The Saratogian (Saratoga, NY)

NEXT STOP, BROADWAY

Orchard Project a proving ground for new theater production­s

- By Paul Post ppost@digitalfir­stmedia.com @paulvpost on Twitter

SARATOGA SPRINGS, N.Y. » More than two dozen theater production­s — some might become Broadway hits — are currently under developmen­t at venues throughout the Spa City.

They include musicals, cabarets, and clown and circus shows made possible by The Orchard Project, a non-profit arts incubator, now in its third year in Saratoga Springs since moving here from Hunter Mountain in the Catskills.

World class artists-in-residence from throughout the U.S. and around the world are working hard at places such as The Arts Center on Broadway, a former school at 77 Van Dam St. and the West Side Elks Club, in the heart of the Beekman Street Arts District where Sunday’s fifth annual Arts Fair is scheduled to take place from noon to 5 p.m.

“It’s great that such highly talented people are using our facility,” said Bob Reed, Elks Club exalted ruler. “They’re using it to perfect their skills in the arts world. It’s a plus for us and our community.”

For five weeks, from Memorial Day to July 4, shows are being fine-tuned and rehearsed, with hopes of becoming commercial­ly viable.

“Some are like an orphan looking for a parent,” said Ari Edelson, Orchard Project artistic director. “Sometimes they come here with investors already behind them.”

Since its inception, 11 year ago, the Project has provided a proving ground for 200 shows featuring 700 artists. Three have reached Broadway, including two Tony Award winners. Others have been featured off-Broadway while some have been performed in London, Tokyo, Rome and Stockholm.

The most notable production to date is the Tony Award-winning play, “All the Way,” which dealt with passage of the Civil Rights Act under President Lyndon B. Johnson. Last year, it was made into an HBO movie.

Although headquarte­red in New York City, Saratoga Springs is ideal for the Project’s summer residencie­s, Edelson said.

The Orchard Project does for theater what the Yaddo makes possible for other artists such as writers, music composers, painters and sculptors, by giving people time and space to pursue their creative interests.

In this way, it’s found a niche by rounding out the already vibrant Saratoga arts community, a major contributo­r to the local economy. The Project spends nearly $400,000 on venue rentals, plus the cost of lodging and meals for artists whose applicatio­ns are approved.

Funding is derived from individual sponsors, mostly from metropolit­an New York, although local backing is increasing, Edelson said.

Tobin Renwick and David Graham, from the Boston area, comprise a two-man acrobatics, comedy and juggling act called The Red Trouser Show. They’re primarily street performers, but are currently designing an indoor stage show with help from Director Jackie Davis.

“We’re trying to capture the feel

of an outdoor performanc­e with spontaneit­y and audience interactio­n,” Graham said.

The Project’s timing, in June, also fills a void in the local arts calendar between the Skidmore College academic year, which ends in May, and the arrival of New York City Ballet in July.

Twenty-eight different production­s were approved this year.

Performers stay for about 10 to 12 days, as the five-week Project is divided into three different sessions.

Later this month, humorist-actor Mo Rocca, a CBS Sunday Morning correspond­ent, will be here working on a oneman show.

Previously, Grammy Award-winning jazz musician Esperanza Spalding came to Saratoga to develop a theatrical-oriented performanc­e.

As the Project outgrew space at Hunter Mountain, Edelson began looking for a new home elsewhere. He considered Hudson, Woodstock, Oneonta and Poughkeeps­ie, but his mother was from Saratoga Springs, his grandfathe­r once owned a local pharmacy, and Edelson had spent many summers here as a youth.

“I’ve seen this community change in a good way,” he said. “It’s become an arts magnet. It was clear, Saratoga was the place to go. It’s got a lot of interestin­g hardware like Universal Preservati­on Hall, The Arts Center and Congress Park.

“I liken The Orchard Project to software,” he said. “What we do is provide a match between our software and Saratoga’s hardware. We have a lot of faith in Saratoga’s ability to accommodat­e us.”

During residencie­s, some artists make public presentati­ons.

Last Sunday, the Project hosted a first-ever BUSK! event, featuring 15 different street performer acts at the Saratoga Heritage Visitor Center. Cabarets are planned for 8 p.m. on June 9, 17 and 23 at Putnam Den.

The Spa City is already famous far and wide for its world-class racing, history and summer classical arts offerings.

The Orchard Project is now doing the same thing with theater.

“It’s a really exciting time,” Edelson said.

For more informatio­n, go to http://www.exchangeny­c.org/content/announcing-2017-orchard-project.

 ?? PHOTOS BY PAUL POST — PPOST@DIGITALFIR­STMEDIA.COM ?? Lots of note cards are involved with planning any type of theater production. The Red Trouser Show performers David Graham, left, and Tobin Renwick, right, are joined by Director Jackie Davis.
PHOTOS BY PAUL POST — PPOST@DIGITALFIR­STMEDIA.COM Lots of note cards are involved with planning any type of theater production. The Red Trouser Show performers David Graham, left, and Tobin Renwick, right, are joined by Director Jackie Davis.
 ??  ?? The Orchard Project gives aspiring performers opportunit­ies to perfect their acts. Tobin Renwick, left, and David Graham, right, are from the Boston area.
The Orchard Project gives aspiring performers opportunit­ies to perfect their acts. Tobin Renwick, left, and David Graham, right, are from the Boston area.
 ??  ?? David Graham, left, and Tobin Renwick, right, are developing an indoor stage show they hope will capture the feel of an outdoor street performanc­e with spontaneit­y and audience interactio­n.
David Graham, left, and Tobin Renwick, right, are developing an indoor stage show they hope will capture the feel of an outdoor street performanc­e with spontaneit­y and audience interactio­n.

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