Neil Simon, Broadway’s master of comedy, dies at 91
NEW YORK » Playwright Neil Simon, a master of comedy whose laugh-filled hits such as “The Odd Couple,” ‘’Barefoot in the Park” and his “Brighton Beach” trilogy dominated Broadway for decades, has died. He was 91.
Simon died early Sunday of complications from pneumonia at New York Presbyterian Hospital in Manhattan, said Bill Evans, a longtime friend and spokesman for Shubert Organization theaters.
In the second half of the 20th century, Simon was the American theater’s most successful and prolific playwright, often chronicling middle class issues and fears. Starting with “Come Blow Your Horn” in 1961 and continuing into the next century, he rarely stopped working on a new play or musical.
Simon’s stage successes included “The Prisoner of Second Avenue,” ‘’Last of the Red Hot Lovers,” ‘’The Sunshine Boys,” ‘’Plaza Suite,” ‘’Chapter Two,” ‘’Sweet Charity” and “Promises, Promises.” But there were other plays and musicals, too — more than 30 in all.
For seven months in 1967, he had four productions running at the same time on Broadway: “Barefoot in the Park”; “The Odd Couple”; “Sweet Charity”; and “The Star-Spangled Girl.”
Simon was the recipient of four Tony Awards, the Pulitzer Prize, the Kennedy Center honors (1995), four Writers Guild of America Awards and an American Comedy Awards Lifetime Achievement honor. In 1983, he had a Broadway theater named after him, and in 2006, he won the Mark Twain Prize for American Humor.
The bespectacled, mildlooking Simon was a relentless writer — and rewriter. In the introduction to one of the many anthologies of his plays, he wrote: “I am most alive and most fulfilled sitting alone in a room, hoping that those words forming on the paper in the SmithCorona will be the first perfect play ever written in a single draft.”
He was a meticulous joke smith, peppering his plays, especially the early ones, with comic one-liners and humorous situations that critics said sometimes came at the expense of character and believability. But for much of his career, audiences embraced his work, which often focused on middle-class, urban life. Many of the plots were drawn from his own personal experience.
“I don’t write social and political plays, because I’ve always thought the family was the microcosm of what goes on in the world,” he told The Paris Review in 1992.
Simon’s own life figured most prominently in what became known as his “Brighton Beach” trilogy — “Brighton Beach Memoirs,” ‘’Biloxi Blues” and “Broadway Bound” — which many consider his finest works. In them, Simon’s alter ego, Eugene Morris Jerome, makes his way from childhood to the U.S. Army to finally, on the verge of adulthood, a budding career as a writer.
Simon was a Depressionera child who was raised mostly by his strong-willed mother, Mamie, and mentored by his older brother, Danny, who nicknamed his younger sibling Doc. After serving in the military in 1945 and 1946, he began writing with his brother for radio and then for television, a period in their lives chronicled in Simon’s 1993 play, “Laughter on the 23rd Floor.”
The brothers wrote for such classic 1950s TV series as “Your Show of Shows,” and later for “The Phil Silvers Show,” in which the popular comedian portrayed the conniving Army Sgt. Ernie Bilko.
Yet Simon grew dissatisfied with television writing and the network restrictions that accompanied it. Out of his frustration came “Come Blow Your Horn,” about two brothers (not unlike Danny and Neil Simon) trying to figure out what to do with their lives.
It was his second play, “Barefoot in the Park,” that really put Simon on the map. Critically well-received, the 1963 comedy, directed by Mike Nichols, concerned the tribulations of a pair of newlyweds, played by Elizabeth Ashley and Robert Redford, who lived on the top floor of a New York brownstone.