ARTS, ETC. Brian Dennehy,Tony-winning stage, screen actor, dies at 81

NEW YORK — Brian Dennehy, the burly actor who started in films as a macho heavy and later in his career won plaudits for his stage work in plays by William Shakespeare, Anton Chekhov, Eugene O’Neill and Arthur Miller, has died. He was 81.

Dennehy died Wednesday night of natural causes in New Haven, Connecticut, according to Kate Cafaro of ICM Partners, the actor’s representatives.

Known for his broad frame, booming voice and ability to play good guys and bad guys with equal aplomb, Dennehy won two Tony Awards, a Golden Globe and was nominated for six Emmys. He was inducted into the American Theater Hall of Fame in 2010.

Tributes came from Hollywood and Broadway, including from Lin-Manuel Miranda, who said he saw Dennehy twice onstage and called the actor “a colossus.” Actor Michael McKean said Dennehy was “brilliant and versatile, a powerhouse actor and a very nice man as well.” Dana Delany, who appeared in a movie with Dennehy, said: “They don’t make his kind anymore.”

Among his 40-odd films, he played a sheriff who jailed Rambo in “First Blood,” a serial killer in “To Catch a Killer,” and a corrupt sheriff gunned down by Kevin Kline in “Silverado.” He also had some benign roles: the bartender who consoles Dudley Moore in “10” and the levelheaded leader of aliens in “Cocoon” and its sequel.

Eventually Dennehy wearied of the studio life. “Movies used to be fun,” he observed in an interview. “They took care of you, first-class. Those days are gone.”

Dennehy had a long connection with Chicago’s Goodman Theater, which had a reputation for heavy drama. He appeared in Bertolt Brecht’s “Galileo” in 1986 and later Chekhov’s “Cherry Orchard” at far lower salaries than he earned in Hollywood. In 1990 he played the role of Hickey in Eugene O’Neill’s “The Iceman Cometh,” a play he reprised at the Goodman with Nathan Lane in 2012 and in Brooklyn in 2013.

In 1998, Dennehy appeared on Broadway in the classic role of Willy Loman, the worn-out hustler in Miller’s “Death of a Salesman” and won the Tony for his performance.

“What this actor goes for is close to an everyman quality, with a grand emotional expansiveness that matches his monumental physique,” wrote Ben Brantley in his review of the play for The New York Times. “Yet these emotions ring so unerringly true that Mr. Dennehy seems to kidnap you by force, trapping you inside Willy’s psyche.”

He was awarded another Tony in 2003 for his role in O’Neill’s “Long Day’s Journey into Night.” At the podium, after thanking his family, costars and producers and complementing his competitors, he said: “The words of Eugene O’Neill — they’ve got to be heard. They’ve got to be heard, and heard and heard. And thank you so much for giving us the chance to enunciate them.”