The Reporter (Lansdale, PA)

Oscars 2014: Who will win, who should win

- By AMY LONGSDORF 21st Century Media

rom “12 Year A Slave” and “Gravity” to “Captain Phillips” and “Dallas Buyers Club,” many of 2013’s best movies were all about survival.

Tonight, on the Ellen DeGeneres-hosted Oscars telecast, those four contenders as well as five more entries, will be facing off in one final battle as they duke it out for the Best Picture Academy Award.

The field is littered with upset threats. Steve McQueen’s acclaimed “12 Years a Slave” and Alfonso Cuaron’s lost-inspace thriller “Gravity” are still the front-runners but the surprise 10 nomination­s garnered by “American Hustle” instantly turned that truecrime dramedy about an infamous FBI sting into a major contender.

“Hustle” has been hustling ever since it opened in December. The film not only became a surprise box-office hit but it shocked many industry insiders by landing nomination­s in all four acting categories, including Philly’s Bradley Cooper as Best Supporting Actor, Christian Bale as Best Actor, Amy Adams as Best Actress and Jennifer Lawrence as Best Supporting Actor. It’s also nominated in the Director, Costume, Editing, Production Design and Original Screenplay categories.

With the exception of Best Actress frontrunne­r Cate Blanchett, the other three actors likely to take home the top prizes are all first-timers, including “12 Years a Slave’s” Lupita Nyong’o and Matthew McConaughe­y and Jared Leto from “Dallas Buyers Club.”

If that wasn’t exciting enough, there’s potential Oscar history to be made tonight. If “Nebraska’s” wonderful June Squibb, 84, wins, she’ll be the oldest performer to capture the Golden Boy. But if her Best Supporting Actress competitor Jennifer Lawrence triumphs, she’ll be the first actress to pick up back-to-back Oscars since Katharine Hepburn managed the rare feat back the 1960s.

And if Steve McQueen takes home the Best Director prize, he’ll be the first African-American to win in a category in which, shockingly, only two other black filmmakers (John Singleton, Lee Daniels) have been nominated.

In recent years, Academy voters have enjoyed spreading the wealth around. It’s a tradition that will continue tonight as actors and filmmakers representi­ng “12 Years a Slave,” “Gravity,” “Blue Jasmine” and “Dallas Buyer’s Club” will all likely go home with Oscar.

BEST PICTURE

The Nominees: “American Hustle,” “Captain Phillips,” “Dallas Buyers Club,” “Gravity,” “Her,” “Nebraska,” “Philomena,” “12 Years a Slave” and “The Wolf of Wall Street.”

Will Win: “12 Years a Slave”

Should Win: “12 Years A Slave”

The Rationale: Call it a dead heat between three contenders: “American Hustle,” which has some of the whirligig brilliance of “GoodFellas,” “Gravity,” arguably the most emotional sci-fi film ever made, and “12 Years A Slave,” the devastatin­g saga of a free black man who’s kidnapped and sold into slavery. All three are worthy of a win but the edge goes to “12 Years A Slave,” which, in addition to being the most deserving of the bunch, has all the trappings of an Oscar favorite. It’s based on a true story. It tackles an important theme. And it is beautifull­y acted. “Gravity” was a bigger hit ( $262 million) and “Hustle” is a lot sexier than any of the other nominees. But the smart money goes on “12 Years A Slave.”

BEST ACTOR

The Nominees: Christian Bale in “American Hustle,” Bruce Dern in “Nebraska,” Leonardo DiCaprio in “The Wolf of Wall Street,” Chiwetel Ejiofor in “12 Years a Slave” and Matthew McConaughe­y in “Dallas Buyers Club”

Will Win: McConaughe­y

Should Win: McConaughe­y

The Rationale: Cynics might say that McConaughe­y is the favorite simply because he was willing to undergo a severe physical transforma­tion to play real-life homophobe-turned-AIDS crusader Ron Woodroff. Oscar voters, after all, love actors who suffer for their art. But McConaughe­y is likely to triumph not only for his willingnes­s to drop 40 lbs. but also because he nails every nuance of a man fighting for his life.

BEST ACTRESS

The Nominees: Amy Adams in “American Hustle,” Cate Blanchett in “Blue Jasmine,” Sandra Bullock in “Gravity,” Judi Dench in “Philomena” and Meryl Streep in “August: Osage County” Will Win: Blanchett Should Win: Blanchett The Rationale: As the hopelessly deluded wife of a Bernie Madoffesqu­e swindler in “Blue Jasmine,” Blanchett somehow manages to make a snooty, greedy woman sympatheti­c. If that’s not worth an Oscar, what is? So towering is Blanchett’s performanc­e that she’s won every pre-Oscars award that matters. But that was before the Dylan Farrow vs. Woody Allen scandal began dominating the headlines. Also Blanchett, Streep, Dench and Bullock all have Oscars, which could set the stage for Adams to pull an upset. As a con artist with a shaky English accent and a penchant for plunging necklines, Adams was a revelation. Could this be her year? It’s a possibilit­y. But Blanchett still looks like the one to beat.

BEST SUPPORTING ACTRESS

The Nominees: Sally Hawkins in “Blue Jasmine,” Jennifer Lawrence in “American Hustle,” Lupita Nyong’o in “12 Years a Slave,” Julia Roberts in “August: Osage County” and June Squibb in “Nebraska” Will Win: Nyong’o Should Win: Hawkins The Rationale: This is among the night’s tightest races. Why? Because it’s almost impossible to predict if Lawrence or Nyong’o will take home the top prize. As Christian Bale’s dangerousl­y unpredicta­ble wife in “American Hustle,” Lawrence steals every scene she’s in. But she won the Best Actress statue last year for “Silver Linings Playbook.” Some Academy voters might think she’s too young at 23 to repeat. Playing the abused slave Patsy in “12 Years a Slave,” Kenya’s Nyong’o delivered a raw, unforgetta­ble performanc­e. She also netted the Screen Actor’s Guild award in this category, which indicates she has her fellow actors on her side. Hawkins is the longest of long shots but as Blanchett’s younger sister in “Blue Jasmine,” she breaks your heart with a performanc­es that’s funny, authentic and, when you least expect it, incredibly touching.

BEST SUPPORTING ACTOR

The Nominees: Barkhad Abdi in “Captain Phillips,” Bradley Cooper in “American Hustle,” Michael Fassbender in “12 Years a Slave,” Jonah Hill in “The Wolf of Wall Street” and Jared Leto in “Dallas Buyers Club” Will Win: Leto Should Win: Leto The Rationale: Leto is a lock thanks to his heartbreak­ing turn as Rayon, an HIV-positive transgende­r woman in “Dallas Buyers Club,” which was co-written by Plymouth Meeting’s Craig Borten. There’s a delicacy about Leto’s performanc­e that beautifull­y captures Rayon’s warmth, humor and persuasive­ness. If Leto loses this award, it will be probably be to Fassbender, who plays a monstrous plantation owner in “12 Years a Slave.” An upset seems unlikely, though, given the acclaim Leto’s performanc­e has already garnered.

BEST DIRECTOR

The Nominees: Alfonso Cuaron for “Gravity,” Steve McQueen for “12 Years a Slave,” Alexander Payne for “Nebraska,” David O. Russell for “American Hustle” and Martin Scorsese for “The Wolf of Wall Street” Will Win: Cuaron Should Win: Payne The Nominees: Cuaron is in the lead thanks to co-writing and directing a movie that was 2013’s most purely cinematic. If Cuaron fails to conquer, then McQueen will win for his flawless recreation of the pre-Civil War South in “12 Years a Slave.” While Payne doesn’t have a chance in hell of winning, he managed to make the black-and-white charmer “Nebraska” a joy to behold. This delicate father/son story starring Bruce Dern and Will Forte isn’t as flashy as the other nominees but its likely to stand the test of time. That’s a testament to Payne who never makes a false move.

BEST ANIMATED FILM

The Nominees: “The Croods,” “Despicable Me 2,” “Ernest & Celestine,” “Frozen” and “The Wind Rises” Will Win: “Frozen” Should Win: “Frozen” The Rationale: With Pixar surprising­ly out of the running, look for Disney’s “Frozen” to ice the competitio­n. With outstandin­g voice work from Kristen Bell, Idina Menzel and Josh Gad, “Frozen” is a delightful update on the Hans Christian Andersen fairy tale “The Snow Queen.” Everything works in this ‘toon from the gorgeous animation to the smart songs by “Book of Mormon’s” Kristen AndersonLo­pez and Robert Lopez to the snappy humor that guarantees you leave the theater giggling.

BEST FOREIGN LANGUAGE FILM

The Nominees: “The Broken Circle Breakdown” (Belgium), “The Great Beauty” (Italy), “The Hunt” (Denmark), “The Missing Picture” (Cambodia) and “Omar” (Palestine)

Will Win: The Great Beauty Should Win: The Hunt The Rationale: Paolo Sorrentino’s “Great Beauty” is the frontrunne­r. Critics have lavished praise on the nearly plot-less saga of an author (Toni Servillo) struggling with writer’s block, comparing the visual feast of a film to Fellini’s “La Dolce Vita.”

It’s a wonderful movie. But “The Hunt” is even better. The magnificen­t Mads Mikkelson stars as a kindly kindergart­en teacher who is unjustly accused of sexual abuse. It’s a tragic masterpiec­e that’s impossible to get out of your head.

BEST DOCUMENTAR­Y

The Nominees: “The Act of Killing,” “Cutie and the Boxer,” “Dirty Wars,” “The Square” and

“20 Feet from Stardom”

Will Win: “The Act of Killing”

Should Win: “20 Feet From Stardom”

The Rationale: Talk about comparing apples and oranges. “The Act of Killing” is a hardcore examinatio­n of genocide while “20 Feet From Stardom” seeks to shine a spotlight on background singers like Darlene Love who never lost their love of music despite going through hard times. While “Act of Killing” — and the other timely docs like “Dirty Wars” (about drone warfare) and “The Square” (about the Egyptian revolt) - are worth seeing, “20 Feet” is, hands down, the most soulful movie of the bunch.

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