The Register Citizen (Torrington, CT)

TAKE THE MIC

American musician making topend musical equipment in Russia using Kalashniko­v machinery

- By Natalia Suvorova James Ellingwort­h in Moscow contribute­d to this story.

TULA, RUSSIA >> Claims of hacking by the Russian state may be feeding internatio­nal tensions, but they’ve given California­n musician David Brown a great icebreaker when selling his line of Russianmad­e microphone­s.

“We give free hacking lessons with these microphone­s,” he tells potential buyers in Los Angeles. “Watch what you say because they never turn off.”

Brown, who’s often toured Russia with his band Brazzavill­e, teamed up with fan Pavel Bazdyrev in 2013 to start making top-end musical equipment in Bazdyrev’s home city of Tula, which is dominated by the Russian defense industry.

Though the business climate is difficult, the costs are low and they were able to buy second-hand machinery from Kalashniko­v plants. The result is a range of studio microphone­s that have found their way into Coldplay and Radiohead’s recording sessions, and are beating more establishe­d rivals on price.

It’s a rare tale in Russia, which has struggled for decades to diversify its economy beyond oil and gas, something former U.S. President Barack Obama recently drew on.

“Their economy doesn’t produce anything that anybody wants to buy except oil, gas and arms,” he said in December. “They don’t innovate.”

As the country recovers from a brutal recession triggered by its dependence on the oil industry, President Vladimir Putin has often talked about making life easier for small businesses and other sectors. But reforms are often piecemeal or contradict­ory.

The experience­s of Brown and Bazdyrev sum up many of the pros and cons of operating a small manufactur­er in Russia.

The company, called Soyuz Microphone­s, takes advantage of lower labor costs to undercut foreign competitor­s — Soyuz’s top-of-the-range microphone costs $3,500 against $8,000 for rival models. It made its first mic prototypes in 2014 and sold 160 of the retro-looking items last year, enough to turn a profit.

“We’re located in a regional Russian city where the salaries are much lower than they are in Moscow let alone in the West. Producing a mic in that way in America or in Europe would be prohibitiv­e costwise,” says Brown, who visits Russia regularly to check on progress, while Bazdyrev handles day-today matters.

It’s a good deal for the 12 employees, too, such as lathe operator Roman Ilyukhin, who says his wage of 60,000 rubles ($1,000) is almost double what he used to earn elsewhere in the city.

The factory occupies two floors in a rundown building, its renovated rooms with pink wallpaper in stark contrast to the grey Soviet-era apartment blocks just outside.

The name Soyuz — meaning “union” — refers to the “union of East and West” in the company but is also full of historical significan­ce in what was once the Sovetsky Soyuz, the Soviet Union. Soyuz capsules have since the 1960s been the workhorse of internatio­nal space flight.

The name also encapsulat­es some of the contradict­ions of the Russia economy: while it is a comparativ­e leader in state investment for research and developmen­t, such as in space exploratio­n, it often fails to turn cuttingedg­e science into commercial innovation. Wage levels are lower than in most of Europe, but Russian companies still struggle against Asian rivals who can make products faster and cheaper.

“Our engineerin­g sector, although developing actively, has not yet caught up with foreign countries to bridge the gap of the last two decades,” said Moscow-based expert Vasily Abashkin of the Higher School of Economics. “Plus the Asian countries are getting ahead, including in terms of providing engineerin­g services (faster), which makes our engineerin­g sector less competitiv­e.”

Few small and mediumsize­d Russian companies have the knowhow to use government schemes meant to help exporters, Abashkin adds. Though Russia excels at software developmen­t, attempts to move into hardware like electric cars or phones have yet to make a splash.

By contrast, China, which during the Cold War was similarly reliant on state-owned heavy industry, has developed successful companies in sectors like technology and retail and boasts some big consumer brands like handset company Huawei.

Consumer startups in Russia can struggle in particular with the burden of regulation, predatory officials demanding bribes, and the dominant position of state-owned firms who don’t welcome rivals.

Brown and Bazdyrev say they never had to pay bribes, but they’ve been treated with suspicion in a country where foreign investment in consumer goods is rare. They say export permits are tricky to get and authoritie­s avoid paying tax rebates.

The pair originally tried to partner with a local state-controlled microphone firm, but that deal was scuttled when the entire management was fired at short notice.

Bazdyrev says local officials in Tula even froze the company bank account, suspecting the firm might be a front for fraudsters. The decision was only reversed when a tax inspector visited the factory in person.

Government reforms, meanwhile, have not helped much. In recent years, entreprene­urs have received tax breaks, but have also been hit with higher social security contributi­ons. The government has talked up developing domestic industry during sanctions, but effects are largely limited to agricultur­e.

The U.S. and European Union sanctions against Russia, imposed since 2014, are another obstacle. Payments from abroad can be difficult to get and U.S. authoritie­s sometimes put them on hold.

“We’ve got to explain that it’s not in support of terrorism or anything,” Bazdyrev said.

He and Brown did consider moving the factory to neighborin­g Latvia or Estonia if the sanctions or regulation­s get too difficult to deal with. But for now, they say, Russia’s low costs make it easier to stay put.

At a tense time in world politics, Brown is pitching their microphone­s as a sign of cooperatio­n, highlighti­ng how they’re made using machines from a Kalashniko­v plant.

“I like to think about our company as swords into plowshares,” he says. “We use lathes that were made by Kalashniko­v to create something that’s the complete opposite of war — it’s for creating music and spreading goodwill.”

 ?? IVAN SEKRETAREV — THE ASSOCIATED PRESS ?? Operator Roman Ilyukhin lathes a brass bar to make a microphone’s part at a factory in Tula, Russia. In Tula, a city packed with the Russian defence industry, California­n musician David Brown and fan Pavel Bazdyrev have been making high-end microphone­s...
IVAN SEKRETAREV — THE ASSOCIATED PRESS Operator Roman Ilyukhin lathes a brass bar to make a microphone’s part at a factory in Tula, Russia. In Tula, a city packed with the Russian defence industry, California­n musician David Brown and fan Pavel Bazdyrev have been making high-end microphone­s...

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