The Signal

Video Alert

- By Richard Roeper

THE KILLING OF A SACRED DEER

(Horror, R, 116 m., 2017). A heart surgeon and father of two (Colin Farrell) befriends a creepy neighborho­od teen (Barry Keoghan) who seems to have a hold over him. Nearly everyone speaks in a deadpan manner in this twisted, absurd and disturbing story, which never hedges its bets, never takes its foot off the gas. Rating: Three stars.

GOODBYE CHRISTOPHE­R ROBIN

(Biography, PG, 117 m., 2107). This film of rough edges and jagged twists tries to straddle the line between a whimsical origins story about the beloved Winnie the Pooh, and a harsh character study about the bear’s creator, A.A. Milne (Domhnall Gleeson), and his wife (Margot Robbie), unlikable adults who are far better at exploiting a child than loving him. Rating: Two stars.

BLADE RUNNER 2049

(Sci-fi action, R, 164 m., 2017). The tight control of Ryan Gosling makes him the perfect choice to play a replicant cop that just might be human. This vibrant, gorgeous and occasional­ly incomprehe­nsible hallucinat­ory epic stands with the likes of “The Godfather Part II” as a sequel worthy of the original classic. Rating: Four stars.

THANK YOU FOR YOUR SERVICE

(Drama, R, 109 m., 2017). Along with a number of memorable supporting players, Miles Teller is heartbreak­ingly effective as a U.S. sergeant returning from his third deployment to Iraq with his limbs intact but a fragile mind and psyche. This is a movie about the horrors of war and the extremely difficult and sometimes insurmount­able challenges faced by the young soldiers after the fighting has ended and they’re back home. Rating: Four stars.

IT

(Horror, R, 135 m., 2017). This R-rated interpreta­tion of Stephen King’s masterful 1986 novel is a bold, intense, beautifull­y paced, wickedly hilarious, seriously scary and gorgeously terrifying periodpiec­e work that instantly takes its place among the

most impressive­ly twisted horror movies of our time. Rating: Four stars.

BRAD’S STATUS (Comedy drama, R, 102 m., 2017). The casting of Ben Stiller as a bitter, resentful underachie­ver taking his teenage son on a college tour is equal parts smart and problemati­c. He’s very good at playing this kind of character. The issue is whether we’re tired of him playing this kind of character. Rating: Two stars.

BATTLE OF THE SEXES (Sports biography, PG-13, 121 m., 2017). Instead of impersonat­ing Billie Jean King and Bobby Riggs, Emma Stone and Steve Carell create full-fledged, complex characters – flawed but endlessly fascinatin­g. This finely tuned period piece about their 1973

tennis matchup works as a vibrant comedy, an effective character study and, yep, an inspiratio­nal sports movie. Rating: Three and a half stars.

AMERICAN MADE (Comedy action, R, 115 m., 2017). Tom Cruise gives one of his most energized and charming performanc­es in years as a real-life CIA operative who laundered millions in ill-gotten cash and flew guns and cocaine. Sure, we get some big action, but the most memorable scenes involve Cruise in a room with a handful of other characters, usually neckdeep in an untenable situation. Rating: Three and a half stars.

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