Chihuly Glass is back at the Reading Public Museum
READING>> “Chihuly’s Venetians: The George R. Stroemple Collection,” opens on Saturday, Nov. 5 at the Reading Public Museum and will be on display until Sunday, Jan. 8. Unlike the exhibition hosted at The Museum in 2004, which showcased work from Chihuly’s studio, this exhibition features a private collection of works owned by a single collector, George R. Stroemple. The exhibition includes the master glassmaker’s spectacular Laguna Murano Chandelier and 60 luminous examples from his acclaimed Venetian series, as well as more than a dozen drawings. The exhibition is sponsored locally by Tompkins VIST Bank.
Chihuly’s Venetians were inspired by the artist’s trip to Venice in 1988. During this trip, he visited a gallery that housed an extraordinary private collection of Venetian glass that represented the pinnacle of Venetian Art Deco (1920s and 1930s). Returning to the United States, he decided to create his own versions of the classic pieces with his unique, lively twist. Collaborating with Pino Signo- retto and Lino Tagliapietra, two of Italy’s finest glassmaking masters, Chihuly worked to execute his vision for these stunning pieces.
The exhibition consists of 19 Putti Venetians, spacious and ambitious vessels, each with hot-formed figurative sculptures of putti (cherubs) and mythological creatures included in the design; 9 Venetians (without putti); 42 Piccolo Venetians, the smaller but no less spirited vessels originally based on traditional Venetian themes; and 3 Bottlestoppers, monumental vessels inspired by perfume bottles.
Scott Schweigert, RPM’s curator of art and civilization promises that, “Internationally renowned glassmaker Dale Chihuly’s creations will be sure to dazzle visitors of all ages with color, light and movement.”
According to author Kathryn Kanjo, “Like their art deco prototypes, a sense of function endures in Chihuly’s Venetians. The core forms — cones, cylinders, amphorae, bowls, ginger jars —suggest familiar vessels. Yet, if vessels imply reason, Chihuly’s applied ornamentation overwhelms in an organic flour- ish. The symmetrical core becomes a stoic base from which feathers, leaves, and ribbons burst forth. Handles spiral into disorder; lilies entwine exterior surfaces; glass prunts transform into scalloped flames. Iridescent, foiled, layered and mottled, both the vessel and the ornament boast active ‘Chihuly’ sufaces.”
About the Reading Public Museum
The Reading Public Museum is supported in part by grants from the Pennsylvania Council on the Arts and is located at 500 Museum Road, Reading. Admission per day is: $10 adults (18-64), $6 children/ seniors/college students (w/ ID) and free to Members and children three years old and under. The Museum is open daily 11 a.m. to 5 p.m. Web: www.readingpublicmuseum.org