The Reporter (Lansdale, PA)

‘The Lovers’ make room for happiness

- By Amy Longsdorf For Digital First Media

Love is strange. That’s the theme of “The Lovers” (2017, Lionsgate, R, $20), a dark comedy about a dispassion­ate married couple (Debra Winger, Tracy Letts) who are entangled in affairs with other partners.

But just as they’re on the brink of calling it quits, a spark unexpected­ly ignites between the pair.

Even when “The Lovers” falls short of greatness, it exerts a strong pull, making you care about two characters in late bloom who are determined to make room for happiness. Extras: featurette­s and commentary by director Azarel Jacobs.

Also New To DVD

Gifted (2017, Fox, PG-13, $30): The rare crowdpleas­er that doesn’t go in for schmaltz, this lovely dramedy from Marc Webb (“The Amazing SpiderMan”) looks at a single man (Chris Evans) who’s in danger of losing custody of his niece (McKenna Grace) after her grandmothe­r (Lindsay Duncan) discovers the youngster is a math prodigy. It could have gone the sentimenta­l route but one tearjerkin­g scene aside, the movie is a bracingly cleareyed look at the ways that families cope with conflict. The simple strength of “Gifted” is its characters, all of whom seem vibrantly alive from the first scene to the last. Extras: deleted scenes and featurette­s. Amnesia (2017, Film Movement, unrated, $25): Nearly fifty years after making his film debut with the Ibiza-set “More,” Swiss helmer Barbet Schroeder (“Barfly”) returns to the Spanish island for an engrossing drama about solitude, romance and the importance of facing up to your demons. Marthe Keller is a revelation as a mysterious German woman who’s spent forty years living alone in a house facing the sea. After she becomes friends with her new neighbor — a decades-younger composer (Max Riemelt) — she slowly begins to reveal why she has refused to return to her homeland. Part character study, part romance and part thriller, “Amnesia” is not easily forgotten. Extras: a short film. Vita Activa - The Spirit of Hannah Arendt (2017, Kino, unrated, $25): A Jewish intellectu­al who was forced to flee Germany in the 1930s, Arendt is best known today for covering the trial of Nazi Adolph Eichmann and coining the phrase “the banality of evil.” With remarkable footage and fresh interviews, director Ada Ushpiz illuminate­s Arendt’s controvers­ial theories, including her notion that many totalitari­an leaders begin their ascent by demonizing refugees. “Vita Activa” is insightful and startlingl­y timely. Extras: none. The Hunter’s Prayer (2017, Lionsgate, R, $20): Go ahead and scoff at yet another movie about a hitman-with-a-heart-of-gold. But this B-movie is a surprising­ly effective thrill machine that tracks a junkie assassin named Lucas (Sam Worthingto­n) as he bounces around Europe. Lucas is on the run with a teenager (Odeya Rush) after he finds himself unable to carry out a mobster’s contract to kill her. Soon, they both wind up marked for death. Director Jonathan Mostrow (“Breakdown”) over-edits the action sequences but he does a nice job giving the standard relationsh­ips between the characters surprising spins. Extras: featurette­s. The Breaking Point (1950, Criterion, unrated, $30): The second adaptation of Ernest Hemingway’s “To Have and Have Not” charts a riveting course through the saga of a cash-strapped skipper (John Garfield) who makes one compromise too many. In an effort to support his family and keep his boat, Garfield accepts a job from a sleazy lawyer (Wallace Ford) which involves smuggling dangerous cargo. Garfield also winds up allowing himself to come dangerousl­y close to cheating on his loyal wife (Phyllis Thaxter) with a wise-cracking barfly (Patricia Neal). Expect murders, betrayals and an honest man eventually reconnecti­ng with his essential goodness. Extras: featurette­s. The Ballad of Cable Hogue (1970, Warner Archive, R, $20): After the bloodsoake­d “Wild Bunch,” Sam Peckinpah returned with this charmer, easily his funniest, sunniest entry. Set in 1908, as the West is slowly changing, “Ballad” spins the saga of a grizzled prospector (Jason Robards) who, after being left for dead in the desert, discovers water and snaps up the land rights. As he plots revenge on his former partners and battles the powers that be, he falls in love with a prostitute (Stella Stevens.) Peckinpah, juggling drama, broad comedy, romance and even musical interludes, strikes gold. Rarely revived, the new-to-Blu western ranks alongside the filmmaker’s best work. Extras: commentari­es and featurette. Teen Wolf - Collector’s Edition (1985, Shout Factory, PG, $35): Who would have thought that this amiable teen comedy about a high-schooler (Michael J. Fox) who discovers he has the ability to morph into a werewolf would age so well? Now on Blu-ray, the flick is so charmingly unpretenti­ous and so earnestly acted by Fox that it works from start to finish. Director Rod Daniel doesn’t aim for scares but rather treats “Teen Wolf” simply as a coming-of-age comedy in which Fox must learn to be true to himself. And the lo-fi special effects never overwhelm the plot; they’re effective without being distractin­g. Extras: featurette­s and all-new making-of doc. Inferno 3D (1953, Twilight Time, unrated, $30): One of the most underrated actors from Hollywood’s Golden Age, Robert Ryan gives a terrific, mostly solo, performanc­e as an crusty millionair­e left alone to die in the desert by his unhappy wife (Rhonda Fleming) and her lover (William Lundigan). A desire to exact revenge on the pair keeps Ryan alive as he learns to build fires and subsist on cactus meat. Directed by Roy Ward Baker, “Inferno” is a taut survival thriller which generates plenty of crackling suspense. But it’s really Ryan who supplies the heat. He instills what could have been a onenote role with unexpected rawness and complexity. Extras: featurette and commentari­es. Silkwood (1983, Kino, R, $30): For her followup to “Sophie’s Choice,” Meryl Streep starred in this underrated look at Karen Silkwood, a nuclear power plant worker who tried to blow the whistle of her employers before dying in car accident, under suspicious circumstan­ces. The miracle of the movie is that it not only makes you wary of the nuclear power industry but it celebrates the alternativ­e family Silkwood created with her boyfriend (Kurt Russell) and gay best friend (Cher). Thanks to Streep and director Mike Nichols, Karen Silkwood comes off as a flawed, funny and fearless woman who lost her life trying to do the right thing. Extras: featurette.

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