The Reporter (Lansdale, PA)

Smithsonia­n exhibit highlights mega star Oprah Winfrey

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One of the most recognizab­le openings in television history blares on a video screen: “I’m Oprah Winfrey, and welcome to The Oprah Winfrey Show!” The crowd goes wild. At the center of it all, a dancing young Oprah.

This moment, televised more than 30 years ago, is now part of a yearlong exhibition that opened Friday at the Smithsonia­n National Museum of African American History and Culture.

“Watching Oprah: The Oprah Winfrey Show and American Culture” chronicles the social events in the United States from Winfrey’s birth in 1954 through her childhood and her rise in media to her time as the nation’s first self-made black woman billionair­e.

Winfrey toured the exhibit on Wednesday and told “CBS This Morning” that she was honored by the exhibit and the response to it. “I do believe that we had a big impact on the culture, and I continue to feel that from people every day,” she said.

The television personalit­y has donated $21 million to the museum. But museum director Lonnie Bunch said the donation did not influence the creation of the showcase.

“This is not a show for Oprah or by Oprah,” he said. “This is a show about other issues using the lens of Oprah.”

Among the first objects that visitors see is a yellowed pennant from the 1963 March on Washington, and the diploma of Carlotta Walls, one of the nine black students who integrated Central High School in Little Rock, Arkansas, in 1957.

“This exhibition is really an opportunit­y to explore the cultural impact of The Oprah Winfrey Show,” said exhibition­s curator Kathleen Kendricks. “This is a chance to really put Oprah in this broader context of African-American history and culture and unpack her popularity and significan­ce.”

On her walkthroug­h, Winfrey watched one of the exhibit’s television­s displays showing the Supremes singing and dancing on The Ed Sullivan Show. “It was the first time I realized you could be a beautiful black woman on television,” she said.

Winfrey’s headshot pops out of magazine covers stretching across the wall: Fortune, EBONY, Mediaweek, National Review, Newsweek. Her first name is used as a verb, along with new words like “Oprahficat­ion” and “Oprahlifer­ative.”

HARPO Production­s, Inc., which Winfrey founded in 1986, provided many items for the exhibit from her personal life and career. A diary is opened to September 8, 1986, where Winfrey said, “Exactly 8 hours before the national 1st show. I keep wondering how my life will change.”

Throughout the gallery, Winfrey’s personal effects — evening gowns, designer clothing and shoes, her drinking glass, the Golden Globe she was awarded earlier this year — are juxtaposed alongside video clips from The Oprah Winfrey Show. There are also blue cue cards, green room photos with celebrity guests, and keys from a vehicle that was a prize in Winfrey’s famous “You get a car!” giveaway.

 ?? TRAMON LUCAS — THE ASSOCIATED PRESS ?? A section of the “Watching Oprah: The Oprah Winfrey Show and American Culture,” exhibit is shown on display at the National Museum of African American History and Culture, Wednesday in Washington. The exhibit runs through June 2019.
TRAMON LUCAS — THE ASSOCIATED PRESS A section of the “Watching Oprah: The Oprah Winfrey Show and American Culture,” exhibit is shown on display at the National Museum of African American History and Culture, Wednesday in Washington. The exhibit runs through June 2019.

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