The Standard Journal

Jury to decide whether ‘Stairway to Heaven’ riff is lifted

- By BRIAN MELLEY

The surviving members of Led Zeppelin were reunited Friday, June 17 in a Los Angeles courtroom as bassist John Paul Jones testified in defense of his bandmates in a highstakes copyright lawsuit that claims the band ripped off a riff used in “Stairway to Heaven.”

Jones said he never heard the band Spirit play, never met them and didn’t own any of their albums.

The estate for Spirit’s late guitarist Randy Wolfe, also known as Randy California, claims Led Zeppelin lifted a passage from the instrument­al “Taurus” and incorporat­ed it in the well-known introducti­on to “Stairway.”

If the estate is successful, it could be worth millions of dollars as the song continues to funnel a fortune to songwriter­s Jimmy Page and Robert Plant.

Led Zeppelin works that include “Stairway to Heaven” generated revenues of nearly $60 million over the past five years, economist Michael Einhorn testified.

Einhorn, who said he reviewed 50,000 pages of financial documents to reach that figure, conceded on cross-examinatio­n that some of the revenues came from a 2008 contract covering the band’s catalog of 87 songs. Led Zeppelin lawyers contend the contract falls outside the statute of limitation­s and shouldn’t be included in potential damages.

After Einhorn testified, the plaintiff rested its case. The defense opened with a musicologi­st, who cast doubt on whether the two songs are substantia­lly similar.

While experts for the plaintiffs previously said there are many similariti­es between “Taurus” and the intro to the 1971 “Stairway,” Lawrence Ferrara said the likeness was limited.

The main trait they shared, a notable descending minor chord progressio­n, is common building block in songs dating back 300 years and is found throughout pop music predating Wolfe’s compositio­n from 1967 or 1968.

“It’s not something anyone can own,” said Ferrara, a music professor at New York University.

Ferrara picked the songs apart note by note, playing the riffs on piano and comparing them to compositio­ns such as “My Funny Valentine” and the Beatles’ “Michelle.”

Comparing difference­s in the arrangemen­t of the same notes in both songs was like rearrangin­g the letters in “treason” to spell “senator,” Ferrara said, noting that the succession of letters makes a difference.

He said similar chord pairs other experts highlighte­d as important was like comparing pairings of the words “and the” in one short story to another.

“That I would not call a relevant similarity,” Ferrara said.

With Page and Plant seated at the defense table for the fourth day of trial, their bandmate Jones made a brief supporting appearance.

Jones, who is no longer a defendant in the case, provided backup to Page’s testimony that he had never met members of Spirit, despite opening for the band when Led Zeppelin made its U.S. debut in late 1968.

Page has said he knew some of Spirit’s music and owned a couple of their albums, but he never heard “Taurus” until his son-in-law showed him comparison­s to “Stairway” on the internet.

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