The Sentinel-Record

Roger Moore dies at age 89

- ROBERT BARR JILL LAWLESS

LONDON — Roger Moore, the suavely insouciant star of seven James Bond films, has died in Switzerlan­d. He was 89.

The British actor died Tuesday after a short battle with cancer, according to a family statement posted on Moore’s official Twitter account.

Moore’s relaxed style and sense of whimsy, which relied heavily on the arched eyebrow, seemed a commentary on the essential ridiculous­ness of the Bond films, in which the handsome British secret agent was as adept at mixing martinis, bedding beautiful women and ordering gourmet meals as he was at disposing of super-villains trying to take over the world.

“To me, the Bond situations are so ridiculous, so outrageous,” he once said. “I mean, this man is supposed to be a spy and yet, everybody knows he’s a spy. Every bartender in the world offers him martinis that are shaken, not stirred. What kind of serious spy is recognized everywhere he goes? It’s outrageous. So you have to treat the humor outrageous­ly as well.”

While he never eclipsed Sean Connery in the public’s eye as the definitive James Bond, Moore did play the role of secret agent 007 in just as many films as Connery did, and he managed to do so while “finding a joke in every situation,” according to film critic Rex Reed.

The actor, who came to the role in 1973 after Connery tired of it, had already enjoyed a long career in films and television, albeit with mixed success.

He was remembered warmly by fans of the popular U.S. 1950s-60s TV series “Maverick” as Beauregard­e Maverick, the English cousin of the Wild West’s Maverick brothers, Bret and Bart. He also starred in the 1959 U.S. series “The Alaskans.”

In England, he had a long-running TV hit with “The Saint,” playing Simon Templar, the enigmatic action hero who helps put wealthy crooks in jail while absconding with their fortunes.

Born in London, the only child of a policeman, Moore had studied painting before enrolling in the Royal Academy of Dramatic Art. He played a few small roles in theater and films before his mandatory army duty, then moved to Hollywood in the 1950s. He appeared opposite Elizabeth Taylor in 1954’s “The Last Time I Saw Paris” and with Eleanor Parker in “Interrupte­d Melody” the following year.

In 1970, he became managing director for European production for Faberge’s Brut Production­s. With the company, he co-starred with Tony Curtis in “The Persuaders!” for British television and was involved in producing “A Touch of Class,” which won a best-actress Oscar for Glenda Jackson.

Three years later, he made his first Bond film, “Live and Let Die.”

He would make six more, “The Man With the Golden Gun,” “The Spy Who Loved Me,” “Octopussy,” “Moonraker,” “For Your Eyes Only and “A View to a Kill” over the next 12 years.

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