The Sentinel-Record

World mourns the death of Nobel laureate Toni Morrison

- HILLEL ITALIE

NEW YORK — Nobel laureate Toni Morrison, a pioneer and reigning giant of modern literature whose imaginativ­e power in “Beloved,” “Song of Solomon” and other works transforme­d American letters by dramatizin­g the pursuit of freedom within the boundaries of race, has died at age 88.

Publisher Alfred A. Knopf announced that Morrison died Monday night at Montefiore Medical Center in New York. Morrison’s family issued a statement through Knopf saying she died after a brief illness.

“Toni Morrison passed away peacefully last night surrounded by family and friends,” the family announced. “The consummate writer who treasured the written word, whether her own, her students or others, she read voraciousl­y and was most at home when writing.”

Few authors rose in such rapid, spectacula­r style. She was nearly 40 when her first novel, “The Bluest Eye,” was published. By her early 60s, after just six novels, she had become the first black woman to receive the Nobel literature prize, praised in 1993 by the Swedish academy for her “visionary force” and for her delving into “language itself, a language she wants to liberate” from categories of black and white. In 2012, Barack Obama awarded her a Presidenti­al Medal of Freedom.

“Her writing was not just beautiful but meaningful — a challenge to our conscience and a call to greater empathy,” Obama wrote Tuesday on his Facebook page. “She was as good a storytelle­r, as captivatin­g, in person as she was on the page.”

Morrison helped raise American multicultu­ralism to the world stage and helped uncensor her country’s past, unearthing the lives of the unknown and the unwanted, those she would call “the unfree at the heart of the democratic experiment.” In her novels, history — black history — was a trove of poetry, tragedy, love, adventure and good old gossip, whether in smalltown Ohio in “Sula” or big-city Harlem in “Jazz.” She regarded race as a social construct and through language founded the better world her characters suffered to attain. Morrison wove everything from African literature and slave folklore to the Bible and Gabriel Garcia Marquez into the most diverse, yet harmonious, of literary communitie­s.

“Narrative has never been merely entertainm­ent for me,” she said in her Nobel lecture. “It is, I believe, one of the principal ways in which we absorb knowledge.”

Winner of the 1988 Pulitzer Prize for “Beloved,” she was one of the book world’s most regal presences, with her expanse of graying dreadlocks; her dark, discerning eyes; and warm, theatrical voice, able to lower itself to a mysterious growl or rise to a humorous falsetto. “That handsome and perceptive lady,” James Baldwin called her.

Her admirers were countless — from fellow authors, college students and working people to Obama and fellow former President Bill Clinton; to Oprah Winfrey, who idolized Morrison and helped greatly expand her readership. Morrison shared those high opinions, repeatedly labeling one of her novels, “Love,” as “perfect” and rejecting the idea that artistic achievemen­t called for quiet acceptance.

“Maya Angelou helped me without her knowing it,” Morrison told The Associated Press during a 1998 interview. “When she was writing her first book, ‘I Know Why the Caged Bird Sings,’ I was an editor at Random House. She was having such a good time, and she never said, ‘Who me? My little book?’

“I decided that … winning the (Nobel) prize was fabulous,” Morrison added. “Nobody was going to take that and make it into something else. I felt representa­tional. I felt American. I felt Ohioan. I felt blacker than ever. I felt more woman than ever. I felt all of that, and put all of that together and went out and had a good time.”

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Toni Morrison

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