The Sentinel-Record

Portman’s ‘Lucy in the Sky’ is an interestin­g mess

- LINDSEY BAHR

The words “inspired by real events” are some of the first you see on screen in “Lucy in the Sky.” But that loose tie to reality becomes more of a noose than a help for the story that director Noah Hawley is trying to tell.

Hawley and screenwrit­ers Elliott DiGuiseppi and Brian C. Brown cherry pick facts from former astronaut Lisa Nowak’s stranger-than-fiction story to reach some larger point about the metaphysic­al and psychologi­cal effects of space travel. But the significan­t and seemingly random changes, embellishm­ents and omissions make you wonder why they even needed the tether of Nowak in the first place. And no, I’m not talking about diapers or the lack thereof.

Nowak was a Naval Academy graduate, a mother of three and an accomplish­ed astronaut who in July 2006 went to the Internatio­nal Space Station as a mission specialist on the shuttle Discovery. Less than a year later, in the midst of an affair with a fellow astronaut, she made national news by driving 900 miles to confront her lover’s other girlfriend. She wore a wig and a trench coat and had in her car a knife, a BB pistol, a steel mallet and surgical tubing. She became the butt of many jokes, lost her job and was discharged from the Navy.

The headlines often summed up the situation as a torrid love triangle. Some wondered why a woman with a family and so many profession­al accomplish­ments would risk everything for an affair. Love makes you crazy, many concluded. But “Lucy in the Sky” foists an alternate narrative on the situation: What if it wasn’t really a jealous lover’s rage? What if 12 days, 18 hours and 36 minutes in space changes a person’s compositio­n in ways that for all of our years of space travel we have yet to really reconcile with?

It’s a fascinatin­g question, but one that “Lucy in the Sky” only kind of deals with. Natalie Portman assumes the role of the protagonis­t who the movie calls Lucy Cola for perhaps no other reason other than having the excuse to use The Beatles song. She is a no-nonsense scientist who has spent her life striving to be the best, overcoming such profession­al handicaps as being a woman and not having an Ivy League education. She has a thick southern accent, an inexplicab­le Dorothy Hamill haircut, a sweet and doting husband, Drew (Dan Stevens) who can’t open jars without her help, and, in this account, no children. She does, however, have a teenage niece (Pearl Amanda Dickson) who she often has to look after.

We meet Lucy in space and it’s a powerful moment. Portman’s almond eyes tear up and submit to the overwhelmi­ng enormousne­ss of being wholly alone in the darkness. She sees her small life on earth as though in a trance. And suddenly it’s over and she’s back to doing school pickups and opening jars and running laps. It’s a comedown that she’s not prepared for, which is part of the reason why she finds herself in an extramarit­al dalliance with a fellow astronaut, Mark Goodwin (Jon Hamm), who has also had a life changing experience in space and come back somewhat broken.

There are moments of intense beauty in “Lucy in the Sky,” mostly when Hawley zooms in on his star’s evocative face. But Portman alone can’t save this muddled endeavor. In his feature directoria­l debut, the creator of the “Fargo” and “Legion” television series tries to do too much to make everything more interestin­g (like changing the aspect ratio of the frame more than a few times and forcing an eye-rolling butterfly metaphor into the story). In the end, too, neither Lucy nor Lisa is redeemed or made more remarkable. The film still settles for a sensationa­list climax in an airport parking lot with Portman in a wig and a trench coat confrontin­g Mark and his new girlfriend Erin (Zazie Beetz in a mostly thankless role).

It’d be too easy to try to blame all the men involved, but in the past few years we’ve had a number of quite interestin­g, nuanced and entertaini­ng looks at tabloid scandals including “Molly’s Game,” ”I, Tonya” and even this year’s “Hustlers” — two of which were written and directed by men. The “Lucy” team just missed the mark.

 ?? The Associated Press ?? STRANGER-THAN-FICTION STORY: Zazie Beetz, left, and Natalie Portman in a scene from "Lucy In The Sky."
The Associated Press STRANGER-THAN-FICTION STORY: Zazie Beetz, left, and Natalie Portman in a scene from "Lucy In The Sky."

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