The Subject Was Roses.” He won a best-play Tony 20 years later for “Biloxi Blues.” In 1991, “Lost in Yonkers” received both the Tony and the Pulitzer Prize. And there was a special achievemen­t Tony, too, in 1975.

Simon’s own life figured most prominentl­y in what became known as his “Brighton Beach” trilogy — “Brighton Beach Memoirs,” “Biloxi Blues” and “Broadway Bound” — which many consider his finest works. In them, Simon’s alter ego, Eugene Morris Jerome, makes his way from childhood to the U.S. Army to finally, a budding career as a writer.

Simon was born Marvin Neil Simon in New York and was raised in the Bronx and Washington Heights.

Simon attended New York University and the University of Colorado. After serving in the military in 1945 and 1946, he began writing with his brother for radio in 1948, and then for television, a period in their lives chronicled in Simon’s 1993 play, “Laughter on the 23rd Floor.”

The brothers wrote for such classic 1950s television series as “Your Show of Shows,” 90 minutes of live, original comedy starring Caesar and Imogene Coca, and later for “The Phil Silvers Show,” in which the popular comedian portrayed the conniving Army Sgt. Ernie Bilko.

Yet Simon grew dissatisfi­ed with television writing and the network restrictio­ns that accompanie­d it. Out of his frustratio­n came “Come Blow Your Horn,” which starred Hal March and Warren Berlinger as two brothers (not unlike Danny and Neil Simon) trying to figure out what to do with their lives. The comedy ran for more than a year on Broadway.

But it was his second play, “Barefoot in the Park,” that really put Simon on the map. Critically well-received, the 1963 comedy, directed by Mike Nichols, concerned the tribulatio­ns of a pair of newlyweds played by Elizabeth Ashley and Robert Redford, who lived on the top floor of a New York brownstone.

Simon cemented that success two years later with “The Odd Couple,” a comedy about bickering roommates: Oscar, a gruff, slovenly sportswrit­er, and Felix, a neat, fussy photograph­er. Walter Matthau, as Oscar, and Art Carney, as Felix, starred on Broadway, with Matthau and Jack Lemmon playing the roles in a successful movie version. Jack Klugman and Tony Randall appeared in the TV series, which ran on ABC from 1970-1975. A female stage version was done on Broadway in 1985 with Rita Moreno as Olive (Oscar) and Sally Struthers as Florence (Felix). It was revived again as a TV series from 2015-17, starring Matthew Perry.

The play remains one of Simon’s most durable and popular works. Nathan Lane as Oscar and Matthew Broderick as Felix starred in a revival that was one of the biggest hits of the 2005-2006 Broadway season.

Many of his plays were turned into films as well. Besides “The Odd Couple,” he wrote the screenplay­s for movie versions of “Barefoot in the Park,” “The Sunshine Boys,” “The Prisoner of Second Avenue” and more.

Simon also wrote original screenplay­s, the best known being “The Goodbye Girl,” starring Richard Dreyfuss as a struggling actor, and “The Heartbreak Kid,” which featured Charles Grodin as a recently married man, lusting to drop his new wife for a blonde goddess played by Cybill Shepherd.

 ?? THE NEW YORK TIMES FILE 2000 ?? Playwright Neil Simon, a master craftsman of American theater since 1961 , died Sunday at 91 of complicati­ons from pneumonia.
THE NEW YORK TIMES FILE 2000 Playwright Neil Simon, a master craftsman of American theater since 1961 , died Sunday at 91 of complicati­ons from pneumonia.
 ?? SAM FALK / THE NEW YORK TIMES ?? Art Carney (left) and Walter Matthau starred in Neil Simon’s “Odd Couple,” in 1965.
SAM FALK / THE NEW YORK TIMES Art Carney (left) and Walter Matthau starred in Neil Simon’s “Odd Couple,” in 1965.

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