The Reporter (Lansdale, PA)

Guns in America: Some turning points

- David Shribman Columnist

Commenting on the revolution­s of 1848 in Europe, the British historian A.J.P. Taylor remarked that “German history reached its turning point and failed to turn.” This winter, in the wake of the shootings in Parkland, Florida, and amid Washington discussion of background checks, bumpstock bans and assault-weapon restrictio­ns, the United States may have reached a turning point on gun control.

In truth, there have been several turning points in America’s romance with, and debate over, firearms, which began with the earliest days of European settlement.

Though the country always has had large stocks of guns, it has not wanted for turning points in the history of our relationsh­ip with them. Here are some: — Dec. 15, 1791. Ratificati­on of the Bill of Rights. This landmark document, intended to supplement the Constituti­on ratified in 1788, included in its Second Amendment these words: “A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.”

— May 28, 1902. The publicatio­n of Owen Wister’s “The Virginian.”

No single piece of literature so enshrined the notion of the cowboy (and his gun) as this novel, in which gunplay is a prominent feature. “The Virginian himself is the progenitor of the cowboy as folk figure,” Wister’s daughter wrote. “Because of him little boys wear 10-gallon hats and carry toy pistols.”

— Feb. 14, 1929. The St. Valentine’s Day Massacre.

This grisly event, perversely celebrated in legend and lore, represents the high point of the Chicago gangster, bootlegger and prostituti­on culture and its personific­ation, Al Capone.

The ruthless killing of seven members of Bugs Moran’s North Side gang by 70 rounds of Tommy-gun ammunition inspired the 1934 National Firearms Act, heavily taxing and regulating machine guns.

— March 1, 1952. The television premiere of “Death Valley Days.” Built on a radio broadcast, this program (host: Ronald Reagan) brought the Western and gunplay to a new level of cultural importance. It was followed by “Gunsmoke” (1955), “Bat Masterson” (1958) and “Bonanza” (1959).

These shows were important cultural landmarks for baby boomers and their parents. The theme song for “Have Gun, Will Travel” includes this line: “His fast gun for hire heeds the calling wind.”

— May 22, 1977. The Revolt at Cincinnati. For a century following its 1871 founding, the NRA was mostly a sportsmans’ organizati­on, promoting marksmansh­ip, gun safety and hunting.

Summer camps embraced the group’s prescripti­ons for the care of rifles, and its ladder of marksmansh­ip (Pro-Marksman, Marksman, etc.) was revered.

Then, at the NRA conference in Cincinnati, the NRA old guard was ambushed by insurrecti­onists who feared popular movements for gun control following the earlier assassinat­ions of the Kennedy brothers and the Rev. Martin Luther King Jr.

The new leadership that emerged gradually transforme­d the NRA’s identity from the “gun group” to the “gun lobby.”

— June 26, 2008. The District of Columbia vs. Heller case. For almost two centuries, many scholars agreed that the Second Amendment was aimed at militia, not at individual gun owners. Roger Williams University legal researcher Carl Bogus read law-review articles from 1887 to 1960, concluding that all the examinatio­ns of the Second Amendment “endorsed the collective right model,” meaning that they assumed the amendment covered militia, not individual­s.

This Supreme Court decision, written primarily by Antonin Scalia, associated the Second Amendment with individual­s.

— April 20, 1999. The shooting at Columbine High School. There had been mass shootings before, even in educationa­l institutio­ns — Charles Whitman killed 14 from the University of Texas Tower in 1966 — but this episode in Colorado, which killed 13, jolted the nation.

The word “Columbine,” once signifying woodlands flowers, came to mean “school shooting,” and academic experts believe the incident, perpetrate­d by two seniors who killed themselves, became a script for other school shootings.

The Marjory Stoneman Douglas High School shootings could produce another turning point for the United States.

But will we turn?

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