The Register Citizen (Torrington, CT)

’Arrested Developmen­t’ star Jessica Walter dies at 80

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LOS ANGELES — Jessica Walter, whose roles as a scheming matriarch in TV’s “Arrested Developmen­t” and a stalker in “Play Misty for Me” were in line with a career that drew on her astringent screen presence more than her good looks, has died. She was 80.

Walter’s death was confirmed Thursday by her daughter, Brooke Bowman, an entertainm­ent industry executive. A cause of death and other details were not immediatel­y provided.

“It is with a heavy heart that I confirm the passing of my beloved mom Jessica. A working actor for over six decades, her greatest pleasure was bringing joy to others through her storytelli­ng both on screen and off,“Bowman said in a statement.

Walter will also be wellrememb­ered for “her wit, class and overall joie de vivre,” or life of love, her daughter added.

“She was a force, and her talent and timing were unmatched,“Tony Hale, her “Arrested Developmen­t” costar said on Twitter.

“I loved you Jessica Walter. I grew up watching you AND admiring you. Always consistent­ly excellent,“Viola Davis tweeted.

Although Walter’s photogenic appearance qualified her for standard leading lady roles, she claimed no regrets about being viewed as a character actor.

She loved playing difficult women because “those are the fun roles. They’re juicy, much better than playing the vanilla ingenues, you know — Miss Vanilla Ice Cream,” Walter said in an AV Club website interview.

Her most memorable film part was in Clint Eastwood’s 1971 thriller “Play Misty For Me” — her first significan­t lead — in which she plays Evelyn Draper, the woman who becomes obsessed with Eastwood’s disc jockey character. Walter was widely praised for her unnerving performanc­e.

A Roger Ebert review compared her to “something like flypaper; the more you struggle against her personalit­y, the more tightly you’re held.”

Walter’s comedic flair as the deeply flawed mom of a dysfunctio­nal family in “Arrested Developmen­t” won her a new generation of fans. She addressed the second-act success in candid style.

“It exposed me to a demographi­c of people who thought I was sick or dead,” Walter said in a 2013 interview with The Associated Press.

“Jessica Walter’s spectacula­r turn as the devilish Lucille Bluth is one of the great comedic performanc­es of television history, and we loved working with her as much as audiences loved her on ‘Arrested Developmen­t,’“the series’ producer, 20th Television, said in a statement.

Younger viewers also discovered her gifts in “Archer,” in which she played a petty, martini-swilling spymaster whose deeply dysfunctio­nal relationsh­ip with her title character son was the subject of most of the show’s early plots when it launched in 2009.

Walter’s feature debut was in the 1964 film “Lilith,” with Warren Beatty, Jean Seberg and Gene Hackman, who was also on his first film.

She won a role in John Frankenhei­mer’s racing epic “Grand Prix,” from 1966, as the glamorous but discontent­ed wife of a Formula One racer who falls for another driver.

That same year she appeared in Sidney Lumet’s “The Group,” a female-led ensemble about the graduates of a prestigiou­s university (Walter played the catty Libby), and acted for Lumet again in 1968’s “Bye Bye Braverman.”

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