The Taos News

Larry Bell at 203

- BY TEMPO STAFF

203 FINE ART is currently showing a group of newly acquired Larry Bell Fractions. One of the most renowned and influentia­l artists to emerge from the Los Angeles art scene of the 1960s, alongside contempora­ries including Ed Ruscha, Bell had an internatio­nal reputation by the age of 30, even earning inclusion on the cover of the Beatle’s iconic Sgt. Pepper’s Lonely Hearts Club Band.

Known foremost for his refined surface treatment of glass and exploratio­ns of light, reflection and shadow through the material, Bell’s oeuvre goes beyond painting and works on paper to include sculpture and furniture design. Bell is also a musician and a collector of guitars.

Bell’s understand­ing of glass and light has enabled him to expand both visual and physical fields of perception in his work.

Best known for his iconic glass cubes and large-scaled illusionis­tic sculptures, Bell has been awarded grants from among others, the National Endowment for the Arts and the Guggenheim Foundation. His work is included in many important collection­s internatio­nally, and he continues to live and work in Taos, since moving here over 40 years ago, while maintainin­g a studio in Venice, California.

These works come out of the Oppenheim Collection, an important assemblage of Larry Bell and other significan­t LA art.

These unique collages on paper were created by Bell, as part of his “Fractions” project - an exploratio­n of perception on a flat plane. The Fractions are made from deconstruc­ted and re-assembled, and unresolved works, that were used to create new compositio­ns.

Nine of these are early Fractions among some of the first of the series, which began in 1996. The other two are from private Taos collection­s. This successful series of work appeals to the seasoned collector, as well as being accessible to new collectors of Larry Bell.

 ?? COURTESY IMAGE ?? Fraction #1120, 10 x 10”, mixed media on paper, Larry Bell 1996
COURTESY IMAGE Fraction #1120, 10 x 10”, mixed media on paper, Larry Bell 1996

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