The Standard Journal

‘Memoirs of an Internatio­nal Diva’

- RN-T Features Editor

Even after so many efforts by Google, malicious apps somehow managed to fool its Play Store’s antimalwar­e protection­s and infect people with malicious software. The same happened once again when at least 50 apps managed to infect Google Play Store and were successful­ly downloaded as many as 4.2 million times — one of the biggest malware outbreaks.

Even after Google removed all the malwaretai­nted apps from its official Play Store marketplac­e, your smartphone­s will remain infected with the ExpensiveW­all malware until you explicitly uninstall the malicious apps, if you have downloaded any. Google has recently provided a security feature known as Play Protect that uses machine learning and app usage analysis to automatica­lly remove malicious apps from the affected smartphone­s to prevent further harm.

The massive Equifax data breach that exposed highly sensitive data of as many as 143 million people was caused by exploiting a flaw in Apache Struts framework, which Apache patched over two months earlier of the security incident, Equifax has confirmed.

Credit rating agency Equifax is yet another example of the companies that became victims of massive cyber-attacks due to not patching a critical vulnerabil­ity on time, for which patches were already issued by the respected companies.

Rated critical with a maximum 10.0 score, the Apache Struts2 vulnerabil­ity ( CVE- 2017- 5638) exploited in the Equifax breach was disclosed and fixed by Apache on March 6 with the release of Apache Struts version 2.3.32 or 2.5.10.1.

This flaw is separate from CVE-2017-9805, another Apache Struts2 vulnerabil­ity that was patched earlier t his month, which was a programmin­g bug that manifests due to the way Struts REST plugin handles XML payloads while deserializ­ing them, and was fixed in Struts version 2.5.13.

Right after the disclosure of the vulnerabil­ity, hackers started actively exploiting the flaw in the wild to install rogue ap-

It seems like Tor Browser zero-day exploits are in high demand right now — so much so that someone is ready to pay ONE MILLION dollars.

Zerodium — a company that specialize­s in acquiring and reselling zero-day exploits — just announced that it will pay up to USD 1,000,000 for working zero-day exploits for the popular Tor Browser on Tails Linux and Windows operating system. Tor browser users should take this news as an early warning, especially who use Tails OS to protect their privacy.

The company has also clearly mentioned that the exploit must leverage remote code execution vulnerabil­ity, the initial attack vector should be a web page and it should work against the latest version of Tor Browser. Moreover, the zero-day Tor exploit must work without requiring any user interactio­n, except for victims to visit a web page. Other attack vectors such as delivery via malicious document are not eligible for this bounty, but ZERODIUM may, at its sole discretion, make a distinct offer to acquire such exploits.

The nonprofit foundation also urges researcher­s and hackers to responsibl­y disclose vulnerabil­ities in Tor via its recently-launched bug bounty program.

“We think the amount of the bounty is a testament to the security we provide.

“We think it’s in the best interest of all Tor users, including government agencies, for any vulnerabil­ities to be disclosed to us through our own bug bounty,” a Tor Project spokespers­on told The Hacker News.

“Over 1.5 million people rely on Tor every day to protect their privacy online, and for some it’s life or death.

“Participat­ing in Zerodium’s program would put our most at-risk users’ lives at stake.”

Those interested can submit their exploit until Nov. 30, 2017, at 6 p.m. The company also notes that the bounty may be terminated before its expiration if the total payout to researcher­s reaches $1 million.

Indra Thomas shares her time between teaching at Shorter University and belting out notes in some of the most famous opera houses around the world.

Thomas is an opera singer. She studied at Shorter College and has traveled the world to internatio­nal acclaim. She’s considered one of the foremost Aidas in the world today, and has appeared at many of the world’s great opera houses such as the Metropolit­an Opera and the Vienna State Opera. She has appeared with top orchestras including the New York Philharmon­ic, the London Symphony, and Leipzig’s Gewandhaus Orchestra. Her debut at Carnegie Hall in “Messa di Requiem” by Verdi received excellent public and critical acclaim. She has a particular affinity for Verdi roles, her signature ones being in “Aida,” “Il Trovatore,” “Un Ballo in Maschera,” “Don Carlo” and “Otello” — as well as the Requiem, her favorite Verdi work.

And she does all this while being a professor of music-voice at Shorter.

“I do still perform and I teach full time,” Thomas said. “I perform a little less than I have normally been doing but I find a balance between the two.”

She’s currently preparing for an upcoming concert at the DeSoto Theatre — one that will showcase a variety of operatic styles and an eclectic mix of pieces — giving local audiences a unique opportunit­y to experience opera in a way most cannot (and many for the very first time).

“I’ l l be performing one of my favorite arias, “Pace, Pace Mio Dio” from the opera “La Forza Del Destino” by Verdi,” Thomas said. “I love Strauss so I’m singing a couple of his pieces as well as Gershin, and a few French pieces.”

She said she enjoys singing spirituals as well and those will be added to the program, offering a variety of pieces that most people would never be able to experience in a single performanc­e.

“I angst over every recital I give,” Thomas said. “One of my questions is what will interest the audience. I always go back to the idea that if I enjoy it and I show that and sing it that way, then the audience will enjoy it too. I’ve chosen pieces that I like to sing, pieces — classical, lightheart­ed and spiritual — that have a special place in my heart. I hope that comes across to the audience and they love them as well.”

But how does an opera singer in Rome, Georgia land a role to perform in some of the famous opera houses in Europe?

“One thing most people in the business have is a booking agent,” Thomas said. “They make calls to show producers and book you or they’ll book you an audition. At other times, people call asking specifical­ly for you to take a role. Some people call me directly about a role. It all depends on the show.”

But no matter if she’s performing at a famous opera house in Istanbul, or a small church in Georgia, Thomas treats each performanc­e the same.

“It doesn’t matter if it’s a role in a big production or a concert or a private function, I have to practice,” she said. “As soon as you get the part, you get the music immediatel­y and start practicing. We (she and pianist Sandra Lutters) have to get to a point where my voice and mind and body know the songs and the music so that the performanc­e seems effortless on stage.”

Thomas must schedule her own voice coaching and has set several days aside just for practicing for the upcoming concert at the DeSoto Theatre on Sept. 24. The concert, “Memoirs of an Internatio­nal Diva,” will open the Historic DeSoto Theatre Foundation’s 2017-2018 season and is presented by Heritage First Bank. It’s part of the Parker Fibernet Concert Series at the DeSoto.

Thomas is perhaps best known for her Aida in the one of the most famous operas by Italian composer Guiseppe Verdi.

She’ll be performing an aria from that iconic opera during the DeSoto concert and said when performing as Aida across the globe, there’s a lot of pressure that comes with such a well known role.

The opera tells the story of a Nubian princess, Aida, who has been captured by the Egyptians. An Egyptian military commander, Radames, struggles to choose between his love for her and his loyalty to the Pharaoh.

“There’s a lot of pressure in a role like that,” Thomas said. “Aida is one of the biggest operas out there from production to vocals. The characters are way bigger than the simple humans we are. There’s a lot of pressure there, especially for the main role because you feel like you have to carry the show. You have to build up the stamina and grit to carry the show for several performanc­es.”

But she loves the challenge of a role like that. Thomas remembers two particular performanc­es of Aida — in Orange, France and again i n Bregenz, Austria — both outdoor performanc­es which seemed magical at the time.

She hopes to share moments like that with a Floyd County audience on Sept. 24.

The concert will benefit the Historic DeSoto Theatre Foundation and organizers say it’s a special one for Romans who have known Thomas from her years at Shorter and First Presbyteri­an Church and who have followed her career through the years.

“We feel privileged to sponsor Indra Thomas’ performanc­e at the DeSoto Theatre stage for a can’t miss event for our community,” said Ryan Earnest, president of Heritage First Bank. “Our bank has been honored to partner with the Historic DeSoto Theatre Foundation in bringing a higher caliber of talent to our area for the past three years and this one is no exception.”

Ti c ket s for t he I nd r a Thomas c o ncert are available online at historicde­sototheatr­e.org or by calling 706-591-8377. General admission tickets will be sold at all Heritage First Bank branches until sold out. Prices are $17 for general admission, $37 for reserved seating, and $77 for VIP tickets which include reserved-area seating and the “Meet and Greet” Patron Party at 6 p.m. at the Heritage First Bank Headquarte­rs on Broad Street.

 ??  ?? Indra Thomas as Aida. Thomas will be performing an aria from the iconic opera during her “Memoirs of an Internatio­nal Diva” concert at the DeSoto Theatre on Sept. 24.
Indra Thomas as Aida. Thomas will be performing an aria from the iconic opera during her “Memoirs of an Internatio­nal Diva” concert at the DeSoto Theatre on Sept. 24.
 ??  ??
 ??  ??

Newspapers in English

Newspapers from United States