The Saratogian (Saratoga, NY)

GETTING READY

NYC Ballet prepares to take the stage at SPAC

- By Joseph Phelan jphelan@digitalfir­stmedia.com

SARATOGA SPRINGS, N.Y. » The New York City Ballet returns to Saratoga Performing Arts Center for five days next week, and the preparatio­n for the performanc­es has already begun.

The production and backstage crew recently unloaded tractor-trailers full of stage sets, lighting, costumes, physical therapy equipment, special ballet floors and more in the SPAC’s Amphitheat­er and backstage areas.

NYCB’s Director of Production, Marquerite Mehler, explained the challenges with the set.

“The storage of the set is a whole choreograp­hed event onto itself because it’s so big,” said Mehler. “…The dancers are quick changing between every scene. The back-stage choreograp­hy is almost as intense as the on-stage choreograp­hy because there’s so many people, so many costumes, so many dressers, and there’s not enough space.”

With shows scheduled this weekend at SPAC, preparing the sets has already begun. In total, more than 1,000 toe shoes, three miles of cable for lighting, over 500 sheets of lighting gels, a washer and dryer, a sprung floor and marley were moved off tractortra­ilers.

The New York City Ballet begins Tuesday, July 17, ending Saturday July 21. The ballet includes All Balanchine, 8 p.m. July 17 and 18; “Romeo + Juliet”, 2 p.m.

July 19 and 21 and 8 p.m. July 20; SPAC Premieres: 21st Century Choreograp­hers, 8 p.m. July 19; New York City Ballet Gala: Robbins/Bernstein Centennial, 8 p.m. July 21 and the SPAC premiere of Warren Carlyle’s “Something to Dance About,” which pays tribute to the Broadway career of NYCB’s co-founding choreograp­her Jerome Robbins.

About 90 dancers will participat­e in throughout the shows, while over 100 costumes will be visible throughout.

“The ‘Something to Dance About,’ costumes are really exquisite, they’re really incredible. The detail, up close, is so beautiful. That really does transcend from the stage. There’s quite a bit of distance from the stage to the audience, but you really get that feel,” said Mehler. “Some of those are just some of my favorite things. They’re so pretty.”

The full orchestra set up includes two pianos. An entire truck is dedicated to transporti­ng the hundreds of ballet costumes. Scenery for Romeo + Juliet, are among the other items being moved to SPAC for the ballet’s Saratoga residency.

 ?? PHOTOS BY JOSEPH PHELAN — JPHELAN@DIGITALFIR­STMEDIA.COM ?? Crews work on the set of Romeo + Juliet Tuesday.
PHOTOS BY JOSEPH PHELAN — JPHELAN@DIGITALFIR­STMEDIA.COM Crews work on the set of Romeo + Juliet Tuesday.
 ??  ?? The stage crew continues to work Tuesday. NYCB’s Director of Production Marquerite Mehler displays an outfit to be worn next week at the annual ballet.
The stage crew continues to work Tuesday. NYCB’s Director of Production Marquerite Mehler displays an outfit to be worn next week at the annual ballet.
 ??  ??
 ?? JOSEPH PHELAN — JPHELAN@DIGITALFIR­STMEDIA.COM ?? Crews continue working Tuesday for the ballet.
JOSEPH PHELAN — JPHELAN@DIGITALFIR­STMEDIA.COM Crews continue working Tuesday for the ballet.
 ?? JOSEPH PHELAN — JPHELAN@DIGITALFIR­STMEDIA.COM ?? NYCB’s Director of Production Marquerite Mehler shows one of the many dresses to be worn next week.
JOSEPH PHELAN — JPHELAN@DIGITALFIR­STMEDIA.COM NYCB’s Director of Production Marquerite Mehler shows one of the many dresses to be worn next week.
 ?? JOSEPH PHELAN — JPHELAN@ DIGITALFIR­STMEDIA.COM ?? Mehler holds ballet shoes Tuesday.
JOSEPH PHELAN — JPHELAN@ DIGITALFIR­STMEDIA.COM Mehler holds ballet shoes Tuesday.

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