The Reporter (Lansdale, PA)

Next up at the Kennedy Center? A focus on hip-hop

- Photos and text from wire services

It was late October 2017 and a packed house of VIPs had gathered at Washington’s Kennedy Center to watch David Letterman receive the Mark Twain award for a career in comedy. A stream of comedians took the stage to sing Letterman’s praises, and several couldn’t resist taking good-natured shots at the crowd.

Martin Short deadpanned, “It says a lot about America when people from different white background­s can gather together like this.”

Jimmie Walker — J.J. from the 1970s sitcom “Good Times” — put it more bluntly: “Look at the diversity in this crowd! I feel like Ben Carson at a Trump Cabinet meeting.”

Walker may have been going for the easy joke there, but he spoke to a deeper belief — that the Kennedy Center exists to serve an elite white audience despite its presence in a largely black city. That perception may linger for a while, but the reality is changing.

One of America’s pre-eminent performing arts institutio­ns, the Kennedy Center is embracing hip-hop culture in a major way. The center has gradually introduced rap music into its programmin­g, with rappers like Nas and Kendrick Lamar performing with the National Symphony Orchestra. Hip-hop has also been showcased regularly at the center’s daily Millennium Stage concerts.

The process is accelerati­ng. The center has tapped two members of hip-hop royalty to act as bridges into the rap world. Q-Tip from A Tribe Called Quest has been named artistic director for hip-hop culture. Last year, LL Cool J became the first rapper inducted into the elite ranks of Kennedy Center Honors recipients.

“I consider them as important to our culture as Bach or any other composer,” said pianist Jason Moran, the center’s artistic director for jazz.

Moran is credited with pushing for this change. He was part of the committee that chose Q-Tip to found the hip-hop department.

“He’s the perfect person to advocate for us,” Moran said. “It had to be someone from the bedrock of hiphop.”

Equally important was the hiring of a full-time staffer, Simone Eccleston, as director of the new hiphop culture department.

“This is not a diversity effort. We’re not just checking boxes,” Eccleston said. “This is a firm commitment to having hip-hop as an ongoing program.”

Last year’s Kennedy Center Honors program — an annual centerpiec­e event — may have been one of the blackest nights in the history of the institutio­n. In addition to LL Cool J — whose program included a speech by Queen Latifah and a performanc­e by rapper Busta Rhymes — the honorees included African-American singer Lionel Richie and dancer Carmen De Lavallade. Cuban-American singer Gloria Estefan was also saluted. The only white honoree was TV producer Norman Lear, the man who helped bring black family life into mainstream culture with shows like “Good Times” and “The Jeffersons.”

The 2017-18 season, Q-Tip’s first at the helm, kicked off with a performanc­e by him and Moran. The veteran rapper calls it “just a flash of our potential.”

 ?? JATI LINDSAY — KENNEDY CENTER VIA AP ?? This photo provided by the Kennedy Center, shows Q-Tip performing at the Kennedy Center in Washington.
JATI LINDSAY — KENNEDY CENTER VIA AP This photo provided by the Kennedy Center, shows Q-Tip performing at the Kennedy Center in Washington.

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